Ron Martinsen's Photography Blog

Limelite Mosaic LED Panel

Earlier this year my friends at MacGroup US sent me some of their new constant lighting products to check out – the Limelite Mosaic LED Panel and the SL255DMX version of their Studiolite Fluorescent fixtures. These are both extremely well made products that both say “by Bowens” on the units. Bowens is a respected name in the lighting business, so these aren’t some cheap no-name products for sure.

Now I’m not a huge fan of constant lighting and I despise doing video, so I won’t bore you with an ugly video that highlights my lack of video skills. However, I will offer some insight on the quality of these products based on my basic testing of them.

I liked the Mosaic with 576 super bright powered LED’s because even after being on for an hour it was cool to the touch. It also didn’t heat up the room so this is really what you want if you are doing constant lighting. I probably would have been happier if I had the Chimera LED Lightbank that goes with it, but I only had the Limelite Barn-Door Set. The barn doors were great, but as a photographer I’m a big fan of light boxes so my testing was hampered by not having the light bank!

The Mosaic comes in various color balanced versions, but I had the bicolor which allows you to switch between daylight (5600k) and tungsten (2800k). I hadn’t seen any light panels that did this before so I really liked this feature!

I also loved that I could adjust the light intensity from 1 to 255 so I could use wider apertures (smaller f-stop numbers) than I typically can with traditional studio lights or strobes (without the aid of ND filters).

Limelite Studiolite SL255DMX 2-Tube DMX Fluorescent Fixture
(also available in 4 & 8 tube variants)

The Limelite Studiolite SL255DMX 2-Tube DMX Fluorescent Fixture was less impressive to me because I’m not a fan of fluorescent lights. While it’s true that these are daylight balanced, I was wishing for a gel to warm them up and I didn’t have one this large handy. What’s more I couldn’t get these in daylight balanced mode to match the Mosaic in the same mode. While it was probably user error, it left me frustrated trying to get these two different light systems to work together. If I was going to invest in this system I’d definitely do either the fluorescent on the LED system, but not mix and match them both.

My test unit came with the Limelite Studiolite Honeycomb Grid for SL255DMX which was excellent and very well built. The accessory slot it slides in to was well designed and thought out too. This is basically a strip light while its shown in landscape orientation, I found myself either using it like a hair light or in portrait orientation as a vertical strip light.

While these lights also featured adjustable light output levels just like the Mosaic, I found they ran hotter than LED’s – but not super hot like tungsten. The also were painful to have pointing at a human subject (unlike the Mosaic) so I found them less useful for people unless they were used as hair lights or for environmental lighting in the background.

Mosaic for your DSLR

Limelite Mosaic Solo On-Camera LED Light (Daylight Balanced)

I didn’t get a chance to test one of these, but this looks great for on-camera lighting. Based on the quality and performance of the bigger Mosaic, and the wealth of really bad LED light products I’ve seen, I’d expect a solid performance from this product. If you get one then be sure to share your thoughts in the comments!

Conclusion

These are very well made products that deliver on all of their promises featured online. They run cool and are reasonably priced compared to what I’ve seen for some competing products of similar build quality. If you know you need LED or Fluorescent lighting, I’d recommend these. If you are unsure which you should go with, my advice would be to go with all LED and be sure to get the bi-color variant and accessories (like the lightbank).

Maybe I’m old school, but I much prefer studio strobes for my photography needs and tungsten lighting (like this) for my video needs. While they didn’t meet my needs, it’s not because there was anything wrong with these products. In fact, when they first arrived I was so excited I was considering buying them. In the end I just didn’t care for the subjective feel of the light temperature from these and the lack of accessories I’m used to as a photographer turned me off to this class of lights (by any manufacturer).

If you are unsure what your needs are then I’d encourage you to call B&H at 877-679-0736 or 212-444-6772 to discuss your needs and which units are right for you. However, please come back and load your cart after using my links if you found this article to be helpful.

Where to order

Click the photos or links in the article to go to B&H to learn more about or purchase these products.

Disclosure

If you make a purchase using links found in this article, I may make a commission. It doesn’t cost you a penny more, but it does help to support future articles like this.

Lowel Rifa eX 66 Pro Kit, LB-40 Soft Case

Last year on my trip back home to New Orleans I was impressed by the video lighting I saw a local PBS television station doing for an interview in a bar. When they were done shooting I asked the camera man what gear he was using and he sheepishly said “just a Lowel kit”. It looked like nice stuff to me so I asked him if I could photograph what he had and he said “go ahead”. When I got back to Seattle I looked the kit up on B&H and was shocked to see it was about $800 (with rebate), so I asked if they could send me out a unit to review.

When the kit arrived I was immediately impressed with the quality of the soft box and stands – they were far beyond the cheapo stuff you’d get for photography at that price point. What’s more, you could tell this kit was designed by and for news crews because it had nice features like long power cables, ample use of Velcro and fast setup/tear down.

Impressed by what I saw I played around with it a bit and did some videos for the Mirrorless Mover, Fujifilm X-E2, XQ1, & G16. They all turned out well enough that I decided to do a very simple interview style video as shown here:

Click here to view on YouTube

I am not a big fan of video simply because I don’t like editing it, so this is an excerpt that only has minor content trimmed of the beginning and end using YouTube’s trim tool. It was shot at 1080p using a Canon 1D X and I intentionally went warm with the white balance, but if I had a chance to do it over again I would have chosen something slightly cooler than the 5000k I manually dialed in based on what I saw on the camera LCD.

The only thing I hate about this kit is that you can’t control the light power. You can control the light spread on the spotlight (shown with barn doors), but the main light just has massive power with no way to tone it down beyond your in-camera adjustments. They are also blazing hot to work under, so you work to turn them on only when needed and for as little time as possible.

Behind the Scenes

Here’s photos of the behind the scenes lighting setup I had for the video shown above:

Behind the Scenes Lighting Layout

Behind the Camera View