Showing posts with label s90. Show all posts
Showing posts with label s90. Show all posts

Tuesday, January 3, 2012

REVIEW: Black Rapid SnapR Camera Bag + Sling Strap

Black Rapid SnapR Camera Bag + Sling Strap (SnapR 35 Left, SnapR 20 Right)
Black Rapid SnapR Camera Bag + Sling Strap (SnapR 35 Left, SnapR 20 Right)

BlackRapid has a great reputation for creating high quality camera straps like the RS-7 I reviewed, but until I saw their display at PhotoPlus Expo I had no idea that they also made a camera bag.  I was very impressed with the SnapR product line when I first saw it because typical bags for this size are simply plastic pouches with cheap zippers, velcro or snaps. What I really wanted for my G12 and X10 was something that was built like a ThinkTankPhoto bag, but BlackRapid took that wish to the next level and threw in even more.

Here’s a short little video that shows how this bag not only offers a rapid strap, but also a hand strap for the bag or just for the camera. The net result is a nice design that offers multiple ways to transport and protect your camera:


Play in HD

SnapR 35 – Great for Mirrorless and Micro Four Thirds Cameras


SnapR 35 with a Nikon 1 V1 and 10-30mm lens

The first SnapR that I got my hands on was the 35 which was great because I was in the middle of my point and shoot comparison testing. It could hold my biggest camera, the V1, so everything else would work too. I loved having this bag for this testing and it was awesome for the bulky V1. I could even put the 10mm lens in the side pocket:


SnapR 35 with Nikon 1 10mm lens in the side pocket
with a V1 (with 10-30mm attached) zipped in the main compartment

It was too small to hold the massive 10-100mm lens, but I suspect few V1 owners would consider this bag if they had that big lens anyway. This is really a bag for those traveling light as this bag will hold the essentials in its two side pockets.

I tend to carry my smaller flip cage in the outer pocket (but it won’t zip when I do that) so I can have a tripod on the go. The iPhone also fits nicely in the outside pocket too!

SnapR 20 – Great for Mid-Size Point and Shoots like the Canon G12 & Fujifilm X Series

SnapR 20 with Fujifilm X10 inside (lens cap on)
SnapR 20 with Fujifilm X10 inside (lens cap on)

Since I own a Canon G12 and now a new Fujifilm X10, I decided that the SnapR 35 was a little more bulky that what I needed for my cameras. As a result I decided to try out the SnapR 20 to see if it was a better solution for my cameras. It turns out that the G12 fits perfectly and the X10 fits, but it’s a little snug for rapid insert and removals with the lens cap on. It glides in and out better without the lens cap off, but I always want my lens cap on so I’ve just dealt with the snug fit. I’ve also kept my camera strap on the X10 which really isn’t needed with this bag, so that would free up some space too. Personally I’d rather the smaller bag since it works for my X10 and is a perfect fit (with plenty of space) for my G12.

Here’s a shot of how my X10 is attached by its tripod mount to the shoulder strap for a true BlackRapid experience:

SnapR 20 with Fujifilm X10 - rapid strap connection
The built-in shoulder rapid strap means you are always connected
by the tripod mount for rapid removal, stability, and safety

Using the SnapR

The SnapR is more than just a camera bag. It’s a versatile camera strap system. You can make it as simple as a wrist strap design as shown here:


Wrist Strap Connection
Photo Courtesy of BlackRapid

Or you can leave the camera attached to the rapid strap as shown here (my preference):

SnapR 10 shown with rapid strap use in action
SnapR 10 shown with rapid strap use in action
Photo Courtesy of BlackRapid

When you are done using the camera you just leave it attached and insert it upside down back into the case as shown here:

image
Cameras are inserted upside down while still attached for rapid and safe removal
Photo Courtesy of BlackRapid

It’s a really cool design that works better in practice than you might think.

These are great bags with a sturdy external design, strong clips, and a super soft interior that won’t hurt your LCD or lens.There’s also a quick release zipper design for the front pouch that makes it really quick to remove your camera and pull it up the rapid strap.

Conclusion

Plain and simple – if you own a camera smaller than a DSLR and you want a great case and strap for on the go action, this is your bag. I’ve seen nothing on the market that I’ve liked as much so I highly recommend this product!

If you own a thin point and shoot like a Canon s100 then order the SnapR 10, if you have a mid-side point and shoot like a Canon G12, Fujifilm X10 or X100, then order the SnapR 20. If you have a mirrorless or micro four thirds camera that’s a little bigger then order the SnapR 35.

