Tuesday, February 9, 2010

Canon announces the Rebel T2i

Image courtesy of Canon USA

 

Canon has announced a killer new entry level camera into its line up. If you read my review from yesterday about “Where do I rent cameras and other gear”, you know that I’m a big fan of the Rebel series. It’s also my recommended entry level camera in my highly popular “Which DSLR should I buy?” article. So when I read the specs for this camera and see that it’s like a mini Canon 7D, I’m blown away!

The Rebel series always pack lots of state of the art features, ease of use, and great value so if you are just getting started this is a great camera to begin your journey into the Digital SLR camera world.

New features:

  • 18 Megapixel APS-C CMOS sensor
  • DIGIC 4 processor with ISO 100-6400 (Expansion to 12800)
  • Continuous shooting at 3.7fps
  • Full HD movie recording with manual control and selectable frame rates
  • 7.7cm (3.0”) 3:2 Clear View LCD with 1,040k dots
  • iFCL metering System with 63-zone Dual-layer Metering Sensor
  • Quick Control screen to change shooting settings
  • Exposure compensation +/-5 stops.
  • Select maximum value for Auto ISO
  • External Microphone socket
  • Movie crop function
  • Eye-Fi connected functions compatibility

Preorder Now from Adorama (or Amazon)

Learn More

At Canon USA or DPReview.

Monday, February 8, 2010

Where do I rent cameras and other gear accessories?

Camera Gear Rental

Back when I did my Lens Rental Review Series, I strictly focused on renting lenses. However, some of the companies featured, like BorrowLenses.com also rented equipment. During that review series BorrowLenses.com was kind enough to let me rent some gear – quite a lot in fact – so I could report back to you about my experience. So with an open invitation to rent gear on someone else’s dime, I did what any camera geek would do - I got a truckload of cool stuff!

Here’s a picture of the gear I rented and my order form: (click for a larger version)

In case you are having trouble with the images, here’s what I got:

* = For use with a 400mm f/2.8L IS USM Lens I was renting from LensRentals.com 

The good folks at BorrowLenses.com have a huge selection of gear to rent, so you can literally put together a full kit from them if you are in a pinch.

In my case, I pretended that I needed to equip my assistant with a bunch of gear for a photo shoot. However, the people at BorrowLenses.com don’t just blindly fill my order. They are there to help make sure your shoot will be successful, so they looked through my list and asked if I really needed the 52mm Drop-In Circular Polarizer (for a 400mm lens) as well as the heavy tripod and Gimbal head with a simple Rebel T1i. They also reminded me that the body didn’t come with a lens and wanted to find out if I needed any lenses.

Initially I was put off by this call because I knew what I was doing, but then I stopped for a minute and realized – what if I were noob – wouldn’t I be pretty disappointed to find out that the camera didn’t have a lens or that the tripod and head I got was for a big lens and not for my camera?

BorrowLenses.com didn’t know that I had a 400mm f/2.8 lens in my possession, so it was a reasonable courtesy call. In addition, I've never used the Quantum QFlash system before, and I had forgotten to order the digital transceiver, so they pointed this out and corrected my order. In the end, you can say I was a noob and they saved me from renting $134 worth of Quantum gear that would have been useless, so score one big one for the BorrowLenses.com support staff!

Here’s how my order arrived, in two boxes due to the size of the tripod:

Naturally, the experience was just as excellent as I had reported previously in my last BorrowLenses.com article.

How’s this for customer service?!!!!

The day before my order was to arrive, I got a call from the order fulfillment team informing me that they did not have a Battery Pack returned on time, but that they had already ordered B&H to drop ship a brand new one. As a result, the next day I got all of my gear from BorrowLenses.com in two boxes (above) plus another box from B&H that had my brand spanking new battery back – sweet! These guys didn’t make excuses about stock – they just did what was necessary to make sure my order was fulfilled! Now THAT is customer service baby!!!

