Showing posts with label T5i. Show all posts
Showing posts with label T5i. Show all posts

Friday, May 17, 2013

DSLR or Mirrorless: Canon T5i/700D Review–Part II


Canon Rebel T5i/700D f/11 @ 52 mm, 1/80, ISO 6400, No Flash

In part I of my Canon T5i/700D review I was impressed with several features of this camera, but overall I had this nagging feeling that I was using a gloried point and shoot. At the same time I tested this camera I also tested the Fujifilm X-S1 which IS literally a point and shoot camera with a single big optical zoom lens. This got me to thinking, would I really recommend this camera over a mirror less to a friend?

For now the answer is yes primarily because when you buy an interchangeable lens camera you are buying system that includes lenses and accessories. Canon has a lot to offer the user of this camera over its mirror less counterparts, and you have the opportunity to grow into better gear within the system. This is what I did when I moved to digital SLR cameras with my old Rebel XTi, and I never regretted that decision.

Bookshelf Images

These are taken from in-camera JPEG’s with zero modifications taken during everyday life events. Nearly all were taken in Aperture Priority (Av) mode using a timer and a tripod with stabilization turned off. The goal of these samples is to have a common measuring stick in a controlled environment by which you can measure the lens and sensor performance. What’s more you can also compare these to bookshelf shots of other cameras that I’ve reviewed to get an idea of how a camera really compares. See my other camera reviews for links to additional bookshelf images.

Visit http://photos.ronmartblog.com/canon/t5i for a full gallery and click the images to see the full-size originals. All images are copyright Ron Martinsen – ALL RIGHTS RESERVED. You may view them, but you may not store, edit, print, distribute or otherwise reuse any images without written consent.


T5i, f/5.6 @48 mm, 4s, ISO 200 18-55mm kit lens
The kit lens quality shocked me as to how sharp it was

While the kit lens feels like a piece of plastic worthy of a child's toy box, the quality itself is surprisingly good. In fact, I found some areas of the image on par with the ultra expensive 70-200mm professional zoom lens.

Below I found the high ISO performance to be a big improvement – to my eyes – over the T4i. Personally I’d probably lower the in-camera noise reduction to the minimum values as I felt it destroyed more detail than I’d like.


f/4 @ 70 mm,1/25, ISO 12800 (using 70-200mm f/2.8L IS II USM lens)
ISO 12,800 is totally usable - a HUGE improvement over the T4i

In-Camera HDR


In-Camera HDR
Nice results, but not a huge amount of range and a huge crop

The in-camera HDR works okay but it seems to take an aggressive built-in crop – especially considering this shot was taken on a tripod. I was also frustrated by the fact that this camera doesn’t save the RAW or JPEG images it takes when you use its in-camera HDR – you only get the end result of the merge. It also doesn’t have as much dynamic range and depth as I would expect in a feature like this.

Personally I’d strongly recommend that HDR fans continue to do traditional bracketing in the camera and let HDR Efex Pro be your tool for getting a better HDR image.

Conclusion

I definitely preferred the T5i/700D over the Canon EOS M, but when you start comparing it to the higher end Fujifilm, Sony and Olympus cameras the decision isn’t as easy to make. The compact size and high quality of the mirror less cameras make them very compelling choices. However, those cameras aren’t as user friendly for the average soccer mom or technophobe dad. I also think that this camera’s auto focus system significantly outperforms other cameras I’ve tested at this same price point. As a result, I’d definitely take this camera over the mirror less options as of May 2013, but the tide is turning for sure. The good thing though is that you are in good shape to grow into different products when you choose the Canon platform whereas the current mirror less platforms are still rather volatile and evolving.

Practically speaking, I think the Canon EOS Rebel T5i (aka 700D) with EF-S 18-135mm f/3.5-5.6 IS STM Lens kit makes more sense over the 18-55mm that I tested here because of the extra reach of the lens. I tested the 18-135mm lens with the T4i and felt like it was a decent kit lens.As a result, I think the added reach you get for the extra $200 makes a lot of sense.

