Showing posts with label lighting. Show all posts
Showing posts with label lighting. Show all posts

Thursday, January 11, 2024

REVIEW: Angler Bi-Color Ring Light Kit with Light Stand (18")

Angler Bi-Color Ring Light Kit with Light Stand (18")

Hey friends, long-time no blog! :)

I’m writing today because I had a need for an affordable ring light for use with my iPhone and I wanted to tell you what I thought about it.

In my world these days it’s becoming increasingly rare for me to need to use my DSLR, so like a lot of people I frequently use my phone camera for internal use only product shots and education videos. That said, for amazing as modern smartphones are for creating phenomenally good HDR images and pulling off amazing results in low light, sometimes you just need more light to get your desired results.

In my case, I found myself wanting something that would allow me to interact and record a tutorial video or review of something I was interacting with, but I still wanted to see my cell phone while I was doing it. I also wanted the light to be very good – you know, like pretty much every YouTuber these days!

When I started looking for options, the prices were more than I wanted and some of the purchases I made from Amazon were pretty bad. As a result, I reached out to my friends at B&H to leverage their expertise to find something that worked well but also didn’t break the bank.

My key criteria were:

  1. Affordable
  2. Diffused light
  3. Ability to control the temp
  4. Big enough to use for products as well as face lighting
  5. Ability to see my phone screen while recording, so this meant a phone mount as well as a pivot arm design.
  6. Easily portable for many use cases.

I’m happy to report that the Angler Bi-Color Ring Light Kit checked off all of the boxes and was almost perfect.

This shot was taken using JPEG only (doh) and mixed light (ambient light was tungsten with sources in front and behind the subject and edited heavily in Lightroom to make it suck less:


Kai with his dog Teddy using Canon 1DX II JPG and low brightness

Kai was struggling with the brightness, so I cranked it down low enough for him to tolerate it. If it wasn’t a quick and dirty shot (and a bit of luck with the dog), I probably would have taken a bit more time to make it much better. That said, that is what I like about this light – it allows me to do a lot better than my cell phone with very little effort. It makes experimentation much easier than traditional lighting methods thanks to the lightweight portable stand and battery powered light with adjustable temp and brightness!

A Closer Look

Here’s a closer look at the ring light itself:


Excellent diffusion panel on the front


Plenty of hot shoe mounting points for the camera adapter

Notice the inside and outside hot shoes all over things thing. It’s also shown with the batteries installed (included on some bundles), but it also includes the ability to just plug it into an outlet which saves weight.


Camera adapter could easily fit my iPhone 13 Pro with extra space left over

The camera adapter can be placed in any of the hot shoe mounts, but I elected to put it in the 6 O’clock spot. One side is spring loaded, so it supports many phones. My unit had a pretty strong spring, so I could only get it to open to just under 3 inches in width.


The hot shoe phone adapter could easily be moved to where I needed it

I used a Impact C-Stand  along with a grip head and extension arm
for added flexibility and reach for this scenario


With this setup, I could peek through and interact with the lens
on the table while monitoring the video
Notice how the captured content has drifted off the table!

Remember, my goal here was to test the ability to record where I was both interacting with and viewing the video of with an object on a table using my iPhone. I hate video editing, so I’ll spare you that boredom and just show a shot that I did with the iPhone 13 Pro and enhanced with Topaz AI:


iPhone 13 Pro static image taken using the ring light configured as shown previously

As a lighting tool, it did great. Where it failed miserably (as you can see if you look carefully in the prior image is that the ring light would drift and often overshoot the table. This seems to be due to the lack of any sort of teeth or serrations on the adjustment knob, so I really grew frustrated at this problem. While it might be fixed by adding a rubber washer or something, know that going in won’t “just work” for this scenario, It’s fine when upright vs this extreme angle with the weight of the camera on it, so if your goal is to do a podcast or more practical angles, then it will be great.

Testing in Complete Darkness

I wanted to test with a real camera in a normal scenario where the camera isn’t hanging from the hot shoe. For that scenario, it did great.

Light makes up for the lack of shutter speed, so I decided to push things to the limit, and this time using RAW, to see what I could do. Here were my light settings:


61% brightness in total darkness at 5400k

Even though the room was lit (by the ring light) for the shot, it was done at night with no ambient light beyond the Christmas tree for this shot.

