Wednesday, October 30, 2013

REVIEW: National Association of Photoshop Professionals (NAPP) Cash Discount (Updated Jan-7-14)

 

CLICK HERE to learn about KelbyOne.com and my discount information

 

The following information no longer applies. Please see the above link.

 

NAPP Home Page

People ask me all the time if my NAPP membership is really worth it, and I always give a resounding YES. The reason why is because the magazine alone offers lots of great tips worth of the price. However, online you get great tutorials and training that are quick and to the point. What’s more you get help from experts in the community and so much more!

Here’s a quick overview of what you get:

Home Page

The Home Page (shown at the top of this article) is where you land after logging in and it usually features What’s New, a word from the director and general news. It also features a portfolio each week, so if you are lucky your portfolio could be featured for all NAPP members to see!

Tutorials

Sample of NAPP Tutorials
Here’s the top of the list of 48 tutorials offered at the time this was written
More are always being added too!

The Tutorials are what finally pushed me into joining. I had seen a friend working on a photo and he couldn’t remember how to do something, so he did a quick search of NAPP’s 1075 tutorials and found exactly what he was looking for (and it was even a video that show exactly how some hard to describe in words things worked). This was so cool, and I’ve found myself staying up WAY too late at nights sometimes enjoying the very cool tutorials here which will likely teach you how to do all your favorite Photoshop concepts.

Magazine

Sample of NAPP Magazine Content

To me the part of my NAPP membership that has helped me the most is my subscription to Photoshop User magazine. This magazine is VERY good because it features step by step tutorials on some of the latest Photoshop techniques from industry greats like Scott Kelby, Vincent Versace, Matt Kloskowski and much more. If you want to stay on the bleeding edge of what’s cool in the Photoshop world, and learn how to do it months (or even a year in some cases) before the technique shows up in a Scott Kelby book, then this is the magazine for you. There’s been so many times where I’ve learned a really cool technique from the magazine and immediately found myself using it as part of my regular digital workflow.

The Magazine section the NAPP site gives you digital access to samples files for the magazine as well as access to back issues.

Portfolios

Sample of NAPP Portfolios

Want to see some fantastic photography from the readers of NAPP? Check out the cool Portfolios section and prepared to be humbled! Remember, these people have probably been reading Photoshop User longer than you and have gone through a lot of the tutorials, so their portfolios rock. The level of talent amazes me on this site, and people are very good about providing feedback in a constructive way on your photos.

Help Center

Have a question about the latest gear? Want to know what Scott Kelby used for something (as I did once)? No problem – these people are great, and in fact I once had Laurie Excell answering my questions instantly at 2:00 AM in the morning! It was awesome!

Online Classes & LIVE Training

image
Here’s a snapshot of just some of the 40+ in-depth online courses that are broken up into multiple lessons totaling 1 to 2 hours each!

NAPP offers both KelbyTraining style training on Photoshop related subjects (photography stuff ends up on KelbyTraining). There’s lots of great content to help you get the hang of Lightroom, Photoshop and other Creative Cloud products.

Another place where you’ll save money as a NAPP member is on the LIVE training. When Scott Kelby or one of his team come to your city (even international classes offered) and you get a nice discount on admission. I’ve attended a bunch of these and always loved them. In fact, I even hosted a VIP Training event for only $79 for an ALL day class where my readers got to meet Scott Kelby! That’s less than $10 an hour to get training! It even included a great summary booklet to go with it, and I there’s always screaming deals KelbyTraining products (like books, DVD’s, etc…). These LIVE classes are always a excellent and a fantastic value.

Conclusion

I highly recommend you joining NAPP. I’ve never once regretted my membership. Between the discounts and the money you can save in the tutorials (versus other services) you’ll find that your membership investment is a wise one. If fact, it’s time for me to renew now so I better stop writing and go renew now.

Special Offer

Click here to go to the National Association of Photoshop Professionals (NAPP) web site, and then click the JOIN NAPP button. You should then see this page where you can enter my code NAPPRON15 (or it may automatically populate):

Exclusive NAPP Discount for ronmartblog.com readers

After you enter my code and click Check Code (or if it auto populates) you should see this under the boxes above:

NAPP Discount Applied

In your cart you’ll see the actual discount applied:

NAPP Discount In Cart

See my article entitled Exclusive NAPP Cash Discount to learn how you can save money on a NAPP membership! Visit the discount coupon code page for the latest details if you discover any problems with the codes, or for other offers.

***** CLICK HERE to ALSO learn more about KelbyTraining and how to get it for the lowest price on the Internet *****

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Disclosure

While I have been a member of NAPP for several years. As part of my review of KelbyTraining.com I was given a free membership to NAPP & KelbyTraining. I also may get a commission if you join NAPP here using my code.

NOTE: This site requires cookies and uses affiliate linking to sites that use cookies.

If you enjoyed this article, please support future articles like this by making a donation or saving money by using my discount coupon codes. Either way, your support is greatly appreciated!

This blog is intended for freelance writing and sharing of opinions and is not a representative of any of the companies whose links are provided on this site.

The opinions provided are of Ron Martinsen alone and do not reflect the view of any other entity

Tuesday, October 29, 2013

Olympus Stylus 1 Available for Pre-Order

Olympus Stylus 1 - 12MP 28-300mm f/2.8 (eqiv) lens
Olympus Stylus 1 - 12MP 28-300mm f/2.8 (eqiv) lens

Product Highlights

  • 12MP 1/1.7" BSI CMOS Sensor
  • 10.7x i.Zuiko Optical Zoom Lens
  • 28-300mm Equiv; f/2.8 Constant Aperture
  • Super Macro Mode with 2" Minimum Focus
  • 1.4M-dot High-Def EVF with Eye Sensor
  • 3.0" 1.04M-dot Tilt-Touch LCD
  • Full 1080p HD Video
  • Built-in Wi-Fi Connectivity
  • Hybrid Control Ring and Auto Lens Cap
  • Built-in Flash, Wireless, Hot Shoe

Where to order

Click here to learn more or order from the B&H web site.

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Disclosure

If you make a purchase using links found in this article, I may make a commission. It doesn’t cost you a penny more, but it does help to support future articles like this.

NOTE: This site requires cookies and uses affiliate linking to sites that use cookies.

If you enjoyed this article, please support future articles like this by making a donation or saving money by using my discount coupon codes. Either way, your support is greatly appreciated!

This blog is intended for freelance writing and sharing of opinions and is not a representative of any of the companies whose links are provided on this site.

The opinions provided are of Ron Martinsen alone and do not reflect the view of any other entity

Exclusive NAPP Cash Discount

 

CLICK HERE to learn about KelbyOne.com and my discount information

The following information no longer applies. Please see the above link.

With my new NAPP coupon code you can save $15 on your membership. This is a great deal on a great product (see my review) that includes the magazine and lots of helpful online resources.

If you are wondering what’s the difference between NAPP and KelbyTraining, the answer is simple – NAPP focuses on Photoshop training and includes a magazine, whereas KelbyTraining focuses on photography (at the time of capture) related subjects. They complement each other, but they don’t overlap as much these days as they used to in the past.

I’ve been working hard for a long time to bring this deal to you so I’m hoping you’ll enjoy it and take advantage of it!