Shots with the Canon Rebel T1i

As a former owner of the Canon Rebel XTi, I have a soft spot for the Rebel series as I find them to be a great value and very easy to use. When I started seeing comparisons of the Canon Rebel T1i out performing the Nikon D60, I took note and was eager to get my hands on one. While I loved my XTi, it wasn’t very useful past ISO 400 (800 in a pinch) in my opinion, so I wanted to have a little fun with it. All of the shots below are unprocessed beyond cropping from their in-camera JPEG originals taken from the Rebel T1i shown above (which you can see arrived in mint condition). The last shot in the bottom right corner shows that it performed admirably at ISO 3200, which is a big improvement from my old XTi! The Rebel remains a charming and easy to use body that gets the job done for the photographer new to the world of Digital SLR’s. If you are wondering if it can meet your needs, I highly recommend you rent it from BorrowLenses.com and with the lens of your choice. (NOTE: The first shot below was shot with the 24-105mm, but all of the other shots were shot with the 50mm f/1.4 prime which is very reasonably priced, yet produces outstanding results). 


1/1000 sec @ f/4 ISO 100 24mm

1/60 sec @ f/2 ISO 250 50mm

1/50 sec @ f/2 ISO 200 50mm

1/160 sec @ f/4 ISO 3200 50mm

The Wimberley System and Gitzo Tripod Legs

For this review I chose to get a Wimberley Gimbal head (shown above mounted to a Canon 100-400mm lens), which also requires a quick release plate for your lens (not your camera – big lenses mount to the tripod head directly) mounted to a Gitzo G-1410 Pro Studex Tripod (not shown above). Here’s the exact items I rented:

As you can see in the above picture (taken by my wife on her first day using her new Canon G11 Point and Shoot), the 400mm f/2.8 fits quite nicely on the Gimbal head and is very well supported by it. Despite the tremendous weight of this lens (11.7 lbs), I was able to keep it rock steady even for long exposures. Here’s a couple shots that turned out super sharp thanks to this great support system and the 400mm lens: 

This setup is a perfect rental setup as it would have cost nearly $7800 to purchase it all, but you can rent the lens and the head and plate for only $280! After having this lens for a week, I also realized that this isn’t a beast you want to take out unless you have a damn good reason! It is also no fun to store this monster lens and the behemoth tripod legs it requires. This setup used to be on my dream list, but now it’s permanently on my “rent only” list as it is too impractical to own for most of us. The other funny thing is that just recently Canon announced an update to this lens, so even if had bought it – I’d already be lusting after its replacement! Renting was definitely the way to go here!

Lowepro CompuTrekker Plus AW Backpack [Rental Link]

Sadly, I neglected to take stand alone photos of the Lowepro CompuTrekker backpack when I had it in my possession.

I liked the fact that this bag had lots of pockets and was fairly light weight, but my love for it ended right there.

I was very disappointed with the straps and found them to be very uncomfortable when it was loaded with half of the gear I typically put in any of my Think Tank Photo bags. I have a bad back and shoulders from a 1999 car accident, so if I bag doesn’t feel good then I usually can feel it within minutes. In this case, despite it bothering me I gave it a half hour before I cried Uncle and took it off. I also didn’t care for the dividers which were thin and less rigid than what I am used to, so I didn’t like that feature either. However, the show stopper for me was the crappy zipper which appeared to be exactly the same as the zipper that failed me in China.

I know that there people out there who swear by their Lowepro bags, but this is another case where  Lowepro bag has disappointed me so for now I’ll pass. I’ll stick with my Think Tank Photo bags any day! For current users or shoppers of this bag, I’d encourage you to consider the Think Tank Photo Airport Acceleration® V2.0 or Airport Antidote® V2.0. To see my reviews on Think Tank Photo bags, click here.

Quantum QFlash & components [Rental Link]

I did not test these items during my rental period. When I had discovered that BorrowLenses.com had drop shipped me a new flash battery (mentioned earlier in this review), I felt it was my duty as a reviewer to inform them that I wasn’t a typical paying customer so I blew my undercover status. I assisted them in the return of the item to avoid any unnecessary expense, and skipped this part of the review. While they were willing to let me test the unit and eat this expense, I couldn’t do that in good conscious.