For fun, I decided to use the Passport ColorChecker to make sure the foreground color was as accurate as I could get it, but for those who are new to the complexities of lighting – that only impacts the subject (Kai) and has zero impact on the ambient light on the background.


Canon 1DX Mark II f/2.8 @ 70mm for 1/10 sec at ISO 100 from RAW

Here’s a behind the scenes look but I didn’t make any effort to get accurate colors or light for this shot:


The camera was on its own tripod for this series and just shooting through

Conclusion

For the price of about 1 to 2 tanks of gas these days (at the time this was written), I think this ring light offers a lot of bang for the buck. Its ease of use, portability and overall quality of light were way more than I was expecting.

Will it keep up with my studio lighting? No, but it’s great for on the go video that is all to common these days with social media influencers who need professional looking light when on the camera as well as when interacting with products.

The Impact Air-Cushioned Light Stand (Black, 8') included in this review was perfect for cost effective portability, but I wouldn’t recommend it for the product review scenario I mentioned. For that, you’ll definitely want to invest in a C-Stand or even better, a base with wheels  along with a grip head and extension arm. While you are at it, don’t forget a saddle bag (bring your own sand).

Where to Buy?

CLICK HERE to learn more or buy today. Don’t forget that you can apply for the Payboo card and get special financing to make it easier to purchase in these difficult times.

Enjoy more classic reviews on the Reviews tab.

Disclosure

If you make a purchase using links found in this article, I may make a commission. It doesn’t cost you a penny more, but it does help to support future articles like this.

Monday, March 9, 2015

REVIEW: The Digital Photography Book, Part 5: Photo Recipes


Click to look inside on Amazon

The Digital Photography Book, Part 5: Photo Recipes by Scott Kelby is the fifth installment in his wildly popular Digital Photography Book Series. I’ve reviewed Volumes 1 – 4, and still strongly encourage new photographers to read them (especially Volume 1). At the end of Volume 1 (and many of his other books), Scott has what he calls Digital Recipes. These are easily digestible (2 pages in this case) blurbs where he shows a shot and tells you the basics about what is required to get the shot.  He also has a dozen companion videos which show you how to do some of the editing techniques he mentions in the book.

What’s inside

You can click here to look inside on Amazon, but here’s a quick run down of the chapters:

  1. Shooting Natural Light Portraits Like a Pro
  2. Using Just One Light Like a Pro
  3. Using Two or More Lights Like a Boss!
  4. Hot-Shoe Flash Like a Pro
  5. Shooting Weddings Like a Pro
  6. Shooting Travel Like a Pro
  7. Shooting Landscapes & Nature Like a Pro
  8. Shooting Other Stuff Like a Pro
  9. Using Post Like a Pro

Each chapter features 10 or more recipes on the chapter subject with two pages dedicated to each recipe. From there you get the following info for each recipe:

  • Before/Behind the Scenes Image – This shows you what happened behind the scenes to get the shot
  • Behind the Scenes – This tells you a bit more about where the shot was taken and the conditions.
  • Camera Settings – This tells you the gear and settings used to get the shot.
  • Thought Process – This tells you what was in Scott’s head for that shot from both a capture and post-processing standpoint
  • Post-Processing – This is where Scott will often refer you to a video so you can see more in-depth about how to process this type of photo. Many photos are done the same way, so he shows you the general technique but not the actual photo editing. If there are any differences from the standard processing or noteworthy points, they are listed here.
  • Final Image – This shows you the resulting image after capture and post-processing

Here’s a sample that you can see with more detail when you click and look inside on Amazon:

Sample Recipe Page 1 of 2 - Click to see more on Amazon

Sample Recipe Page 2 of 2 - Click to see more on Amazon

It’s simple and to the point which is great for ADD types like me!

I’ll admit that I expected to be underwhelmed at first, but I was pleased to see there was a lot of good recipes included here. Some like the Hurley Look Headshot Lighting was a great tip that I haven’t seen before, so even experienced photographers are likely to have a handful (or more) of “wow, that’s a great idea” moments. Yeah, there will be some where you wish you had a little more info, but that’s pretty much what you get in his phenomenally good Light It, Shoot It, Retouch It book (and Professional Portrait Retouching Techniques for Photographers using Photoshop rules for post-processing people).