Using the Coupon Code

Click here to go to the National Association of Photoshop Professionals (NAPP) web site, and then click the JOIN NAPP button. You should then see this page where you can enter my code NAPPRON15 (or it may automatically populate):

Exclusive NAPP Discount for ronmartblog.com readers

After you enter my code and click Check Code (or if it auto populates) you should see this under the boxes above:

NAPP Discount Applied

In your cart you’ll see the actual discount applied:

NAPP Discount In Cart

Kelby Training Deal

Kelby Training Discount
Kelby Training Features tons of great videos like this one that just released

Click here to see my review and special offer on Kelby Training as well!

Conclusion

I owe a lot of my success in digital photography to Scott Kelby, NAPP, Kelby Training, and Nik Software. However, when I got started about all I could afford was NAPP and getting Scott’s books from the library.

I never regretted my investment in NAPP and the Photoshop User magazine has really helped keep me on top of my game with new techniques.

I highly recommend it, and this deal is something I worked on for a long time so my friends could enjoy it too. I was never a fan of the lame deals that offered a book I already had or didn’t want – I wanted to save cash money so I’ve made that happen for you!

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Disclosure

If you make a purchase using links found in this article, I may make a commission. It doesn’t cost you a penny more, but it does help to support future articles like this.

NOTE: This site requires cookies and uses affiliate linking to sites that use cookies.

If you enjoyed this article, please support future articles like this by making a donation or saving money by using my discount coupon codes. Either way, your support is greatly appreciated!

This blog is intended for freelance writing and sharing of opinions and is not a representative of any of the companies whose links are provided on this site.

The opinions provided are of Ron Martinsen alone and do not reflect the view of any other entity

Monday, October 28, 2013

PhotoPlus 2013 Summary

Photography legends - Douglas Dubler & Michel Tcherevkoff
Photography legends - Douglas Dubler & Michel Tcherevkoff

I’ve been attending PhotoPlus for the past three years, but this was by far one of the best. It seems the economy is bouncing back, and so are the budgets of the big photography companies. As a result, the booths were impressive and the volume of new products coming out is incredible.

Lots of progress for ronmartblog.com

NEC displays 3 of my photos of its new 30" PA series display
NEC displays 3 of my photos of its new 30" PA series display
Shown here using sRGB and Full Color Gamut at the same time with PIP mode

As an independent blogger, the biggest problem I have is getting enough recognition from the big photography companies so that I can be added as a trusted source for early release information. This year I think I’ve finally got the right contacts and agreements to make that happen, so I’m excited to be in a better place to have information for you as soon as embargo dates are reached.

Thank YOU for your support in growing this blog so I could finally make this happen with some of the hold out companies from the previous year.

Lot’s of hands on love

I had a blast playing around with the new cameras and am very eager to bring you my full reviews. Below is a quick photo summary of some of the products I was able to try out with the full attention of the respective camera makers technical and/or marketing representatives:

The new Sony α7 & α7R were the most frequently talked about products at the show
The new Sony α7 & α7R were the most frequently talked about products at the show

The Zeiss Otus 55mm f/1.4 vs 50mm f/1.4 proved why it was bigger & more expensive
The Zeiss Otus 55mm f/1.4 vs 50mm f/1.4 proved why it was bigger & more expensive

Nikon AW1 proved to be a real underwater camera
The Nikon AW1 proved to be a real underwater camera

Nikon D610 had my attention after the D600 captured my camera of the year award last year
Nikon D610 had my attention after the D600 captured my camera of the year title last year

The D5300 was so advanced that many speculated if other models would need a quick refresh to catch up
The D5300 was so advanced that many speculated if other models would need a quick refresh to catch up

Fujifilm had me excited about their newest cameras
Fujifilm had me excited about their newest cameras

Fujifilm's Kayce Baker had some amazing prints that showed off the power of the x100s
Fujifilm's Kayce Baker had some amazing prints that showed off the power of the x100s

Canon 1D X Firmware Update
Canon's only highlight was the firmware update for the 1D X,
but I was still excited as an owner of that camera

Conclusion

PhotoPlus is open to the public each year in late October in New York City. I highly recommend it as a it’s a place where you can learn about the latest gear and rub elbows with the who’s who of the photography business. It’s expensive, but if you do business in the photography industry it’s worth it.

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Disclosure

If you make a purchase using links found in this article, I may make a commission. It doesn’t cost you a penny more, but it does help to support future articles like this.

NOTE: This site requires cookies and uses affiliate linking to sites that use cookies.

If you enjoyed this article, please support future articles like this by making a donation or saving money by using my discount coupon codes. Either way, your support is greatly appreciated!

This blog is intended for freelance writing and sharing of opinions and is not a representative of any of the companies whose links are provided on this site.

The opinions provided are of Ron Martinsen alone and do not reflect the view of any other entity

Wednesday, October 23, 2013

FIRST LOOK: Fujifilm X-E2 & X-Q1 (ISO 12,800)

I was at PhotoPlus in New York today and got a sneak preview of the X-E2 and X-Q1. While these are PRE-RELEASE models and NOT FINAL, they do show that even at ISO 12,800 the image quality is pretty great. I also found the auto focusing on the X-E2 to be comparable to the X100s which is fantastic. I’m super excited and plan to be ordering on of these myself!

CN3P1337
Using the 55-200mm lens, I was impressed with the X-E2 image quality – especially at ISO 12,800


CN3P1338

Zooming in on the shot above, I couldn’t see any serious noise despite the high ISO

CN3P1339
In looking at the hair, I didn’t see significant detail smearing either

CN3P1340
It was only when I moved to the wall areas that I could see the noise,
but it wasn’t anything that
Noiseware couldn’t easily clean up


 CN3P1341

The 55-200mm pleased me with its fast auto focus indoors in poor lighting conditions

  CN3P1334
This might very well be my next camera – I’m pretty jazzed at what I saw at the preview

 CN3P1335
Fujifilm claims that while this shares the same sensor and processor as the x20,
that is where the similarities end. They claim better performance in a more
compact shape, and from what I saw I think they might be right!

 CN3P1336
To help address the lack of physical controls, the Fn button on the bottom right brings up this menu
which repurposes all of the buttons. It also shows the purpose of the dial on the front of the
camera behind the lens (see the image on the left of the display).It works well, but
I’d rather my Q menu!
 

For more information, see my article entitled Have My Dream Fujifilm Cameras Arrived? (X-E2 & X-Q1)–Sample Images Gallery Link Included. Please keep in mind that these are photos of photos taken from pre-production cameras so the quality shouldn’t be fully judged by these images. My eyes liked what they saw and I can only hope it will get better when they are released!

My apologies for the ugly images, but I wanted to get these up and live quickly!

Where to order

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Disclosure

If you make a purchase using links found in this article, I may make a commission. It doesn’t cost you a penny more, but it does help to support future articles like this.

NOTE: This site requires cookies and uses affiliate linking to sites that use cookies.

If you enjoyed this article, please support future articles like this by making a donation or saving money by using my discount coupon codes. Either way, your support is greatly appreciated!

This blog is intended for freelance writing and sharing of opinions and is not a representative of any of the companies whose links are provided on this site.

The opinions provided are of Ron Martinsen alone and do not reflect the view of any other entity

Welcome B&H Seminar Attendees

Thanks for joining me at my B&H Seminar today!