Those with an extra $500 in their budget (and no existing Canon lenses) would be wise to consider the Nikon D7100. In my Nikon D7100 review I compared its quality to that of the D800E, and really it is a pretty impressive camera. It’s images will seem dull and flat compared to Canon’s hyper saturated in-camera images, but that’s just in-camera post-processing trickery.

See my Which camera should I buy? article for my general shopping advice, and Part I of this review for more details and real world sample images.

Where to order

Click here to order the Canon Rebel T5i/700D at B&H. My friends at Adorama have it available here.

Other articles you may enjoy

If you enjoyed this article, you may also enjoy these reviews:

Disclosure

If you make a purchase using links found in this article, I may make a commission. It doesn’t cost you a penny more, but it does help to support future articles like this.

Monday, May 6, 2013

REVIEW: Canon Rebel T5i/700D – Part I: Real World Sample Images

Canon EOS Rebel T5i DSLR Camera with EF-S 18-55mm f/3.5-5.6 IS STM Lens
Canon EOS Rebel T5i DSLR Camera with EF-S 18-55mm f/3.5-5.6 IS STM Lens

It seems like just yesterday that I was reviewing the Canon Rebel T4i because it was only about 9 months ago when I published that review! You can read what’s new in the press release, but basically you get an improved hybrid auto focus system and a scene mode which mimics the point and shoots like the s110. I didn’t find the new AF system  to be exceptionally different or better than its predecessor and the scene mode is a gimmick feature, so I’m not seeing anything that T4i users should be concerned about. I did notice the problem that I had with 580EX II flashes seems to be resolved, but that only matters if you were using one of the old flashes. Both the T4i and T5i both work great with the 600EX-RT external flash.

This model still features the articulating touch screen display of its predecessor which I like, and it it still has that “made by Mattel” plastic feel. When paired with an STM lens, like the EF-S 18-55mm f/3.5-5.6 IS STM lens I tested, its super light weight and super quiet when beeps are disabled.

Real World Sample Images

These are taken from in-camera JPEG’s with zero modifications taken during everyday life events. Nearly all were taken in Aperture Priority (Av) mode unless otherwise noted, and all were handheld. The goal of these samples is to show you exactly what you’d expect to get if you were taking your own real world shots.

Visit http://photos.ronmartblog.com/canon/t5i for a full gallery and click the images to see the full-size originals. All images are copyright Ron Martinsen – ALL RIGHTS RESERVED. You may view them, but you may not store, edit, print, distribute or otherwise reuse any images without written consent.


f/11 @ 38 mm, 1/50, ISO 800, No Flash
I was very impressed with this shot from the all-plastic kit lens


T5i, f/11 @ 52 mm, 1/100, ISO 3200, No Flash
While not as sharp as 24-70mm f/2.8L, it’s good enough and will look great with Color Efex edits


f/5.6 @ 24 mm, 1/60, ISO 5000, No Flash
The token “check out my yummy meal” shot shows that even ISO 5000 isn’t too bad
High ISO performance seems to be a big improvement over the T4i


f/4 @ 18 mm, 1/160, ISO 100, No Flash, Shade WB
At ISO 100 the performance is very satisfying


f/5.6 @ 55 mm, 1/80, ISO 1600, No Flash, Landscape Picture Style, Shade White Balance
Out of 8 attempts with Live View, we got one decent shot of this moving millipede


f/4 @ 18 mm, 1/30, ISO 500, No Flash, Fluorescent White Balance
You know those nasty piano practice rooms/dungeons? This is about as good as it gets.


f/4 @ 18 mm, 1/500, ISO 100, No Flash, Shade WB
This is a proper DSLR with decent dynamic range


f/5.6 @ 45 mm, 1/80, ISO 400, No Flash, Landscape PS, Shade WB
I was very disappointed with the in-camera noise reduction that destroys detail
Compare this with a similar shot taken with a Fujifilm X20here


f/5.6 @ 32 mm, 1/160, ISO 2000, No Flash
The AF will keep up with your toddler, but you’ve got to pay attention to your settings
This was done in Manual (M) mode with Auto ISO so I could force 1/160 sec shutter speed
to avoid motion blur – a faster shutter speed would have been helpful, but the f/5.6 kit lens kept my ISO’s up way high on this sunny day hike