Conclusion

This book is handy for a shooter who has the basics down and wants some basic advice on how to get the featured shots. I liked the book because it was a quick read (about 90 – 120 minutes), but I got more out of the videos in his Photo Recipes Live: Behind the Scenes by Scott Kelby DVD. With the knowledge I’ve picked up from other books, I consider this to be like a pocket guide or quick reference to help jog my memory about how to get certain looks when I’m out shooting. After all, what could be easier than you (or your client) just thumbing and saying “I want that look”? With the look down you can see the quick notes on what to do and nail it – I love it!

Where to order

Click here to learn more or order this book on KelbyOne.com. My friends at Amazon have it available here.

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Disclosure

If you make a purchase using links found in this article, I may make a commission. It doesn’t cost you a penny more, but it does help to support future articles like this.

Wednesday, February 26, 2014

Limelite Mosaic And Studiolite–Constant Lighting Without The Heat

Limelite Mosaic LED Panel
Limelite Mosaic LED Panel

Earlier this year my friends at MacGroup US sent me some of their new constant lighting products to check out – the Limelite Mosaic LED Panel and the SL255DMX version of their Studiolite Fluorescent fixtures. These are both extremely well made products that both say “by Bowens” on the units. Bowens is a respected name in the lighting business, so these aren’t some cheap no-name products for sure.

Now I’m not a huge fan of constant lighting and I despise doing video, so I won’t bore you with an ugly video that highlights my lack of video skills. However, I will offer some insight on the quality of these products based on my basic testing of them.

I liked the Mosaic with 576 super bright powered LED’s because even after being on for an hour it was cool to the touch. It also didn’t heat up the room so this is really what you want if you are doing constant lighting. I probably would have been happier if I had the Chimera LED Lightbank that goes with it, but I only had the Limelite Barn-Door Set. The barn doors were great, but as a photographer I’m a big fan of light boxes so my testing was hampered by not having the light bank!

The Mosaic comes in various color balanced versions, but I had the bicolor which allows you to switch between daylight (5600k) and tungsten (2800k). I hadn’t seen any light panels that did this before so I really liked this feature!

I also loved that I could adjust the light intensity from 1 to 255 so I could use wider apertures (smaller f-stop numbers) than I typically can with traditional studio lights or strobes (without the aid of ND filters).

Limelite Studiolite SL255DMX 2-Tube DMX Fluorescent Fixture
Limelite Studiolite SL255DMX 2-Tube DMX Fluorescent Fixture

(also available in 4 & 8 tube variants)

The Limelite Studiolite SL255DMX 2-Tube DMX Fluorescent Fixture was less impressive to me because I’m not a fan of fluorescent lights. While it’s true that these are daylight balanced, I was wishing for a gel to warm them up and I didn’t have one this large handy. What’s more I couldn’t get these in daylight balanced mode to match the Mosaic in the same mode. While it was probably user error, it left me frustrated trying to get these two different light systems to work together. If I was going to invest in this system I’d definitely do either the fluorescent on the LED system, but not mix and match them both.

My test unit came with the Limelite Studiolite Honeycomb Grid for SL255DMX which was excellent and very well built. The accessory slot it slides in to was well designed and thought out too. This is basically a strip light while its shown in landscape orientation, I found myself either using it like a hair light or in portrait orientation as a vertical strip light.

While these lights also featured adjustable light output levels just like the Mosaic, I found they ran hotter than LED’s – but not super hot like tungsten. The also were painful to have pointing at a human subject (unlike the Mosaic) so I found them less useful for people unless they were used as hair lights or for environmental lighting in the background.

Mosaic for your DSLR

Limelite Mosaic Solo On-Camera LED Light (Daylight Balanced)
Limelite Mosaic Solo On-Camera LED Light (Daylight Balanced)

I didn’t get a chance to test one of these, but this looks great for on-camera lighting. Based on the quality and performance of the bigger Mosaic, and the wealth of really bad LED light products I’ve seen, I’d expect a solid performance from this product. If you get one then be sure to share your thoughts in the comments!

