Showing posts with label promo code. Show all posts
Showing posts with label promo code. Show all posts

Tuesday, April 21, 2026

Nik Collection 9 Mini-Review: What’s New, What Matters, and How to Save 15%

Camera ReviewRonMartBlog

Nik Collection 9 Mini-Review: What’s New, What Matters, and How to Save 15%

If you’ve been around here for a while, you already know that Nik is not just another plugin suite to me.

A long time ago, Nik helped put this blog on the map, and for a while it even helped generate real income for me. Those days are long gone, but I still pay attention when a new Nik Collection drops because this product has been part of my photography and editing journey for a very long time.

Today DxO officially launched Nik Collection 9, and rather than pretend I’ve already done a deep real-world review, I want to do something more useful: give you a practical first look at what’s new, what actually matters, and what I’m most interested in testing first.

Nik Collection 9 Review: What’s New, What Matters, and How to Save 15% product photo

TL;DR ⚡

My early take is that Nik Collection 9 looks less like a minor cosmetic update and more like a meaningful workflow release.

The biggest thing that jumps out at me is not just another creative filter. It’s the smarter masking and selection tools. If those work well in the real world, they could make several of the Nik tools a lot faster and a lot more useful than before.

The more stylized additions also look interesting, but those are the kind of tools that can either be used tastefully or abused very quickly. So for me, the real story here is control, speed, and flexibility.

Nik Collection 9 looks like a genuinely useful upgrade thanks to AI Masks, Depth Masks, and better workflow tools, and if you’re interested you can save 15% with my code at the end of the article.

Table of Contents

  1. Quick Edits Using New Features
  2. Video Overview
  3. What’s New in Nik Collection 9
  4. The Features I Think Matter Most
  5. The More Creative Side
  6. What I Want to Test First
  7. Pricing, availability and discount details
  8. Closing thoughts
  9. Related articles

Quick Edits Using New Features

After photo
Before | After New Color Grading and Levels & Curves Filters

After photo
Before | After Nik 9 AI Object Mask Inverted with B&W Filter

After photo
Before | After Nik 9 Halation with AI Object Mask

After photo
Before | After Nik 9 Depth Filter on Foliage around waterfall

Video Review πŸŽ₯

If the player doesn’t load here, watch on YouTube.

What’s New in Nik Collection 9

DxO added a pretty healthy batch of new tools and workflow improvements in Nik Collection 9. Here’s the short version of what’s new:

  • Depth Masks
  • AI Masks
  • Color Grading in Nik Color Efex
  • Chromatic Shift
  • Glass Effect
  • Halation
  • Blending Modes
  • Workflow improvements and usability refinements

The Features I Think Matter Most

The two biggest additions for practical photographers look like AI Masks and Depth Masks. Those are the kinds of tools that can actually speed up real editing work instead of just giving you another flashy effect to play with for five minutes.

AI Masks should make it easier to isolate subjects quickly without the usual pain of tedious manual selections. That has obvious value for portraits, street photography, travel shots, and anything else where you want to guide the viewer’s eye without spending forever building masks.

Depth Masks also look interesting because they appear to let you target adjustments based on distance from the camera. If that works well in the real world, it could be very useful for landscapes, layered scenes, and images where you want the foreground, midground, and background to feel more intentionally separated.

I’m also very interested in the new Color Grading tool inside Color Efex. That feels like a smart addition because it gives photographers more direct tonal and color control in one of the most popular parts of the Nik suite.

The More Creative Side

f/? for Unknown at Unknown ISO ? [Unknown, Unknown, Unknown, Unknown with Unknown]
New Color Grading Filter in Nik Collection 9

Nik Collection has always had a creative side, and version 9 leans into that with Halation, Chromatic Shift, Glass Effect, and Blending Modes.

Halation is probably the one I’m most interested in because it has the potential to add a subtle cinematic glow around highlights without instantly screaming “cheap effect” if it’s done well. Used with restraint, that could be genuinely useful.

Chromatic Shift and Glass Effect look more stylized, and these are the kinds of tools that can either add a cool analog or experimental vibe or go off the rails fast depending on how heavy-handed you get. In other words, the potential is there, but so is gimmick territory.