f/3.5 @ 18 mm, 1/40, ISO 800, No Flash, Shade WB, Landscape PS
This is what 18mm looks like, now pay attention to the log at the end of the stream


f/5.6 @ 55 mm, 1/80, ISO 4000, No Flash, Shade WB, Landscape PS
This is how far 55m will get you, so you’re better off with the 18-135mm lens I tested with the T4i


f/11 @ 45 mm, 1/160, ISO 3200, No Flash
This lens has decent sharpness (alternate version for bokeh lovers)


f/11 @ 51 mm, 1/80, ISO 6400, No Flash
This will look awesome with some Color Efex editing


f/11 @ 52 mm, 1/80, ISO 6400, No Flash
All butterfly shots were done with Live View and touch to focus – you can get these too!


f/11 @ 55 mm, 1/80, ISO 1250, No Flash


f/8 @ 45 mm, 1/250, ISO 100, No Flash
Proof these are unedited – crooked verticals! ;-)


f/8 @ 18 mm, 1/400, ISO 100, No Flash
18mm is plenty wide in real-world use


f/5.6 @ 35 mm, 1/640, ISO 100, No Flash
In “Sports” mode with great light, I was able to catch some bird shots,
but the AF burst performance is terrible


f/8 @ 24 mm, 1/250, ISO 100, No Flash
I was very satisfied with the in-camera color


f/5.6 @ 70 mm, 1/500, ISO 100, No Flash, 24-70mm f/2.8L II lens
A better lens didn’t help as much as I would have hoped


f/8 @ 155 mm, 1/250, ISO 800, No Flash, 70-200mm f/2.8L IS II USM lens
With my favorite lens the results were good, but not as great as I expected

Conclusion

I’ve shown the best of the best shots here, but if you visit the gallery you’ll see that not all are as solid as these. That said, I was very impressed with the kit lens, and very disappointed with the in-camera noise reduction. As a result, my advice is to turn noise reduction OFF and use Noiseware or Dfine instead. Your images will look much better in the end – especially if you add a little sharpening with Sharpener Pro.

For my conclusion visit Part II of my review. I’ve also reviewed the Fujifilm X-S1 which I tested at the same time as the T5i. I’d also encourage shoppers in this price range to give the Fujifilm X20 or Fujifilm XE-1 careful consideration as well as I honestly think both exceed the performance of the T5i/700D.

See my Which camera should I buy? article for my general shopping advice.

Where to order

Click here to order the Canon Rebel T5i/700D at B&H. My friends at Adorama have it available here.

Other articles you may enjoy

If you enjoyed this article, you may also enjoy these:

Disclosure

If you make a purchase using links found in this article, I may make a commission. It doesn’t cost you a penny more, but it does help to support future articles like this. B&H loaned me the camera used for this review.

Tuesday, April 16, 2013

Canon Instant Rebates back until April 27th, 2013

Canon Speedlite 600EX-RT only $499 (includes free NiMH batteries)
Canon Speedlite 600EX-RT only $499 (includes free NiMH batteries)

B&H Links

Click here to learn more about  the lens and speedlite rebates

Click here to learn more about these latest DSLR Camera rebates.

NOW IN STOCK

Canon EOS Rebel T5i DSLR Camera with EF-S 18-55mm f/3.5-5.6 IS STM Lens
Canon EOS Rebel T5i DSLR Camera with EF-S 18-55mm f/3.5-5.6 IS STM Lens

Hot New Arrivals

Fujifilm X20 (review)

Other articles you may enjoy

If you enjoyed this article, you may also enjoy these:

Disclosure

If you make a purchase using links found in this article, I may make a commission. It doesn’t cost you a penny more, but it does help to support future articles like this.

Wednesday, March 20, 2013

New Canon DSLR Camera Announcements 3/21/2013

Canon finally announces some cool new cameras tonight and you can pre-order them right now from B&H or Adorama!