Here’s a follow up landing page that covers some of the things I covered in the class today.  You can also interact with me on my Facebook page!

  • Click here to get the PowerPoint from the presentation today

Related articles

Camera Reviews

The full list of products reviewed is on the RIGHT side of this blog (scroll up and down the entire blog to see the complete list), but here are some of the more relevant ones:

  • Canon 5D Mark III First Look (For Parents Version)
  • Canon 6D (vs Canon 5DM3 & D600)
  • Canon 70D (Part II)
  • Canon Rebel T5i/700D
  • Canon EOS M
  • Fujifilm X20 (My personal P&S camera)
  • Fujifilm X100s
  • Fujifilm X-E1
  • Fujifilm X-E2 & X-Q1 Preview
  • Fujifilm XPro-1
  • Nikon D4
  • Nikon D600 (vs Canon 5DM3 & 6D)
  • Nikon D800
  • Nikon D7100 - A Mini D800?
  • Olympus OM-D E-M5 (with 2 lenses)
  • Panasonic GF6 & LX1
  • Sony a3000
  • Sony DSC-RX1 (Full Frame Compact Camera)
  • Sony DSC-RX100 II vs RX100 I
  • Sony NEX-7
  • New Nikon, Panasonic & Sony Cameras available for Pre-Order

    Stay up to speed on the latest deals and news by signing up for my Hot Deals Newsletter!

    Learn more about Ron on the About page of this blog (see the aqua colored bar) and click here to learn more in his Scott Kelby guest blog.

    Images to consider

    Let The Eyes Tell The Story article – This image demonstrates that even with thousands of dollars worth of the best gear, you still need to post process to get that finished look that we expect from our images.

    Unedited Fujifilm X10 Image


    Nikon D600
    f/5.6 @ 36 mm, 1/40, ISO 5000, WB 5560K (kit lens)
    This shot prints beautifully with ZERO post-processing on letter sized paper


    Sony RX100 II
    f/5.6 @ 26.57 mm, 1/200, ISO 160
    The geek in me got pretty excited at the detail in this shot that my wife took.
    There is zero post-processing and zero additional sharpening here – WOW!


    Panasonic LF1 (In-Camera HDR)
    f/4.1 @ 14.2 mm, 1/60, ISO 400, No Flash


    Canon EOS 70D
    f/5.6 @ 55 mm, 1/500, ISO 100, No Flash, Shade White Balance


    Canon 6D Unedited (Edited)

    Olympus OM-D E-M5 Bee Macro Shot
    Olympus OM-D E-M5
    There are certainly plenty of WOW moments with this camera!
    Unedited Cropped Macro Shot (Click for Original) with 14-42mm Kit Lens
    f/11 @ 41 mm, 1/200, ISO 200


    Fujifilm X-E1


    Fujifilm x100s

    Thanks for attending and stopping by to visit my blog!

    Ron

    P.S. My apologies for the formatting on this article – I was on my laptop with no mouse.

    NOTE: This site requires cookies and uses affiliate linking to sites that use cookies.

    If you enjoyed this article, please support future articles like this by making a donation or saving money by using my discount coupon codes. Either way, your support is greatly appreciated!

    This blog is intended for freelance writing and sharing of opinions and is not a representative of any of the companies whose links are provided on this site.

    The opinions provided are of Ron Martinsen alone and do not reflect the view of any other entity

    Tuesday, October 22, 2013

    PRESS RELEASE: Canon Firmware Upgrades for the EOS-1D X AND EOS-1D C Digital SLR Cameras Deliver Improved Creative Control and Convenience

    Firmware Version 2 for the EOS-1D X is Based on Extensive User Input and Provides More Efficient Autofocus Performance in Low Light, Custom Controls, and Improved User-Programmed Functionality

    MELVILLE, N.Y., October 22, 2013 – Canon U.S.A., Inc., a leader in digital imaging solutions, announces improvements in the functionality and convenient operation of the EOS-1D X Digital SLR camera and the EOS-1D C Digital SLR Cinema camera through new firmware scheduled to be available starting in January 2014 and November 2013, respectively. Firmware enhancements for the EOS-1D X Digital SLR camera are designed to provide photographers with greater creative freedom and speed, especially in sectors such as sports, wedding, nature/wildlife, and journalism, which often contain rapidly changing action, sometimes in low-light environments. Service enhancements for the EOS-1D C Digital SLR Cinema camera improve lens performance, lens status display, metadata storage, and audio recording.

    “Canon constantly strives to provide our customers with advanced and innovative technology in our products,” noted Yuichi Ishizuka, executive vice president and general manager, Imaging Technologies & Communications Group, Canon U.S.A. “We understand the daily life of photographers, we listen closely to what they have to say, and we use their feedback in our constant efforts to improve existing products and develop new ones. The latest Canon firmware for the flagship EOS-1D X Digital SLR camera provides better automation to help photographers fine-tune how the camera operates moment-by-moment so users can concentrate on creativity and success. Filmmakers have also requested improved functionality for the EOS-1D C Digital SLR Cinema camera, and its new update delivers.”

    Improved Operability for the EOS-1D X

    Developed as the ultimate Canon EOS camera, the EOS-1D X Digital SLR is designed with foresight that enables its performance to be periodically improved with new firmware upgrades, helping to ensure maximum long-term value for owners and users of the camera. These improvements are engineered to support and advance the evolving creative needs and business imperatives of professional photographers and committed high-end amateurs. The features provided by firmware version 2 are designed for more efficient automation that takes the task of changing settings away from the “heat of the moment” and enables photographers to concentrate on creativity and obtaining valuable shots. Firmware version 2 upgrades and operability additions include a total of 10 features that are now new or improved:

    • AF Performance with Moving Subjects – For greater creative control, additional parameters have been added to AI Servo 2nd Image Priority, enabling users to adjust these settings for more accurate AF performance according to the situation at hand. Photographers can fine-tune the balance between prioritizing focus versus the framing rate for the second and subsequent shots in a burst.
    • Enhanced AI Servo AF Performance in Low Light Conditions – The AI Servo focusing algorithm has been improved to allow more time for light sampling during AF activation prior to shutter release, enhancing AF performance in low-light situations. Additionally, initial AF control is now based on the new “+2 focus priority” setting of AI Servo 2nd Image Priority, which has higher distance measurement capabilities under low-light conditions. Upon full depression of the shutter button, settings from AI Servo 1st Image Priority take over and then settings from AI Servo 2nd Image Priority are applied on any subsequent images in the burst. This increases the probability that the first image in a burst sequence will be as sharp as possible.
    • Improved Acceleration/Deceleration Tracking Parameters – To improve tracking performance of fast-moving subjects that fill the frame, additional parameters for acceleration/deceleration tracking in AI Servo AF have been added to provide photographers with more precise control when photographing rapidly moving subjects that accelerate or decelerate quickly or unexpectedly. In response to feedback from professional photographers, these new settings have been added to handle larger differences in speed (i.e., the rate of change in image magnification) compared to the previous firmware.
    • Selection of Initial AF Point While Shooting in 61-Point Auto Selection AF – This new option in the AF Menu provides more continuity when switching to 61-Point Auto Selection AF from any other AF Point Selection mode. The option maintains the AF point selected from the previous Selection mode as a starting point for 61-Point Auto Selection AF. It also maintains the ability to change to a pre-programmed AF point when changing the Selection mode. This time-saving option is designed to help eliminate the need to stop and think, and helps photographers to customize their individual shooting style.
    • AF Point Switching According to Camera Orientation – In addition to programming the EOS-1D X camera to automatically switch to a different AF point and area selection mode based on camera orientation, firmware version 2 adds the option of programming only the AF point according to camera orientation (horizontal, grip up and grip down). This new ability to select up to three different AF points according to camera orientation allows for greater customization of the camera to specific shooting styles.
    • Expanded Minimum Shutter Speed in Auto ISO – In response to user feedback, this improved functionality in Auto ISO enables photographers to select a minimum shutter speed as high as 1/8000th of a second to freeze moving subjects.
    • Exposure Compensation in Auto ISO with Manual Mode Set – This new function enables photographers to manually set a desired shutter speed and aperture, use Auto ISO to control the exposure, and use Exposure Compensation to adjust the exposure for challenging lighting conditions (e.g., a very dark or very bright background). This new function can be activated through the Quick Control Dial or by using the Main Dial while pressing the SET button.
    • Toggling Between Alternate Camera Settings – EOS-1D X camera users can now toggle between three groups of camera settings instantly by pressing the shutter button, AE Lock button [*] or the AF-ON button. Selectable settings that can now be assigned to the AE Lock and AF-ON buttons via Custom Controls include:

    o   Currently selected AF point vs. pre-registered AF point

    o   AI Servo AF configuration sets (Case 1 through Case 6)

    o   One-Shot AF vs. AI Servo AF

    o   Currently selected drive mode vs. 14 fps Super High Speed drive mode

    With these new options, photographers can reconfigure their EOS-1D X camera on the fly, while keeping their eye on the viewfinder to maintain concentration on the shot they are trying to get. For example, the camera could be set up for One-Shot AF and single shot drive mode on the shutter button, AI Servo AF in Case 1 with high-speed continuous drive mode on the AE Lock button, and AI Servo AF in Case 4 with super-high-speed 14 fps continuous drive mode on the AF-ON button.

    • Same Exposure for New Aperture in Manual Mode – This new firmware feature provides users with the ability to maintain consistent exposure levels in Manual mode when the aperture changes, for example when a photographer shoots at maximum aperture with a variable-aperture lens (such as the Canon EF 70-300mm f/4-5.6L IS USM telephoto zoom) or when using a lens equipped with built-in extender (such as the EF 200-400mm f/4L IS USM Extender 1.4X). The feature gives users the option to have the camera adjust the shutter speed or the ISO to compensate for the aperture change.
    • Display Protected Images Only – Users can now page through protected images only via an option on the main dial. This feature already exists with rated images, and is an expansion of that capability.

    Enhancements for the EOS-1D C

    A versatile, self-contained 4K cinema camera as well as a robust still photography camera, the Canon EOS-1D C will also benefit from a new service update that further enhances the performance of this unique imaging device.

    • EF Lens Communication – The new service update for the EOS-1D C Digital SLR Cinema camera will enable Canon EF-mount Cinema lenses to store lens metadata in the video recorded by the camera. Furthermore, Canon EF-mount Cinema lenses will be supported by Peripheral Illumination and Chromatic Aberration Correction functions, helping to improve overall image quality [1].
    • Audio Recording – In response to user requests, audio on the EOS-1D C camera has also been enhanced. Currently audio recording is limited to a MIC input, but the forthcoming service update will permit selection of LINE or MIC input, allowing use of a wider variety of external audio sources.

    New Firmware Release Schedules and Installation Procedures

    Firmware version 2 for the EOS-1D X Digital SLR camera is scheduled to be posted on the Canon U.S.A. website in January 2014. Users will be able to download and install the new firmware on their own, or have it installed by an authorized Canon Factory Service Center. For more information please visit: www.usa.canon.com/eos1dxfirmware.

    The update for the Canon EOS-1D C Digital SLR Cinema camera is scheduled to be available November 2013, and will be installed at no charge as a service upgrade that requires the camera to be sent to an authorized Canon Factory Service Center. For more information please visit:  www.usa.canon.com/CinemaEOSFirmwareUpdate.

    About Canon U.S.A., Inc.                                                                                                         

    Canon U.S.A., Inc., is a leading provider of consumer, business-to-business, and industrial digital imaging solutions. With approximately $40 billion in global revenue, its parent company, Canon Inc. (NYSE:CAJ), ranks third overall in U.S. patents registered in 2012† and is one of Fortune Magazine's World’s Most Admired Companies in 2013. In 2013, Canon U.S.A. has received the PCMag.com Readers’ Choice Award for Service and Reliability in the digital camera and printer categories for the tenth consecutive year, and for camcorders for the past three years. Canon U.S.A. is committed to the highest level of customer satisfaction and loyalty, providing 100 percent U.S.-based consumer service and support for all of the products it distributes. Canon U.S.A. is dedicated to its Kyosei philosophy of social and environmental responsibility. To keep apprised of the latest news from Canon U.S.A., sign up for the Company's RSS news feed by visiting www.usa.canon.com/rss and follow us on Twitter @CanonUSA.

    ###

    †Based on weekly patent counts issued by United States Patent and Trademark Office.

    All referenced product names, and other marks, are trademarks of their respective owners.

    [1] Lens compatibility updates do not apply to top-end Canon EF Cinema zoom lenses CN-E30-300mm T2.95-3.7 L S and CN-E14.5–60mm T2.6 L S.

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    NOTE: This site requires cookies and uses affiliate linking to sites that use cookies.

    If you enjoyed this article, please support future articles like this by making a donation or saving money by using my discount coupon codes. Either way, your support is greatly appreciated!

    This blog is intended for freelance writing and sharing of opinions and is not a representative of any of the companies whose links are provided on this site.

    The opinions provided are of Ron Martinsen alone and do not reflect the view of any other entity

    Monday, October 21, 2013

    Long-Term Report: Canon iPF6450 (Review Part II)

    Canon iPF6450
    Canon iPF6450
    39.4 x 48.3 x 34.3" (100.08 x 122.68 x 87.1 cm) with stand
    154 lb (69.85 kg) including stand

    Read my iPF6300 review for much of what I love about the Canon imagePROGRAF printers. You can also see my Canon imagePROGRAF® 6400/6450 Comparison to the iPF6300/6350 article to see how this printer compares to its predecessor.

    This article focus primarily on what’s new, and in the case of the hard drive – new to me (because the previous models offered a hard drive too).

    Loving the Large Ink Cartridges

    Anyone who has printed knows that the smaller the ink cartridge, the more expensive the ink. Small also means more hassle, so I’ve loved the huge ink cartridges in the iPF6450. However, the best part is that Canon thought about people upgrading from the x3xx series printers and the availability of ink, so this printer will take either the short cartridges from the x3xx series or the long one ones from the newer x4xx series printers. This gives you options to get going if the big tank isn’t available, or if you find that you are only needing the large tanks for specific colors (like black). It’s not an all or none deal, so you mix and match cartridge sizes based on your needs – brilliant!