Blending Modes may end up being one of the sleeper additions in this release. Advanced users could get a lot of mileage out of having more control over how different effects and filters interact with an image.

What I Want to Test First

f/? for Unknown at Unknown ISO ? [Unknown, Unknown, Unknown, Unknown with Unknown]
Depth Filter in Nik 9 seems very promising

Once I get more time with Nik Collection 9, these are the things I want to test first before drawing any serious conclusions:

  • How good AI Masks really are on difficult subjects like hair, edges, and busy backgrounds
  • Whether Depth Masks feel genuinely useful or just look impressive in a demo
  • Whether Color Grading in Color Efex is fast and intuitive enough to become part of a normal workflow
  • Whether Halation can be used tastefully without turning every image into an overcooked clichΓ©

That should tell me pretty quickly whether this is just a flashy launch or a genuinely useful update for real photographers.

Pricing and availability

  • When: Nik Collection 9 is available now as a perpetual license.
  • How Much: $179.99 for a new license and $99.99 for upgrades from Nik Collection 7 or 8.
  • Discount: YES, 15% off - use code RONMART when placing your order

Closing Thoughts

Nik has a long history, and for a lot of photographers it’s one of those products that carries a little nostalgia along with the actual "must have" functionality.

For me, Nik matters because it was part of the early story of this blog, and because some of the tools in this ecosystem have been genuinely useful for photographers who care more about results than hype.

Nik Collection 9 looks promising at first glance, especially on the masking and control side. I’m cautiously optimistic, and I’ll follow up once I’ve had a chance to put it through a real-world test.

If you’re a longtime Nik user, this looks like a release worth paying attention to.

πŸ‘‰ Click here to learn more

Thursday, April 9, 2026

REVIEW: DxO PureRAW 6 — The King of RAW Detail Recovery?

Camera ReviewRonMartBlog

REVIEW: DxO PureRAW 6 — The King of RAW Detail Recovery?

REVIEW: DxO PureRAW 6 — The King of RAW Detail Recovery? product photo
Click here to see how to use my discount for all DxO products

TL;DR ⚡

DxO PureRAW 6 is a powerful detail-recovery tool that can revive surprising amounts of information from RAW files, but it is too slow to justify on every image.

PureRAW 6 consistently recovered more detail than I expected, especially from files I would have otherwise considered limited or borderline throwaways. The tradeoff is speed, which makes it most compelling for important keeper images rather than bulk processing.

Table of Contents

  1. Who it’s for and who should skip
  2. Before & After
  3. Side by Side Shots in Lightroom
  4. Closing thoughts
  5. Related articles

Who it’s for

  • Photographers who want the best possible detail recovery from RAW files, not just “good enough”
  • Pros or serious enthusiasts restoring older, sentimental, or hard-to-replace images
  • Shooters willing to trade speed for maximum image quality on select photos

Who should skip

  • Photographers who are already happy with Adobe or manufacturer RAW conversions
  • High-volume shooters who need fast turnaround and cannot wait on long processing times
  • Anyone expecting it to fix motion blur, missed focus, or fundamentally bad captures
  • Anyone shooting mostly HEIC or small RAW formats, since DxO seems built around full RAW support first and is not especially friendly to HEIC workflows

Before & After

After photo
Before | After f/2.8 for 1/30 sec at 44 mm ISO 6400 [0 EV, Pattern metering, Flash fired, Manual with EF24-70mm f/2.8L II USM]

After photo
Before | After f/5.6 for 1/160 sec at 200 mm ISO 12800 [0 EV, Pattern metering, No flash, Manual with EF70-200mm f/2.8L IS II USM]

After photo
Before | After f/5.6 for 1/125 sec at 105 mm ISO 65535 [0 EV, Pattern metering, No flash, Aperture priority with FE 24-105mm F4 G OSS]

After photo
Before | After f/2.8 for 1/200 sec at 155 mm ISO 25600 [0 EV, Pattern metering, No flash, Manual with EF70-200mm f/2.8L IS II USM]