Conclusion

I learned a lot by this rental, and ultimately saved myself a lot of money by NOT buying gear based on what I learned. Sure, one could argue that the cost of rentals might be quite step for some items like the T1i, but in that case it makes more sense to rent a camera for a emergency situation or for an assistant, than it does to buy equipment that might not be fully utilized. What’s more, you can charge your clients for the rentals (and in theory, you should be charging them already for your own gear).

Special Offer

image

As ronmart.blogspot.com readers, you are entitled to receive 5% off your TOTAL order amount, no matter how large or small. Simply visit BorrowLenses.com using this link and enter the coupon code RM5 during the checkout process. Contact borrowlenses.com support if you need assistance.

Disclosure

This gear was rented under my wife’s name (who has a different last name) and email so this company would not be aware I was renting from them. This blog was reimbursed for the rental charges after this order was completed (gear returned). If you place an order using this links from this article, like this one, I will get a commission – thank you for supporting this blog!

Sunday, February 7, 2010

REVIEW: Lighting Techniques for Photographing Model Portfolios

This is one of those books you see at the bookstore, and the cover immediately grabs your attention. Beautiful woman, great pose, killer lighting, super sharp, etc… so naturally you thumb through it. Inside you find more of the same – fantastic composition, colors, exposure, etc… of more gorgeous women. Now unless you are one of those lame people that reads the whole book right there in the bookstore, you then have to decide is this book worth my $20+ or is it another one of those books that has great images, but no substance. Well that’s the question I’ll answer for you in my review of this recent book by Billy Pegram.

Who is Billy Pegram

If you are like me, you might not have ever heard of Billy Pegram before. However, odds are that you’ve seen one of his books in the section of Amherst books at your local bookstore. He has 3 other books:

Well, Billy Pegram is first and foremost an outstanding and creative fashion photographer from what I’ve seen from his work both in this book and on his web site. You can learn a little more about Billy on his web site bio, but suffice it to say that this man’s work speaks for itself! In fact, his work is so good it inspired me to get off my ass and start shooting some models again and pushing myself in directions I hadn’t done in quite sometime. 

Chapter by Chapter Walkthrough

Here’s my 2 cents on the chapters in this book:

  1. (Intro &) Basic Principals – These chapters read like a conversation, which I like. It’s as if you were sitting down with Billy at a pub or coffee shop and you said to him – I’d like to get into Model Photography, what should I know. It’s a good read with great images, but not really about technique – it’s about high level things you should keep in mind.
  2. The Physics of Light – If you want to really read about the Physics of Light, read the phenomenally good book called Light: Science and Magic: An Introduction to Photographic Lighting: Third Edition. This chapter is poorly named, but still useful as I consider it a more practical story about how Billy Pegram has mastered the color and shadows that light creates to make visually appealing images. A chapter could never really discuss the physics of light properly, so I generally roll my eyeballs when I see a book with this title, but in this rare case it’s a useful chapter despite the fact that it has relatively little to do with the physics of light.
  3. Light Placement – Chapter titles like this cause us to buy books because we see fantastic images of beautiful people, and we want to know – how did that photographer set up his/her lights to get such a great shot! Sadly, this 9 page chapter doesn’t show a single lighting diagram and only shows two images that show a lighting configuration. However, all is not lost. The author does touch on some useful concepts and discusses how some of his successful images were accomplished by using photos that show the impact of different lighting and the position of the model. It’s a useful chapter, but not quite what one would hope for from a chapter entitled light placement.
  4. Types of Light Sources – This chapter is a high level overview (with sample images) of the quality of light that differ light sources will give you. This includes both a variety of natural and artificial lighting sources/conditions. It is clearly geared toward the novice but the sample images provide value to all.
  5. Light Modifiers – Like chapters 2 – 4, entire books have been written on light modifiers alone. Sadly, this chapter simply enumerates the vast selection of light modifiers and in many cases only in the form of a paragraph with no image of the light modifier itself and a sample image. There are sample images and longer discussions of some modifiers like reflectors and gobos with actually quite a few lighting diagrams. The sample images were quite good and the lighting configuration diagrams were very useful, but I was hoping more out of this chapter than what it ultimately delivered on. This isn’t to say it is a bad chapter, because in fact it is quite good. The point is just don’t expect to read this chapter and know when and why to use a given light modifier like a grid and what size the grid should be to accomplish a given task. It’s not that systematic.
  6. Matching the Light to the Image – The title of this chapter has very little to do with the actual content. This chapter is very useful and informative, but should have been called “Miscellaneous” as that really describes what you get here. It starts off with “Determining the Model’s Best Market” and goes on to talk about age, height and overall appearance. Now how does that have anything to do with Matching the Light to the Image??? The chapter then proceeds to go through a couple case studies, then a discussion about the different types of modeling images (Fashion, Glamour, Lingerie, plus size, etc…). The net result again is useful information (especially what differentiates Fashion from Glamour), but it has nothing to do with chapter title. By this point you start to catch on that the author was probably given an outline of the chapters to write about from the publisher, but he pretty much wrote what he wanted and in many cases tried to stay at least in the ballpark of the chapter title. In this chapter he just said screw it and wrote whatever he thought was important to include in the book that wasn’t covered elsewhere. While his images suggest that he may have intended to stick to the subject, the reality is far different.
  7. Creative Techniques – The thing you notice about this chapter versus all of the others is that it is one of the largest and most practical chapters, so you get a sense that this was content of the book Billy Pegram really wanted to write about. You get into the mind of the artist and see how he thinks and works his magic. By this point in the book you’ve seen enough amazing imagery that you are excited to get into Billy’s world and understand how he thinks and executes on a shoot. This is probably the most accurately named chapter of the book and one that any photographer is sure to enjoy.
  8. Additional Tips – This is a whooping two pages of useful tidbits, but subjects that you know warrant more words than they are given in this chapter.

My images inspired by this reading book

Here are some shots that I took where I felt like I took something from this book and applied it to my own photo shoots:

While I think I might have pulled these shots off without reading this book, it was the act of reading it that inspired me to frame the shot on the left the way I did (and to tell the model to bring this jacket) and to tell the model on the right to put her back on (she didn’t plan on wearing it for the shoot). I’m happy with the execution of these shots and I think Billy Pegram’s inspiration from the images and words in this book made them better than they might have been had I not read his book.

Conclusion

By reading the chapter by chapter section you might think that I didn’t care for this book, but you’d be wrong. Instead, I actually quite liked this book and found that it had lots of useful and practical information. What was bad about the book was that the chapter titles were totally bogus as you can easily tell that they have little to do with the information the author wants to share with the reader. He does a good job of educating the reader on how to be a more successful model photographer, but not in a methodical way that some will require. In the end I kinda chucked because this book is written much like I would probably write a book because the author pretty much shares what is on his mind at the time he sat down at the computer the day he wrote any given section, despite what part of the book he was working on. He has a genuine desire to share his wealth of valuable knowledge but he expresses it very loosely which works well for some people like me, but less so for the more methodical types.

In the end I’m glad I got this book, and I enjoyed reading it. I felt I learned some useful information which I was able to apply to my work and improve my photography. To me that is the definition of a successful book so it is for that reason I must recommend* it. I use an asterisk because if you are the type of person who can watch something do something once and without taking notes, apply that knowledge to a new situation then this book will be useful. If you are the person who can use a complex product without reading the instruction manual, then this book is for you. If you aren’t, then you may find yourself with more questions than answers after your done reading this book.

Skill Level: Beginner to Intermediate 
Value: Good for those who are a quick study
Recommendation: Clearly this book is for those who want to know more about how to photograph beautiful women. if complex methodology and/or theory bore you to tears, then this might be a good book for you so pick it up and enjoy. If you want detailed instructions, then skip it.