    While your mileage will vary based on your images, the size of images you print, etc… I can say that with my iPF6300 I was able to do 100 large prints (16x24 & up to 54x24) before I had my first set of starter inks go dry (black). For the iPF6450 I’ve yet to replace an ink cartridge after a year, but my maintenance cartridge only has 40% capacity left.

    No Clog Problems

    Time flies when you are busy, so it’s not uncommon for me to go long stretches without printing. As much as I love printing, the reality is that most of my clients are online and only want digital copies of my images. As a result, I print mostly for myself.

    When I test a printer, not only do I test how it prints – I also want to test how it holds up over time with no activity. I have 6 printers to chose from in my studio, so I can easily avoid using one for a while. As a result, I chose to leave the iPF6450 off for 6 months.

    If I leave my Epson 4900 off for a couple days, I’m rewarded with over an hour of manually doing print head tests and power cleanings trying to get the darn thing to print properly again. It’s been my biggest complaint of the 4900, but clogging was never a problem with my heavily used iPF6300. For the iPF6450 testing I’d go days or weeks without printing and it would always work just fine.

    When I did my 6 month test, I fully expected to have some problems but I was pleased to report that the printer seemed to take care of itself when I turned it on. Sure it detected its own clogs that had to be there, but it sorted them all out with me never doing a darn thing. Once it settled down I did a print head test pattern just to make sure it was okay, and sure enough no heads were clogged. I was able to print with no hassle or problems and the printer handled everything itself. THIS IS HOW IT SHOULD BE!

    When I leave the printer always on it also shakes its inks and keeps itself happy so those big automatic self-cleanings don’t seem to be necessary (or they happen when I’m not around). The point here is that I’ve never had my work delayed due to head clogging, and I’ve never had to do anything manually to get my printer to print properly. This is a TREMENDOUS advantage over the Epson 4900 that I’ve used, and complaints I’ve heard from colleagues using the 7900.

    Get the Hard Drive!

    image
    Print to the Hard Drive for later instead of direct to paper
    Store print jobs of similar types in different “inboxes”

    After having the iPF6300 with no hard drive and the iPF6450 with the hard drive, I can easily say that I’d never want to go back to not having the hard drive! The convenience of being able to walk up to the printer and get a perfect re-print without any hassle or consulting my notes is a HUGE time saver!

    I also love that I can output to the “mail box” (i.e., the hard drive) for printing at later time, rather than having to print right away. This is especially useful if you want to queue up a bunch of jobs that will require paper changes because you can store each job of a given paper type into the same inbox. With 29 to choose from, this gives you lots of freedom to do what you need to do on your computer and get your jobs queued up. Once you are ready to print you can release the jobs from the printer and optimize your workflow (and print costs) by not having to change rolls frequently.

    A perfect real world example for me is that I’ll often print using Semi-Gloss, Photo Rag, and Metallic. In the past, I couldn’t predict when I’d need to print one versus the other so I’d typically switch rolls when I needed to print on a different paper. Now with this feature I just print Semi-Gloss to Inbox 1, Photo Rag to 2, and Metallic to 3. This allows me to not have to get off my lazy butt until I’m done with my work, and it lets me queue up my work by paper type. Once I need the prints of any paper type I just go to the printer, print whatever is in the queue for the currently loaded paper, then change the roll to what I need and print the queued jobs from that inbox.

    This is both useful in scenarios where I’m doing a lot of jobs at once, as well as the scenarios where I may not need to print something right away so I can just leave it in the mailbox for the appropriate paper type until I get around to changing the roll to that type. This has saved me from a lot of wasted roll changes and consequently a lot of money and time as well!

    I LOVE, LOVE, LOVE this feature!

    Adjustment Pattern Print

    Adjustment Pattern Setting
    Adjustment Pattern Print – Another reason to upgrade

    The feature that I’m most excited about and have loved over the past year is the Adjustment Pattern Print feature. This feature first appeared in the PRO-1 and I immediately fell in love with it. When I was in New York last year getting a demo of my future printer, I was ecstatic to hear that this printer would feature pattern print!

    Pattern Print is basically a new feature in the Photoshop Export Module that allows you to a “what if” test print of the variables you might change in the dialog below. Want to see five different versions of your print with the brightness adjusted five different ways (in three point increments) – no problem! What to go a step farther and adjust the saturation for those five different brightness test prints? No sweat (see the dialog above for the result). Once you are done you just click Print Adjustment Pattern button and you get a sheet of test prints.

    image

    Want to conserve paper? Specify the test strip that you’d like to use with the “Specify the Range of Images…” button and select what’s important in your image:

    image

    Now you’ll get a test strip instead of the whole image with whatever adjustments you want. Since you can specify paper size, you can do all of this on a small sheet of paper if you want.

    Once you are all done and have decided what values you want to use, just enter those values in the Color Settings page and you are done!

    If you are really big into “what if” scenarios, you can repeat the process for Cyan, Magenta, Yellow, Gray Tone, Brightness, Contrast and/or Saturation. However, you can only do up to two at a time.

    Yeah, but…

    When I first learned of this feature, I thought “cool”, but then I also thought – yeah, but I never use the Color Settings sliders for MY prints! I do all of my stuff in Photoshop, so I’ll never use this feature. However, when I started using the hard drive I realized – hey, if I can get the same EXACT result again off the hard drive – why should I be afraid to use the colors settings?

    The answer was clear – there’s no reason NOT to use them once you have the hard drive! I’ve updated my workflow to add a screenshot of this color settings to the hidden layers in my image where I keep my print log (JUST in case something happens to the hard drive or I have to delete jobs). However, in reality I just go find the job on the hard drive and click print from the control panel if I want to get my desired settings.

    Once again, the iPF6450 had me saving both time and money over my iPF6300.

    Sorry x3xx owners

    As a programmer, I see no technical reason why the pattern print feature couldn’t be ported back to the iPF6300 & up printers. It’s just a software feature, but I’ve been told by Canon that this feature will be a selling point exclusive to the x4xx and up models. As a result, if you want this you’ve gotta pay for it.

    Of course, people have already invented this concept in Photoshop but I’ve not found any that I’ve liked. If you can find one you like then you’ll get this feature without having to upgrade your printer, but so far the solutions I’ve tried in Photoshop have left me underwhelmed (or required 8-bit images only).

    Image Quality

    Like it’s predecessor the image quality is excellent. I use and love Epson printers too, but I don’t find the Canon’s to be drastically superior or inferior to the Epson’s. They both produce amazing results and my blind testing with a group of print masters resulted in very few accurately identifying which print came from an Epson and which came from a comparable Canon.

    If you already own a x3xx (i.e., 6300, 6350, 8400) then I don’t see enough new features to warrant an upgrade. There are also enough variations in the print results between the older models and the new ones that you will be frustrated if you send the same photo to both generation printers and see that you get different results. In some cases I preferred the results I got on my iPF6300 which meant that I had to readjust my image to get the desired results on the iPF6450. That really annoyed me, so be warned about that reality.

    I do find that the included printer profiles have improved. I wish more third parties would start creating media type files (AM1), and I wish there were more printer profiles for the x4xx series. While the selection of ICM/ICC profile files keeps getting better, it’s still not as readily available as Epson or older Canon models.