After photo
Before | After f/22 for 1/13 sec at 24 mm ISO 25600 [0 EV, Other metering, No flash, Aperture priority with NIKKOR Z 24-70mm f/4 S]

After photo
Before | After f/5.6 for 1/25 sec at 16.5 mm ISO 5000 [0 EV, Pattern metering, No flash, Aperture priority with XF16-55mmF2.8 R LM WR]

After photo
Before | After f/4 for 1/100 sec at 18.3 mm ISO 6400 [0 EV, Pattern metering, No flash, Aperture priority with 24-70mm F1.8-2.8]

After photo
Before | After f/2.8 for 1/125 sec at 90 mm ISO 10000 [0 EV, Pattern metering, No flash, Manual with FE 90mm F2.8 Macro G OSS]

Side by Side Shots in Lightroom πŸ“·

The photos below are the test photos used for my review. Click any photo to open to see a larger size.

Click here to view the entire gallery of images used for this review.

This 2012 image was the first file I threw at PureRAW 6 to decide whether it was even worth reviewing. The recovery in the hair, eyebrow, and eye detail stopped me cold. I genuinely couldn’t believe what I was seeing. Naturally, my next move was to see whether any of the tools I already use could beat it. They couldn’t.

Real-world shot 1
Canon 1DX, f/2.8 for 1/30 sec at 44 mm ISO 6400 [0 EV, Pattern metering, Flash fired, Manual with EF24-70mm f/2.8L II USM]

Even Canon’s own DPP couldn’t match what PureRAW 6 did with this image. It honestly felt like I had unlocked a kind of magic—something powerful enough to make me want to go back through my older photos and see how many of them could be given new life with better sharpness and detail. Click the photo to open the original size πŸ‘†

This one gave me a pretty funny surprise. It was shot at ISO 10,000, and PureRAW recovered enough detail that I suddenly realized my daughter had colored her face with a highlighter—something that was completely lost in the original file.

Real-world shot 2
Sony a7R Mark III, f/2.8 for 1/125 sec at 90 mm ISO 10000 [0 EV, Pattern metering, No flash, Manual with FE 90mm F2.8 Macro G OSS]

Notice how the hair by her cheek and the marks on her face are recovered, while the skin still looks natural and believable. Click the photo to open the original size πŸ‘†

The Sony RX100 V is an impressive camera, but its tiny sensor can only do so much at ISO 6400. Even so, I was shocked by how much detail PureRAW was able to recover from this image.

Real-world shot 3
Sony RX100V, f/4 for 1/100 sec at 18.3 mm ISO 6400 [0 EV, Pattern metering, No flash, Aperture priority with 24-70mm F1.8-2.8]

Notice how well the wires and the tonal detail in the rocks are restored, especially considering this came from a 1-inch sensor camera. Click the photo to open the original size πŸ‘†

This was another one of those “are you kidding me?” results I never saw coming. The shot was taken after sunset at f/22, ISO 25,600, handheld at 1/13 sec, and yet the amount of detail PureRAW recovered from the Kazaridaru is remarkable.

Real-world shot 4
Nikon Z 7, f/22 for 1/13 sec at 24 mm ISO 25600 [0 EV, Other metering, No flash, Aperture priority with NIKKOR Z 24-70mm f/4 S]

Even the gravel and wall texture are recovered well enough given what was asked of the camera, but what really stands out here is the color recovery. Click the photo to open the original size πŸ‘†

Since this was shot handheld at 1/25 sec with no support, some motion blur is baked in, and PureRAW is not a magic fix for that. Still, the restored color pops and the detail recovery is strong enough that, viewed as a full image instead of a 100% crop, it is a legitimately impressive restoration.

Real-world shot 5
Fujifilm X-T30, f/5.6 for 1/25 sec at 16.5 mm ISO 5000 [0 EV, Pattern metering, No flash, Aperture priority with XF16-55mmF2.8 R LM WR]

Even details like the wallpaper at the far right edge of the frame are noticeably improved. The out-of-focus flowers also look better, and the textures around the table are significantly enhanced compared to the original. Click the photo to open the original size πŸ‘†

What really blew my mind here was the colored bands on the braces. It almost felt like PureRAW was using AI to reconstruct detail that barely seemed to exist in the original, yet the result still looks believable.