Tuesday, February 2, 2010

Canon 1D Mark IV has arrived – Thanks CameraLensRentals.com! (Updated – 2/3/10 @ Midnight)

Today is a happy day as my Canon 1D Mark IV has finally arrived! Here’s my first pic, which is an unedited JPG taken at ISO 12,800 (click for the original) with a 100mm macro lens (hand held):

f/2.8 @ 1/200 sec (handheld) at ISO 12,800 – In-camera JPEG Large (10)

The above shot did use a JPEG 10 quality (versus the camera default of JPEG 8) and the Strong noise reduction setting (versus the default Standard). I find the noise reduction to be outstanding, and not at all too aggressive (i.e., it’s much less aggressive than most after market noise reduction software). To see the RAW image (converted to JPEG via Lightroom with no modifications), click here.

A quick test of burst mode with my SanDisk 8 GB Extreme III 30MB/sec Compact Flash Memory Card resulted in the buffer write performance I had hoped for:

  • Full RAW mode – 30 frames before the first slight hiccup
  • 40 Frames until consistent pause, 2 frames, pause pattern. With my finger laying down on the shutter, it kept this up until 106 images when I quit but there were no signs that it couldn't do this until the card filled (woohoo).

I don’t have time to play with my camera right now, but a review is coming in the not too distant future. Stay tuned!

In the meantime, CameraLensRentals.com may have a couple units left from its last order. For more information, click here.

If you already have a 1D Mark IV, then check out this cool article.

UPDATE #1 – 2/3/10 at Midnight

Unfortunately I didn’t have much time to play with my new toy tonight, but I did manage to snap off a few shots of the baby which I thought would be a nice test for the auto focus system. These shots were done indoors, at night with only overhead canned lights. I had the wrong metering mode for the situation and I was using my 100mm macro lens which is a very slow focusing lens. Here’s a series of four images taking by me just pressing the shutter release at four separate occasions and never fully releasing it (so I’d stay in AI Servo focusing mode):

image f/2.8 at 1/250 sec using ISO 12,800 (see full settings below)

An interesting note here is that I wasn’t using a manual or center AF point, but rather full AF to see what the camera would do. In short, it nailed. I have other examples and dozens of frames, but the cool thing was that the AF was spot on the entire time! I also LOVE, LOVE, LOVE the new shutter release button because it is much easier to keep it halfway pressed to make series like this successful. My metering was off a bit because I had forgotten to switch back to evaluate from my temporary switch to partial.

Another cool note about the AF performance here is that it locked on using two AF points near his eyes during the entire time in this series, so even his roll didn’t throw the camera off. I wasn’t using any kind of magic face detection or anything – just full auto AF. I found in other shots too that the AF system seemed to do a good job of guessing where I’d want the AF point to be (especially with people – it seems to magically find eyes). I was THRILLED with this AF improvement.

Here’s my EXIF data from DPP 3.7 using the disk that comes with the camera (required as my latest version off the web didn’t read my RAW images):

image For fun I decided to just run Noiseware (Full Strong preset), make a curves adjustment and a touch of Sharpener Pro on the clothes to see how usable one of these images could really be (it’s the image from the top left above):

Click for a larger version f/2.8 at 1/250 sec using ISO 12,800 (see full settings below)

Not bad if you ask me! This is ISO 12,800, indoors at night without a FLASH!!!!! UNREAL!!!

I have noticed that DPP and the in-camera JPEG’s are significantly better than the Adobe Camera Raw processing at this point, but I suspect (and hope) that will change with the next update to ACR/Lightroom.

I also noticed that my camera with a date code of OY0102 came with the latest firmware update that was recently announced.

Overall my initial impressions are very positive.

Custom Function Changes

Here are the only custom settings I’ve changed from their default values:

C.Fn I: Exposure

7 – 1
8 – 2
15 – 1

C.Fn II: Image/Flash exp/Disp

1 – 1
2 – 2
6 – 1

C.Fn III: Autofocus/Drive

8 – 3
9 – 1
11 – 1
14 – 1
16 – 1

C.Fn IV: Operation/Others

8 – 1
14 -1

More to come in future articles, for sure. However I can say right now that this camera is already exceeding my expectations and is a HUGE improvement over my original 1D Mark III.