Disclosure

I was provided with sample bags for evaluation by BlackRapid and I may make a commission if you make a purchase using links on this blog. I believe in this product and use it personally, so I can honestly say that I would have bought it even if I wasn’t provided with sample bags by BlackRapid.

I live in the Seattle area so I was actually surprised to find out that BlackRapid is actually based in the Fremont area of Metropolitan Seattle, so that kinda gave me an extra reason to like them.

Sunday, September 11, 2011

REVIEW: Canon G12 vs S95 – Part I: First Impressions (UPDATED: 9/11/11)

Canon G12Canon S95

UPDATE

You may want to read this article instead:

COMPARISON: Nikon 1 V1, Fuji x10, & Canon s100 (plus Fuji x100 and Canon G12 & s95)

 

Many of my readers have told me how much they have enjoyed my articles on the G9, G10 and G11 from Canon, but some have complained that I never featured the s90. Since these two cameras share a lot of similarities inside, I’m often asked – which one should I get OR are they really the same?

I’ll burn a lot of web space talking about how these cameras are alike, yet worlds apart in their own ways, so I decided to start with a brief first impressions review. A more in-depth review is to come in the weeks ahead. These cameras were hard to get, but they seem worth the wait as both are excellent in their own ways.

Living with the Canon G12 & S95 Point & Shoot Cameras

I purchased the Canon G12 and S95 from Adorama a little over a week ago and both arrived on Monday. I’ve been using both heavily (about 300+ shots on each body plus about an hour of video on each) in my spare time, and I’ve really enjoyed both camera. The high ISO performance is very good and another leap forward over their predecessors. In the previous generation I tried hard to stay at ISO 1000 above and considered 1600 to be my upper limit in worst case scenarios. ISO 3200 was just bad. In this generation I find ISO 3200 totally usable and acceptable with the in-camera JPEG’s, and a HUGE improvement over the previous generation at this ISO.


Canon G12 – f/4.5 @ 1/320 sec using IS0 500 (in-camera JPEG – no post processing)
Copyright © Ron Martinsen – All Rights Reserved

Both cameras offer outstanding HD video (1280x720) that is significantly better than what I get with my Canon VIXIA HF M30 Camcorder in my opinion, and the new for 2010 Hybrid IS offers outstanding stability for both images and video. There are also a bunch of “scene” modes that are fun to use and great for the significant other who may not be as comfortable with controlling the camera as those who read this blog.


Canon s95 – f/8 @ 1/6 sec using IS0 80 (in-camera JPEG – no post processing)
Copyright © Ron Martinsen – All Rights Reserved

The s95 is just sexy - I love the form factor and design, and the case feels solid and durable. Its larger display makes it a joy to use and it’s a big hit with my wife for its compact form factor. I also love its rotating ring by the lens which is both very cool and makes the operation of certain features such as zoom or manual focus feel very natural (like a DSLR). If your objective is to have something that you leave in full auto mode all of the time and just point and shoot, this is the camera to get - you won’t be disappointed.  I haven’t found the f/2.0 to be an advantage on this camera as it doesn’t seem to offer any noticeable advantage indoors with low lighting conditions over the G12, and the G12’s has reliably given me a shallow DOF experiences that I struggled to repeat with the s95.


Canon G12 – f/4.5 @ 1/160 sec using IS0 500 (in-camera JPEG – no post processing)
Copyright © Ron Martinsen – All Rights Reserved

The G12 is functionally similar to its predecessor but it’s added a new rotating knob (similar to what Nikon shooters have on their grip) which is a welcome addition for a camera that is a joy to use in the same way you’d use your DSLR. When I take shots - with any camera - I find myself wanting to move the focus point, adjust the exposure compensation (when in Av), adjust the ISO (sometimes, but usually auto is fine), and change my metering mode (spot metering occasionally). I can do all of these things quickly and easily without having to go through menus, so that’s a huge benefit. In addition, features unique to the G12 like an AE lock button and a built-in internal ND filter allow me to do things that are simply not possible with the s95. This camera just feels like a pocket DSLR, and I love that, so I find myself enjoying this camera much more and experimenting with my shots in ways that either aren’t possible or are more cumbersome with the s95.