Real-world shot 6
Canon 1DX Mark II, f/2.8 for 1/200 sec at 155 mm ISO 25600 [0 EV, Pattern metering, No flash, Manual with EF70-200mm f/2.8L IS II USM]

To be fair, this is the second version of this image because the original conversion came out a bit too dark. For this version, I used DxO PhotoLab 9.6.1 with its default preset to push the image a little further than Adobe’s default rendering. Click the photo to open the original size πŸ‘†

I almost spit out my coffee when I saw this result. This was a throwaway shot I took just to see how the Canon R6 Mark II would expose the flowers against a very bright background, yet the recovered detail in the drum and pine cone makes this ISO 12,800 image look more like ISO 100 than it has any right to.

Real-world shot 7
Canon R6 Mark II, f/5.6 for 1/160 sec at 200 mm ISO 12800 [0 EV, Pattern metering, No flash, Manual with EF70-200mm f/2.8L IS II USM]

With modern camera sensors, PureRAW 6 is capable of recovering an impressive amount of detail. A well-composed image with the right shutter speed no longer has to be dismissed as a throwaway shot just because the original file looks rough. This result proves that, in many cases, the detail really can be recovered. Click the photo to open the original size πŸ‘†

Closing Thoughts

I tested eight RAW files from eight different cameras, including images shot as far back as 2012, to see whether DxO PureRAW 6 really earns its reputation for detail recovery. It does.

The tradeoff is speed. Even on my 2026 system with fast M.2 SSDs, those eight files took 38 minutes to process. That makes PureRAW impractical for bulk use, but extremely compelling when image quality matters more than time.

I would not call it an everyday necessity. I would call it a premium restoration tool. Manufacturer RAW software is often good enough, but for paid work or sentimental image recovery where you want the best possible result, PureRAW clearly has a place.

πŸ‘‰ Click here to see how to use my discount for all DxO products

Sunday, February 8, 2026

Quick Look at Nik Color Efex 8 + DxO Discount Offer

Camera ReviewRonMartBlog

Quick Look at Nik Color Efex 8 + Discount Offer

For more than 17 years, I’ve been a devoted fan of the Nik Collection, with Color Efex remaining my go‑to tool for editing the majority of my photos. It’s actually been since the Google-era Nik days—before the DxO acquisition—that I last did a full review. So now, I’m kicking off a deep dive into version 8.

This series will include both short and long reviews covering the different tools in the collection. To start, here’s an introduction and a quick look at how I use Color Efex, along with some of my favorite filters.

Nik Color Efex 8
Nik Color Efex 8 with 7 filters applied

Table of Contents

  1. Before & After
  2. Video review
  3. Filters Used and Why
  4. Discount Offer
  5. Closing thoughts

Before & After

After photo

Before | After Heavy processing for effect only using only Nik Color Efex 8.0 by DxO

Video Review πŸŽ₯

If the player doesn’t load here, watch on YouTube.

Filters Used and Why

  • Tonal Contrast: Adds a bit more depth
  • Brilliance/Warmth: Saturatates the image for more color pop
  • Pro Contrast: Brightens face and details in shirt
  • Color Stylizer: Adds a bronze tone to the image overall but selectively toned down on the face with a U-Point control
  • Darken/Lighten Center: Darkens the entire image except the face to draw more attention to it
  • Image Borders: Adds a old-schoool deckled-edge effect that simulates peel‑apart instant photos
  • Reflector Efex: Simulates a silver reflector at the waist to demonstrate the usefulness of this filter

Discount Offer

If you did it right, this is what it should look like when your code is applied:

Closing Thoughts

I’ll admit I went a bit overboard with this photo, but I wanted to show how powerful Color Efex can be when you start stacking its filters. You don’t need complex masking or AI replacements—simply combining and experimenting with filters can dramatically transform an image. And once you land on a look you love, you can save it as a Preset for quick reuse.

In future videos, I’ll take a deeper dive into individual filters and highlight some of the creative ways you can use U‑Point controls.

Leave a comment to tell me what your favorite filters are and what you'd like to see me discuss in more depth in a future article.