Conclusion

These are very well made products that deliver on all of their promises featured online. They run cool and are reasonably priced compared to what I’ve seen for some competing products of similar build quality. If you know you need LED or Fluorescent lighting, I’d recommend these. If you are unsure which you should go with, my advice would be to go with all LED and be sure to get the bi-color variant and accessories (like the lightbank).

Maybe I’m old school, but I much prefer studio strobes for my photography needs and tungsten lighting (like this) for my video needs. While they didn’t meet my needs, it’s not because there was anything wrong with these products. In fact, when they first arrived I was so excited I was considering buying them. In the end I just didn’t care for the subjective feel of the light temperature from these and the lack of accessories I’m used to as a photographer turned me off to this class of lights (by any manufacturer).

If you are unsure what your needs are then I’d encourage you to call B&H at 877-679-0736 or 212-444-6772 to discuss your needs and which units are right for you. However, please come back and load your cart after using my links if you found this article to be helpful.

Where to order

Click the photos or links in the article to go to B&H to learn more about or purchase these products.

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Disclosure

If you make a purchase using links found in this article, I may make a commission. It doesn’t cost you a penny more, but it does help to support future articles like this.

Tuesday, January 14, 2014

REVIEW: Lowel Rifa eX 66 Pro Kit, LB-40 Soft Case

Lowel Rifa eX 66 Pro Kit, LB-40 Soft Case
Lowel Rifa eX 66 Pro Kit, LB-40 Soft Case

Last year on my trip back home to New Orleans I was impressed by the video lighting I saw a local PBS television station doing for an interview in a bar. When they were done shooting I asked the camera man what gear he was using and he sheepishly said “just a Lowel kit”. It looked like nice stuff to me so I asked him if I could photograph what he had and he said “go ahead”. When I got back to Seattle I looked the kit up on B&H and was shocked to see it was about $800 (with rebate), so I asked if they could send me out a unit to review.

When the kit arrived I was immediately impressed with the quality of the soft box and stands – they were far beyond the cheapo stuff you’d get for photography at that price point. What’s more, you could tell this kit was designed by and for news crews because it had nice features like long power cables, ample use of Velcro and fast setup/tear down.

Impressed by what I saw I played around with it a bit and did some videos for the Mirrorless Mover, Fujifilm X-E2, XQ1, & G16. They all turned out well enough that I decided to do a very simple interview style video as shown here:


Click here to view on YouTube

I am not a big fan of video simply because I don’t like editing it, so this is an excerpt that only has minor content trimmed of the beginning and end using YouTube’s trim tool. It was shot at 1080p using a Canon 1D X and I intentionally went warm with the white balance, but if I had a chance to do it over again I would have chosen something slightly cooler than the 5000k I manually dialed in based on what I saw on the camera LCD.

The only thing I hate about this kit is that you can’t control the light power. You can control the light spread on the spotlight (shown with barn doors), but the main light just has massive power with no way to tone it down beyond your in-camera adjustments. They are also blazing hot to work under, so you work to turn them on only when needed and for as little time as possible.

Behind the Scenes

Here’s photos of the behind the scenes lighting setup I had for the video shown above:

Behind the Scenes Lighting Layout
Behind the Scenes Lighting Layout

Behind the Camera View
Behind the Camera View

Conclusion

Overall I liked this kit way more than the light panels I’ve tested in the past. I’ve got one set of light panels on the way to test, so perhaps they might change my mind. In the meantime, I’m thinking I’ll buy this kit because I really liked how well it was designed for pack in and out. I also appreciate the durability of the components in the kit.

If you’ve seen the budget for anything video, you know that at $800 (with rebate) this kit is a steal. If you are an aspiring videographer or a photographer in search of constant lighting, I think you’ll be pleased. Keep in mind though, this is a kit that you won’t want to pack up and send back due to the fragility of the lights, so if you order it then plan to keep it!

Where to order

Click here to learn more or order the Lowel Rifa eX 66 Pro Kit on the B&H web site. My friends at Amazon have it available here.

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Disclosure

If you make a purchase using links found in this article, I may make a commission. It doesn’t cost you a penny more, but it does help to support future articles like this.