    Conclusion

    I’ve been extremely pleased with this printer overall, and I can easily HIGHLY recommend this printer to anyone looking to go large. While large format printers can print sheets, they don’t do it as easily as small printers (i.e., no roll bypass) so I still prefer to use the PRO-1 for my sheet work.

    Canon shooters can also get amazing results by simply printing their in-camera JPEG with no modifications directly to this printer, so those looking for a simplified workflow might appreciate that feature. I still edit my photos for many reasons, but it’s been nice having that option when I need a quick print from an unedited JPEG for a family member or friend.

    I can also say that if you can possibly afford it, skip the iPF6400 and go straight for the iPF6450 – the hard drive will pay for itself in no time if you calculate the cost of your time.

    Where to order

    Click one of the links below to learn more or order your new printer today:

    iPF6400, iPF6450, iPF8400 and iPF9400 at B&H

    iPF6400, iPF6450, iPF8400 and iPF9400 at Amazon

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    Disclosure

    If you make a purchase using links found in this article, I may make a commission. It doesn’t cost you a penny more, but it does help to support future articles like this.

    NOTE: This site requires cookies and uses affiliate linking to sites that use cookies.

    If you enjoyed this article, please support future articles like this by making a donation or saving money by using my discount coupon codes. Either way, your support is greatly appreciated!

    This blog is intended for freelance writing and sharing of opinions and is not a representative of any of the companies whose links are provided on this site.

    The opinions provided are of Ron Martinsen alone and do not reflect the view of any other entity

    Join Ron at B&H in New York on Oct 23, 2013

    Click to register

    I will be doing a seminar again this year at the B&H Superstore in New York City on October 23rd at 10:00 AM Eastern during the week of the PhotoPlus Expo.

    Click here to register for my event, and go to http://www.photoplusexpo.com to learn more about attending the biggest and best photography related conference in the country this year.

    NOTE: This site requires cookies and uses affiliate linking to sites that use cookies.

    If you enjoyed this article, please support future articles like this by making a donation or saving money by using my discount coupon codes. Either way, your support is greatly appreciated!

    This blog is intended for freelance writing and sharing of opinions and is not a representative of any of the companies whose links are provided on this site.

    The opinions provided are of Ron Martinsen alone and do not reflect the view of any other entity

    Friday, October 18, 2013

    Nikon D610 NOW Shipping and in Limited Stock

    Nikon D610 DSLR Camera (Body Only)
    Nikon D610 DSLR Camera (Body Only)

    Limited quantity available so click here to ORDER NOW!

    I thought the D600 was my favorite Nikon ever, so I’ve jumped on this one to review it when I get back from New York next week.

    Where to order

    Click here to order or learn more.

    Other articles you may enjoy

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    Disclosure

    If you make a purchase using links found in this article, I may make a commission. It doesn’t cost you a penny more, but it does help to support future articles like this.

    NOTE: This site requires cookies and uses affiliate linking to sites that use cookies.

    If you enjoyed this article, please support future articles like this by making a donation or saving money by using my discount coupon codes. Either way, your support is greatly appreciated!

    This blog is intended for freelance writing and sharing of opinions and is not a representative of any of the companies whose links are provided on this site.

    The opinions provided are of Ron Martinsen alone and do not reflect the view of any other entity

    Thursday, October 17, 2013

    Have My Dream Fujifilm Cameras Arrived? (X-E2 & X-Q1)–Sample Images Gallery Link Included

    If you read my x100s review, you know that I loved that camera – A LOT. However, I would never spend that kind of money for a fixed lens camera. It just makes no sense to me. However, I wanted a x100s in a X-E1 body, and it seems that Fujifilm has both listened and delivered!

    A interchangeable lens camera with the X-Trans CMOS II and EXR Processor II is exactly what I wanted, and the lens line up for XF lenses keeps getting better and better. I can’t wait to get my hands on this one!!!

    With a 1D X as my primary shooter, this camera might just be the one that causes me to give up my 5D Mark III in favor of a more compact second camera.

    Fujifilm X-E2 KIT w/18-55mm (Black)
    Fujifilm X-E2 KIT w/18-55mm (Black)
    – (Adorama)
    Body Only Link – (Adorama)

    Fujifilm X-E2 KIT w/18-55mm (Silver)
    Fujifilm X-E2 KIT w/18-55mm (Silver)
    – (Adorama)
    Body Only Link – (Adorama)

    *** CLICK HERE to see sample images taken with the X-E2 ***

    Fujifilm X-Q1 – Perhaps my next Point & Shoot!

    I loved my x10 so much that I named it my Point & Shoot of the Year a few years back, so it was a no brainer for me to get the x20. As much as I love it, it would be nice to have something that is a little smaller – especially when my wife and I are out on a formal dinner date.

    Everything I see from the specs on this one sounds good, so I am excited to see it in New York next week. I’m even more excited about reviewing it!

    Fujifilm X-Q1 (Black)
    Fujifilm X-Q1 (Black)

    Fujifilm X-Q1 (Silver)
    Fujifilm X-Q1 (Silver)
    – (Adorama)

    Conclusion

    I’m very excited about these cameras and can’t wait to review them. I really hope I can get my review unit soon and have one under the Christmas tree this holiday season!

    Where to order

    Click any of the links above to learn more or pre-order these cameras.

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    Press Releases

    The following are the official unedited press releases for these cameras:

    FUJIFILM ONCE AGAIN REDEFINES THE PHOTOGRAPHIC EXPERIENCE WITH THE NEW X-E2

    New X-E2 digital camera features high-speed hybrid AF with phase detection, lens modulation optimizer and professional movie capture

    Valhalla, N.Y., October 18, 2013 – As a leader in advanced digital camera technology and outstanding image resolution, FUJIFILM North America Corporation today announced the new FUJIFILM X-E2, a premium interchangeable lens camera featuring the latest generation 16.3 Megapixel APS-C X-Trans CMOS II *1 sensor and the segment’s fastest autofocus of 0.08 seconds*2 for a truly remarkable photographic experience.

    As the fifth interchangeable lens camera system introduced within the award-winning FUJIFILM X-Series, the FUJIFILM X-E2 delivers picture quality that rivals full-frame cameras with high definition image capture, Fujifilm’s legendary color reproduction and category-leading speed.

    “Outstanding image quality and beautiful design are the hallmarks of the FUJIFILM X-Series experience, and today’s announcement of the new X-E2 shows Fujifilm’s unrelenting commitment to photographic excellence,” said Manny Almeida, senior vice president and general manager, FUJIFILM North America Corporation, Imaging and Electronic Imaging Divisions. “With the X-E2, photographers will immediately be amazed by its high-speed hybrid AF with phase detection, pin-sharp image quality, and improved HD movie capture for endless photographic possibilities.”

    Award-winning 16.3 Megapixel APS-C X-Trans CMOS II sensor and EXR Processor II

    The FUJIFILM X-E2 uses the 16.3 Megapixel APS-C X-Trans CMOS II sensor which expertly controls moiré and false color generation. This is attained by using an original color filter array with a highly randomized pixel arrangement that removes the need for an Optical Low Pass Filter (OLPF) that degrades resolution. The image quality in the X-E2 is further refined by the inclusion of the first Lens Modulation Optimizer (LMO) for interchangeable lens cameras.