Canon s95 – f/8 @ 1/6 sec using IS0 80 (in-camera JPEG – no post processing)
Copyright © Ron Martinsen – All Rights Reserved
 
Both cameras are capable of shooting in RAW, offer manual controls, fit in my rear jeans pocket (size 34/32 jeans) and create great images and video. I still think there is something internal that is better on the G12 over the s95, so I don’t think that they are the same camera with different cases. I think the compromises to get the smaller form factor in the s95 offer the G12 a slight improvement in both performance (burst mode - but honestly both suck) and to a minor degree - image quality (which is likely a factor of the lens). The G12’s flip LCD is a great benefit to both protect the screen (it can be closed ) as well as to rotate it so you can see the LCD from the front of the camera when doing arm’s length party shots as well as family group shots.
 

Canon G12 – f/4.5 @ 1/160 sec using IS0 800 (in-camera JPEG – no post processing)
Copyright © Ron Martinsen – All Rights Reserved

More Images and Video

In addition to the few images I’ve tossed into this article, there’s more available here:
http://ronmart.smugmug.com/Blog/PointAndShoot
More images will be added there as I get more seat time with the cameras.
I’ll also take a moment to point out that all of the images above are straight out of camera with no – third party software used. These are in fact the original in-camera files, with camera level processing. I will also point out that these were not RAW’s converted to JPEG, but rather the real in-camera JPEG’s as originally captured (except cropping).

Conclusion – Part I of II

Despite the cost differential, my needs are best met with the G12. The S95 is a cool little camera and a better choice only for casual point and shoot in auto modes with dead center subjects. With that in mind, I’ll be letting my wife test both cameras and offer the significant other’s perspective on the two bodies. She loves her G11, but she quickly fell in love with the form factor of the S95. Check out my conclusion article to see which one she picked.

Click here to support this blog by purchasing a G12 or click here for a s95 at B&H at no additional cost to you. Thanks for your support!

Click here to learn about how this camera compares to the amazing Fujifilm FinePix X100.

First Week Findings

I’ve attached a table below which reflects my opinions, biases and in many cases the facts about the pros and cons of each body. I also should note that for those intrigued by the in-camera HDR feature of both of these cameras, I’m sad to report it’s a useless feature - it doesn’t seem to offer any better result than you get from a non-HDR. The iPhone 4 implementation is much better than the design here.

S95 First Week Findings
G12  First Week Findings

UPDATE – 10/27/2010

Thanks to one of my readers (see the comments from Lucien below), I did a controlled test tonight to measure the benefit of the s95’s f/2.0 lens versus G11 & G12’s f/2.8 lens. When I placed all three cameras on a the same tripod mount and focused using the center AF point on the same spot I found that the s95 was indeed better at offering faster shutter speeds which can make the difference between a blurry shot or not (or the requirement for a flash or higher ISO).

Here's the results of my testing:
-------------------
ISO 800
-------------------
1/25 - s95 @ f/2.0
1/13 - G11 & G12 @ f/2.8
-------------------
ISO 3200
-------------------
1/100 - s95 @ f/2.0
1/50 - G11 & G12 @ f/2.8
My prior observations were based on using face detection in real-world, not controlled, scenarios and under those circumstances I wasn't observing much difference.

Disclosure

This is a test I am doing for my own knowledge and it is not sponsored by any third party. I paid for these cameras with my own money and intend to only keep one when I’m done with my testing. Donations to support independent tests like this occasionally in the future are much appreciated!

Wednesday, October 28, 2009

REVIEW: Canon G11 – Finally near DSLR quality in a point and shoot package for under $500

 
The LCD image above is NOT simulated – it’s a real capture from my G11 pasted onto this exposure (not possible with one exposure)

For a very long time I have searched for a reasonably priced (meaning hundreds, not thousands) point and shoot camera that could be good enough for me to leave my big DSLR setup at home.  When I am out with the wife and kids for a family night out or entertaining out-of-town guests, I always get the evil eye when I toss the backpack in the car so an alternative solution was definitely in order!

While I was very happy with the Canon G9 at Disneyland, my conclusion was that it was crap at anything greater than ISO 100 (200 max). The G10 was even worse because it had more megapixels but the same small sensor. Sure it was fine in bright daylight, but once the light goes dim so did the results, leading me to think that P&S should really be referred to as POS.

I had really hoped that the Sigma DP1 or DP2 would get the job done, but they failed to live up to the specs which indicated they would be fantastic. Sure I’ve seen a few great shots from them here and there, but a hands on test revealed that the usability wasn’t there so it wasn’t the camera for me (or more importantly – my wife). The Panasonic DMC-LX3 was highly regarded but seemed no better than the G9 to me. Its replacement the Panasonic DMC-GF1 is indeed a strong competitor but cost $900, and truth be told it is just a smaller DSLR since you lens purchases are extra.