    The EXR Processor II in the new X-E2 more than doubles the processing speed*3 of the previous generation. It is able to harness the information taken from over 100,000 phase detection pixels incorporated in the X-Trans CMOS II to deliver extraordinary imaging capability.

    This advanced technology has been made possible by the integrated development of lens, sensor and processor, and is based on the optical performance and characteristics of individual lenses. With each of these components working together, the X-E2 achieves astonishing resolution, extends dynamic range, and reduces noise at high sensitivity.

    Fast and accurate focusing

    The FUJIFILM X-E2 gives photographers and enthusiasts ultra-fast response times to catch even the quickest memorable moments. The X-E2 has a rapid startup time of 0.5 seconds*4, minimal shutter lag of 0.05 seconds, and high-speed continuous shooting of 7.0 fps (up to approx. 28 frames) *5.

    With its auto switching AF, the X-E2 combines contrast AF with an improved phase detection AF algorithm that provides accurate capture of low-contrast subjects in low light as well as high-speed responsiveness.

    Manual focus made easier

    Manual focus has been made easier by the inclusion of Digital Split Image*6 technology. This helps the user achieve pin-sharp focusing by simply adjusting focus to line up the four stripes displayed in the central part of the live view. Focus Highlight Peaking allows for an outline in

    high contrast areas of subjects during focusing, further assisting the photographer in achieving stunningly sharp images.

    Classic design and intuitive operation

    The FUJIFILM X-E2 continues the tradition of the X-Series with uncompromising craftsmanship and classic design that puts the photographer first. The X-E1 features manually adjustable shutter speed and exposure compensation dials, which has been increased to ±3 EV, for easy controls. The X-E2 also allows users to customize up to four buttons on the top and back of the camera to suit their own shooting style.

    The X-E2 features a bright and accurate 2.36 million dot OLED viewfinder with Fujifilm’s original optical design for a distortion-free field of view. A premium clear 3” LCD screen with 1.04 million dot resolution and reinforced glass gives users high viewing angles and a true view of their subject.

    Improved movie performance

    The FUJIFILM X-E2 shoots full HD video at 1920x1080 with up to 60fps with AF tracking performance for exceptional speed, accuracy and smoothness with a high bitrate of 36Mbps. The X-E2 delivers quick focusing on subjects, even when panning and zooming. With the X-E2, film simulation settings and exposure compensation (±2 EV) can be used during movie recording.

    Easy Image Transfer with WiFi® button

    The FUJIFILM X-E2 includes a WiFi button that lets users transfer high quality photos and movies*7 to smartphones, tablets and computers for easy sharing on social media sites.

    To connect the X-E2 to a smartphone or tablet, users can download the free dedicated “FUJIFILM Camera Application” to their iPhone™ / iPad™ or Android™ smartphone or tablet device to transfer up to 30 pictures at a time from the X-E2. The app also lets users download movies, expanding the range of options available for enjoying pictures taken with the camera.

    Once paired, users can press and hold the WiFi button to begin sharing images and movies immediately to their smartphone or tablet.

    The X-E2 also has an Advanced Filter function and Film Simulation modes to give users a range of creative filters and film effects to apply and achieve unique and artistic looks.

    FUJIFILM X-E2 key features list:

    • 16.3 million Megapixels APS-C X-Trans CMOS II Sensor
    • EXR Processor II
      • Start-up time of 0.5
      • Shutter lag time of 0.05
      • Shooting interval time of 0.7
    • AF speed 0.08 seconds
    • Lens Modulation Optimizer for improved image quality
    • Extra high resolution 2.36 million dot OLED electronic viewfinder
    • ±3 EV Exposure Compensation dial with third stops increments
    • 3” (1.04 million dot) premium clear LCD (High contrast, High Brightness and Wide viewing angle)
    • Built-in Super Intelligent pop-up Flash(hot shoe attachment also available for external flash)
    • ISO200 - 6400, extended ISO 100, 12800, 25600, Auto(maximum ISO setting from ISO 400 – ISO6400 available)
    • Q Menu shortcut button
    • In-camera RAW converter
    • Film simulation modes (Velvia, ASTIA, PROVIA, Monochrome, Sepia, Pro Neg.Std & Pro Neg.Hi)
    • Artistic features: Multiple exposure, Panoramic shooting,Toy Camera, Miniature, Dynamic Tone, Pop Color, Soft Focus, High Key, Low Key, and Partial Color.
    • Selection of Bracketing functions (AE/ISO/Dynamic Range &Film Simulation)
    • Full HD Movie
    • Microphone/shutter release input (φ2.5mm)
    • Super Intelligent Flash
    • Approximately 350 shots per battery charge

    FUJIFILM X-E2 accessories list:

    • Dedicated all-leather case BLC-XE1 with separate cloth wrap
    • Compatible with all FUJINON X Mount lenses
    • M Mount Adapter for additional lens compatibility
    • Hand Grip HG-XE1
    • Three dedicated flash models to choose from depending on requirements (EF-X20, EF-20, EF-42)
    • Protector filters (PRF-39, PRF-52, PRF-58 and PRF-62)
    • Remote release RR-90

    The FUJIFILM X-E2 (body only) will be available in November 2013 for $999.95 in both black, and a two-tone black and silver.

    The FUJIFILM X-E2 and XF18mm-55mm (27-84mm) F2.8-4 lens (kit) will be available in November for $1,399.95.

    The FUJIFILM X-E2 uses the same FUJIFILM X-Mount as the X-Pro1, X-E1 X-M1 and X-A1, and all FUJIFILM XF and XC lenses work with all X-Series interchangeable lens cameras.

    The current Fujifilm lens family includes the following FUJINON XF and XC lenses:

    • XF 14mm F2.8
    • XF 18mm F2.0
    • XF 23mm F1.4
    • XF 27mm F2.8
    • XF 35mm F1.4
    • XF 60mm F2.4
    • XF 18-55mm F2.8-4.0 OIS
    • XF 55-200mm F3.5-4.8 OIS
    • XC 16-50mm F3.5-5.6 OIS
    • XC 50-230mm F4.5-6.7 OIS

    *1: X-Trans is a trademark or registered trademark of FUJIFILM Corporation

    *2: FUJIFILM research as of September 2013. Compared with other digital cameras equipped with 4/3-inch sensor or larger, based on CIPA standards, and using internal measurement methods under high performance mode. Attached with XF14mm F2.8R lens.

    *3: Compared with EXR Processor Pro

    *4: In high performance mode with XF27mm F2.8 lens

    *5 JPEG format: Use a card with SD speed class with class 10 or higher.

    *6 Digital Split Image is a trademark or registered trademark of FUJIFILM Corporation

    *7 FUJIFILM Camera Application for iOS can save movie files up to 1280 x 720

    About Fujifilm
    FUJIFILM North America Corporation, a marketing subsidiary of FUJIFILM Holdings America Corporation consists of four operating divisions and one subsidiary company. The Imaging Division provides consumer and commercial photographic products and services, including: photographic paper; digital printing equipment, along with service and support; personalized photo products; film; and one-time-use cameras; and also markets motion picture archival film and on-set color management solutions to the motion picture, broadcast and production industries. The Electronic Imaging Division markets consumer digital cameras, and the Graphic Systems Division supplies products and services to the graphic printing industry. The Optical Devices Division provides optical lenses for the broadcast, cinematography, closed circuit television, videography and industrial markets, and also markets binoculars. FUJIFILM Canada Inc. sells and markets a range of Fujifilm products and services in Canada. For more information, please visit www.fujifilmusa.com/northamerica, go to www.twitter.com/fujifilmus to follow Fujifilm on Twitter, or go to www.facebook.com/FujifilmNorthAmerica to Like Fujifilm on Facebook. To receive news and information direct from Fujifilm via RSS, subscribe at www.fujifilmusa.com/rss.