Introducing My Favorite Point and Shoot Camera

Canon G11 f/3.5 1/125 sec @ ISO 800 in Av Mode

I am pleased to announce that I've found the perfect Point and Shoot camera for me because it retains a solid performance from ISO 80 to ISO 1600, and it has all the features I want. It is also very well priced for what you get. I am very disappointed that the build quality of the G11 and feel it is inferior to its predecessors, but it is better than the average point and shoot build quality.

I’m totally comfortable with the size of the G11, but I realize for some it still isn’t really considered to be “pocketable”. For those looking for a more sleek and compact model but near identical image performance, Canon has the nice s90 waiting for you (the camera my wife wishes I would have bought instead). However, I wanted the extra physical (as opposed to digital) controls that the G11 offers and in practice I am not disappointed with my decision.

Let’s Start With Some Images

f/4.5 1/100 sec @ ISO 800 with negative exposure compensation in Av Mode

I’ve been super busy at my day job lately (working until 2 – 4:00 AM most days), so I’ve had little time to play with my new toy. However, I managed to find a couple short 10 minute breaks to snap off some shots. The results had me giggling like a school girl with joy because I love the quality and features of this camera. This thing is FUN and a true joy to use, and even advanced concepts (for most point and shoot users) like dialing in some negative exposure compensation to keep the purple flowers in the image above from being overblown is a piece of cake.

f/4.5 1/100 sec @ ISO 800 in Av Mode

The other cool thing is that getting a great isolated subject with a sweet bokeh is totally possible as seen in the picture of the ugly tree branch above. Not bad for ISO 800, huh?

A word about the images in this article

f/3.5 1/160 sec @ ISO 320 in Av Mode

Many of the images you see inline in this blog are what I call Enhanced where I’ve taken JPEG or RAW originals and performed my standard imaging workflow on them. I’ve done my own crop, alignment, noise reduction using Dfine (some, not all), curves, lab color, Color Efex skylight and/or foliage filters, and sharpening with Sharpener Pro. With one exception, there’s no other processing done to these shots so ugly leaves, distractions, etc… haven’t been removed or addressed. This is my typical workflow for blog images (excluding fashion where I invest much more time), so that is why these images are inline instead of their unprocessed versions.

With that said, I don’t want anyone feeling like I’m using smoke and mirrors and that the real images suck – they don’t. In fact they are so good, I’ve not only included the in-camera JPEG’s on my personal web site, but I’ve even included JPEG’s created with no processing from the RAW images (for the ones I shot dual format). Be sure to read the gallery and image captions at http://ronmart.smugmug.com/blog/G11 to learn more about the images (like the fact that they are nearly all hand-held shots).

f/4 1/1250 @ ISO 80 in Full Auto – © Moonhee Kim

I shot some photos in auto everything (aka full auto) and others in RAW+JPEG. The photos in those galleries are straight out of camera with zero processing (no cropping, straighten, align, or anything) so they show my poor photography skills, but you can use them to evaluate the image quality fairly well. Naturally I don’t have CR2’s up on smugmug, so the RAW is actually just an import into LR 2.5 and then an immediate export to JPEG 100% with no other non-default changes (well metadata embedded).

f/4.5 1/400 @ ISO 80 - FULL AUTO – © Moonhee Kim

Naturally the RAW images don’t have all of the noise reduction, sharpening, etc… that the in-camera JPEG’s have so the results are less interesting. However, detail is preserved so if you have better noise reduction and sharpening tools (read Nik Software) then you will get much better results doing your own intelligent noise reduction and sharpening as I’ve done with most of my images here – except the one below which only has minor Lightroom 2.5 enhancements plus a few extra leaves thrown around the edges courtesy of copy and paste in Photoshop.

f/4.0 1/20 @ ISO 800 Av Mode

The shot below was a lot of fun because I was able to play with most of the manual features of this camera. I put the camera in manual mode, rested it on a rock, and then set the timer for a 4 second exposure at f/8 and retained the quality offered by ISO 80. This image was taken at near dark conditions, so the bright sharp result was what I would expect from a DSLR, but have rarely seen pulled off successfully from the point and shoots I’ve owned.


4 seconds exposure f/8.0 @ ISO 80 Full Manual

A few full auto images

The way I want my wife to be able to use my G11 is to put it in full auto, or one of its “scene” modes and have it just do the right thing to get the shot. If I’m out with my kids playing and I want to get a quick snap of them doing something funny, I don’t want to have to think. I just want to point, and shoot – hence the name. Here’s an example shot (with zero processing) that I took of a sunset using the sunset mode:


f/8.0 1/2000 sec @ ISO 80 - Sunset Mode (no post processing)

While that shot won’t make Art Wolfe shiver in his boots, it is good enough to bring home to the wife and say “hey, check out the cool sunset we had at the park today”. Mission accomplished!

The shot below is a hypothetical situation where your teenager might have just cleaned his car and wants to take a picture of it at the park to show off his/her hard work. Well here’s a full auto snap at ISO 1000 that with a little minor processing looks fantastic in my opinion. I think any teen would be happy with this shot, and I can tell you this adult is pretty satisfied with it from a technical perspective (yeah, I know it sucks compositionally).

  f/4 1/20 sec @ ISO 1000 in Full Auto

In the image below, I was at the park with my son and we saw a bird resting on the wall to the camera right below. We got a nice close shot of it, but when it flew off I also snagged a shot if it flying away with a nice reflection on the water and a pretty fall background. No thinking required – just point, shoot, and move on. 


f/3.5 1/400 sec @ ISO 80 Full Auto (no post processing)

The shutter lag is still noticeable, and you won’t want this for little Johnny’s soccer game, but even shots of the wiggly baby in low light at 7:06 PM with no flash came out with only very minimal blur on the camera left hand. 


f/2.8 1/40 sec @ ISO 800 P Mode (no post processing)

What’s cool about the G11 though (and all G-series) is that you can put a real flash like the 580EX II on the hot shoe as I’ve done in the shot below. This sure beats using the nasty built-in flash which ruins images in my opinion and usually results in red-eye. While the results aren’t anything to write home about, it works. I think I’ll probably buy the more manageable 270EX flash for use with this camera, but fortunately most of the time I can take advantage of its high ISO performance and just leave the flash off as shown above.


f/2.8 1/40 sec @ ISO 800 Av Mode with 580 EX II flash

This last shot is why I want a point and shoot that can take a decent image.

While the white balance sucks, I really enjoyed the shot my wife took of me and my kids on a lazy Saturday morning. In the past she never would have picked up the huge DSLR, and even if she did, the shot wouldn’t have come out as she’s unsure of all of the settings. However, the G11 was handy so she just grabbed it and snapped a few shots and caught my shaving cream clad newborn smiling while my older kids looked on. This wasn’t staged and my son in the background is actually looking at the baby, even though it seems like he might be looking at the camera. 


f/2.8 1/100 @ ISO 320 Full Auto - © Moonhee Kim

Once again, I am glad I had the G11 so my wife could get the shot and I could clean it up a bit. Now if it could just do something about my bed head we’d be in business – perhaps we’ll get that in the G12!

What’s Not To Love


As bad as it gets – f/4.5 1/50 sec at ISO 3200

While you’ve probably figured by now that I really like this camera, there are definitely a few things not to love about it. Here’s my gripe list:

  • Auto White Balance sucks – I think one of Canon’s great strengths in its DSLR like is a fantastic auto white balance system, but in the case of the G11 that magic hasn’t been passed down. Granted, it isn’t totally horrible, but when you are used to DSLR’s you find yourself frustrated quickly. Fortunately it’s adjustable white balance modes work fairly well, and you can custom white balance so in theory this shouldn’t be a show-stopper.
  • Build Quality – While some might find the build quality of the G11 to be great when comparing it to other P&S models on the market, relative to its predecessors I feel the G11 is a step backwards. There is a very cheap plastic feel to it and the hollow arm of the rear LCD flip hinge makes me cringe because I know at some point I’m going to break that little thing like a twig.
  • Video – The lack of HD is unforgivable in this day and age, especially from Canon given their reputation for great HD video. This was the one thing that almost made me cancel my order. My experiment using the video resulted in modest performance that I’d call usable beyond what you might get from a iPhone 3Gs, but it’s nothing to write home about.
  • Optical Viewfinder – Simply put, its a joke. Of course, this is true of most point and shoots. Unless your battery is low and you are desperate, this thing shouldn’t be used.
  • Rear Wheel too overloaded – While it is cool that there is a lot of functionality that can be controlled from the same place, I frequently found myself in a hurry to change a setting (via pressing the center Func Set button), only to be annoyed when making changes that I accidentally activated the manual focus, macro or timer modes. This happens A LOT, so clearly there’s too much going on in this space. I think the s90 might actually have a good idea that could be useful here – another rotating wheel on the front by the lens.
  • RAW images show the truth – While I’m thrilled with the results of my G11, the reality is that it is still a tiny sensor camera and you can’t hide that in the RAW images. This means you’ll see noise in as little as ISO 200 and it will escalate from there, but the JPEG’s are processed to virtually noise free up to ISO 1250. What this means is that you’ll need noise reduction software if you are going to tinker with the RAW images. In addition, tiny sensors can’t resolve the detail of the huge sensors, so at 100% image quality isn’t going to compete with its larger sensor brethren. Canon’s done a fine job of in-camera processing to create a fairly usable image from the JPEG’s it creates, so for the majority of point and shooters this is a non-issue.
  • Dynamic Range is improved, but … – The colors are very good, but they aren’t big boy SLR quality. You’ll find yourself disappointed sometimes that the colors and shadows will crush a bit compared to what you’d get from a larger sensor. For most images, this will be a non-issue but there will be the occasional shot where you’ll think – dammit – i should have used the DSLR!