    FUJIFILM Holdings Corporation, Tokyo, Japan, brings continuous innovation and leading-edge products to a broad spectrum of industries, including electronic imaging, digital printing equipment, medical systems, life sciences, graphic arts, flat panel display materials, and office products, based on a vast portfolio of digital, optical, fine chemical and thin film coating technologies. The company was among the top 10 companies around the world granted U.S. patents in 2012, and in the year ended March 31, 2013, had global revenues of $26.7 billion*. Fujifilm is committed to environmental stewardship and good corporate citizenship. For more information, please visit www.fujifilmholdings.com.

    * At an exchange rate of 83 yen to the dollar.

    All product and company names herein may be trademarks of their registered owners.

    NEW FUJIFILM XQ1 COMBINES STUNNING IMAGE QUALITY WITH ULTRA PORTABILITY

    Pocket-sized XQ1 features bright F1.8 4x zoom lens, 2/3” X-Trans CMOS II sensor and amazing 0.06 second AF speed

    Valhalla, N.Y., October 18, 2013 – As a leader in advanced digital camera technology and outstanding image resolution, FUJIFILM North America Corporation today announced the new FUJIFILM XQ1, a premium pocket-sized digital camera with a bright FUJINON F1.8 4x zoom lens, an advanced 12 Megapixel 2/3” X-Trans CMOS II*1 sensor with phase detection, and the EXR Processor II that delivers the world’s fastest autofocus speed in its category of up to 0.06*2 seconds.

    “The XQ1 combines the amazing image quality of the Fujifilm X Series with ultra-portability that makes taking beautiful pictures enjoyable anywhere,” said Manny Almeida, senior vice president and general manager, FUJIFILM North America Corporation, Imaging and Electronic Imaging Divisions. “The XQ1 is the most portable X-Series camera ever developed, and people can now experience a premium compact that easily slips into a pocket or purse.”

    X-Series image quality and advanced focusing

    The FUJIFILM XQ1 uses the 12 Megapixel 2/3” X-Trans CMOS II sensor that is designed to control moiré and false color generation by using an original color filter array with a highly randomized pixel arrangement. This technology removes the need for an Optical Low Pass Filter (OLPF) that degrades resolution. The image quality in the XQ1 is further enhanced by using a Lens Modulation Optimizer (LMO) for stunningly sharp pictures, as well as a 3.0 stop*3 Optical Image Stabilization for shooting in low light situations.

    The newly developed FUJINON F1.8 4x zoom (25-100mm*4) is constructed with 4 aspherical and 3 extra low dispersion lenses and each lens surface is coated with HT-EBC to reduce flare and ghosting. The XQ1 also has a wide sensitivity range from ISO100 to ISO12800 so you can take realistic and vibrant images even in low light.

    The EXR Processor II in the new XQ1 more than doubles the processing speed*5 of the previous generation, and it easily captures the information taken from over 100,000 phase detection pixels incorporated in the X-Trans CMOS II to deliver astonishing images.

    Superb shooting speed and premium compact design

    The XQ1 boasts that world’s fastest AF of 0.06 seconds, a shooting interval of just 0.3 seconds*6 between shots, and a shutter lag of 0.015 seconds to capture even the most fleeting and memorable moments.

    With its auto switching AF, the XQ1 combines contrast AF with an improved phase detection AF algorithm that provides accurate capture of low-contrast subjects in low light as well as high-speed responsiveness. The XQ1 also gives users Focus Highlight Peaking that outlines high contrast areas of subjects during focusing, which helps users focus accurately for picture results that look fantastic on-screen and in print.

    The XQ1 is made with outstanding craftsmanship and the classic design that the X-Series is known for, all within an ultra-small body that is 3.93” (w) x 2.3” (h) x 1.3” (d). With a sharp 920,000 dot LCD screen made of anti-reflective glass, the XQ1 gives photographers an amazing 85°vertical and horizontal viewing angles as they frame every shot.

    Improved movie performance

    The FUJIFILM XQ1 shoots full HD video with up to 60fps and AF tracking performance for quick and smooth focusing that records clear subjects, even when moving the camera body thanks to its dedicated image stabilization.

    Easy Image Transfer with WiFi® button

    The FUJIFILM XQ1 includes a WiFi button that lets users transfer high quality photos and movies*7 to smartphones, tablets and computers for easy sharing on social media sites.

    To connect the XQ1 to a smartphone or tablet, users can download the free dedicated “FUJIFILM Camera Application” to their iPhone™ / iPad™ or Android™ smartphone or tablet device to transfer up to 30 pictures at a time from the XQ1. The app also lets users download movies, expanding the range of options available for enjoying pictures taken with the camera.

    Once paired, users can press and hold the WiFi button to begin sharing images and movies immediately to their smartphone or tablet.

    The XQ1 also has an Advanced Filter function and Film Simulation modes to give users a range of creative filters and film effects to apply and achieve unique and artistic looks.

    FUJIFILM XQ1 key features list:

    • 12 Megapixels 2/3” X-Trans CMOS II Sensor
    • EXR Processor II
      • Start-up time of 1.0
      • Shutter lag time of 0.015
      • Shooting interval time of 0.3
    • AF speed 0.06 seconds
    • F1.8-F4.9 4x optical zoom equivalent to 25-100mm in 35mm format
    • 4x Intelligent Digital Zoom (16X combined with optical zoom)
    • Lens Modulation Optimizer for improved image quality
    • 3” (920,000 dot) premium clear LCD (High contrast, High Brightness and Wide viewing angle)
    • Built-in Super Intelligent pop-up Flash
    • ISO100 – 12800
    • Full HD Movie
    • In-camera RAW converter
    • Film simulation modes (Velvia, ASTIA, PROVIA, Sepia and Monochrome)
    • Artistic features: Toy Camera, Miniature, Dynamic Tone, Pop Color, Soft Focus, High Key, Low Key, and Partial Color Selection of Bracketing functions (AE/ISO/Dynamic Range &Film Simulation)

    FUJIFILM XQ1 accessories list:

    • Bottom leather case (Black BLC-XQ1 BC and Brown BLC-XQ1 BW)
    • Waterproof case WP-XQ1 for depth to 40 meters
    • O Ring Kit ORK-XQ1

    The FUJIFILM XQ1 will be available in October 2013 for $499.95 in both all-black and all-silver.

    *1: X-Trans is a trademark or registered trademark of FUJIFILM Corporation

    *2: FUJIFILM research as of September 2013. Compared with other digital cameras equipped with 2/3-inch sensor or larger, based on CIPA standards, and using internal measurement methods under high performance mode

    *3: CIPA standard

    *4: 35mm format

    *5: Compared with the EXR Processor Pro

    *6: In High Performance Mode

    *7: FUJIFILM Camera Application for iOS can save movie files up to 1280 x 720

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