Do any of these change my opinion? NO! THIS IS A GOOD POINT AND SHOOT!

It isn’t a DSLR and that’s a good thing! I can carry it in my big pockets if I want to, but realistically a carrying case  is going to be more appropriate. You won’t be shooting images for iStockPhoto or Getty with it, but you will be able to get that picture of your anniversary dinner without having your wife give you the evil eye for hauling the DSLR into Chez Expensiviso.

What about the s90?

For a head-to-head comparison of s90 versus G11 features, visit this link on Canon USA. As of the time of this article, I haven’t tried one yet but I will be.

You can find excellent info on the s90 at DPReview, as well as the G11 but this review will focus primarily on the high ISO performance of photos from the Canon G11. I have a few friends who have offered to let me play with their s90’s, so I hope to do that and report to you with my findings in a future article. Stay tuned!

Conclusion

This camera will not replace your DSLR, but it will supplement it quite nicely when a smaller form factor is in order. It will take great memento shots which at the lower ISO’s probably will print quite nicely at 11x14 with zero distortion and up to twice that with no problem using products like BlowUp or Genuine Fractals (either of which will likely be used by your favorite online print company).

Go through your house right now and count the number of printed images of your own work that are greater than 16x24. If you have more than 3, then you might have some issues with the G11. If you have less, then odds are you’ll never really see any issues with this fine point and shoot camera.

I’ve printed nearly all of the images in this article on 4x6 prints using my sweet Canon PIXMA MP560 Wireless Inkjet All-In-One Photo Printer and even the nasty ISO 3200 image is totally acceptable. I could definitely send Mom pictures of the grandbaby and the Earth would continue to spin. As a result, I highly recommend the Canon G11 for those who have been waiting for a point and shoot that can perform very well at higher ISO’s.

Usage Recommendations

I recommend you turn on the creation of RAW images, and shoot in the Av mode with auto ISO as much as possible so you can have both nicely processed JPEG images and a RAW as a backup should you be unhappy with the default processing. Full auto mode will not create RAW’s, so I would limit the use of it (P can be used instead with less heavily processed results). I also recommend you avoid using the flash as much as possible. In fact, if you can swing it I would suggest getting a 270EX from B&H but stay away from the older 220EX as it cost almost the same and can’t be controlled via the camera menu system.

When shooting indoors, switch to Tungsten mode so that your JPEG’s white balance will be close to accurate as you can’t change it very easily after the fact (where again RAW’s come in handy). The Auto White Balance (AWB) isn’t that great, so using a preset or doing a custom white balance is worth your time.

This camera will go to ISO 800 pretty frequently, so check the image data after the shot. If you think you can pull off a lower ISO, then dial that in and try again.

Experiment with the many settings on this camera including the SCN mode. It works very well!

When shooting video, make 100% sure you’ve set your white balance properly for the environment or you’ll regret it later. Don’t forget to return to AWB after you are done with the video too so as not to ruin other shots later (don’t ask).

When using the great flip LCD to take a picture of you and your significant other, make sure to look at the lens and not the LCD or else you’ll look like an idiot as I do in the shot here (at an amazing ISO 1250).

Disclaimer

I purchased my G11 from Adorama at full price. I have not been solicited by anyone to do this review, but did it out of my sheer love of this cool new purchase I’ve made. I will receive a commission if you use the links in this article, so I ask that if you have found this information to be useful that you please support future articles by using my links.