Canon EOS Rebel SL1 DSLR Camera with EF-S 18-55mm f/3.5-5.6 IS STM Lens

image
PRE-Order now from B&H or Adorama

Canon U.S.A. Announces World's Smallest And Lightest DSLR Camera

New EOS Rebel SL1 Digital SLR Camera Fuses Advanced Image Quality and Features into an Ultra-Portable Body

MELVILLE, N.Y., March 21, 2013 – Continuing the quest to deliver superb product innovations, Canon U.S.A., Inc., a leader in digital imaging solutions, today announced the world's smallest and lightest DSLR* camera: the EOS Rebel SL1 Digital SLR Camera. It features a newly developed 18.0-megapixel CMOS (APS-C) sensor and high-performance DIGIC 5 Image Processor for exceptional image quality and speed. With its combination of lightweight size, ease of use and outstanding image quality, the EOS Rebel SL1 is perfect for users looking for the ideal camera to bring sightseeing on vacation or to capture the everyday.

"The EOS Rebel SL1 Digital SLR Camera represents a new era in DSLR versatility: ultra-portable, full-featured DSLR cameras," said Yuichi Ishizuka, executive vice president and general manager, Imaging Technologies & Communications Group, Canon U.S.A. "The EOS Rebel SL1 combines the high speed, high image quality and expanded shooting range of a DSLR camera, with the easy and fun usability of a point-and-shoot camera."

Advanced Image Quality in a Compact Body

As the world's smallest and lightest DSLR, the new camera body is 4.6" (w) x 3.57" (h) x 2.74" (d), and weighs only 14.36 oz.** In comparison, the EOS Rebel SL1 is approximately 25 percent smaller and 28 percent lighter than the EOS Rebel T4i digital camera.

EOS Rebel SL1 is approximately 25 percent smaller and 28 percent lighter than the EOS Rebel T4i digital camera

The EOS Rebel SL1 features an 18 megapixel CMOS (APS-C) sensor that performs exceptionally well in both bright and dimly lit shooting environments with an ISO range of 100-12800 (expandable to H: 25600) for photos and ISO-6400 (expandable to H: 12800) for video. Canon's DIGIC 5 Image Processor technology allows for exceptional image quality and shooting speed up to four frames per second (fps).

The camera includes a new nine-point center cross-type autofocus (AF) system to help achieve fast, sharp focus. The new AF system also includes a new Hybrid CMOS AF II sensor, which provides a wider focus area when shooting photos or video in Live View mode, and a continuous AF speed that's increased from previous EOS models.

To help capture video with ease, the EOS Rebel SL1 features Canon's Movie Servo AF, which provides continuous AF tracking of moving subjects. When shooting video with one of Canon's new STM lenses, such as the EF-S 18-55mm f/3.5-5.6 IS STM (available in the standard lens kit), Movie Servo AF takes advantage of the lens' stepping motor for smooth and quiet continuous AF. The camera is capable of Full HD shooting in a number of recording sizes and frame rates, and enables easy manual control of exposure, focus and Live View features. The combination of Canon's new Hybrid CMOS AF system II and EF-S 18-55mm f/3.5-5.6 IS STM lens is ideal for shooting video helping to ensure only the sounds of the scene are recorded.

Allowing for clear and easy viewing even in bright environments, the Touch Screen three inch Clear View LCD monitor II provides a rich and expansive display as well as providing intuitive touch panel operation. Two finger touch gestures (multi-touch) can be easily used for zooming or changing images, accessing menu and quick control settings, and activating focus point and shutter release while shooting.

Creativity at your Fingertips

The EOS Rebel SL1 encourages users to explore their creative side with a wide array of features for convenience and simple shooting. The EOS Rebel SL1 is equipped with Scene Intelligent Auto Mode, an advanced function that detects faces, colors, brightness, movement, contrast, distance and other factors and automatically adjusts and selects the exposure method needed. The results are photos with a wide dynamic range, ideal for users without advanced photography knowledge or experience.

Users can also access advanced imaging features like the new Effect Shot mode, which automatically creates two different shots, one with a selected creative filter and one without. In addition, Creative Filters and Background Blur Simulation can now be displayed in real time during Live View shooting. Editing photos is also a snap with the Rebel SL1's in-camera editing and cropping functionality. This feature allows users to view and crop the image using the camera's LCD touch screen and save the edited version as a separate file.

For those who would like to take beautiful photos with ease, the EOS Rebel SL1 offers a variety of scene modes to explore. New special scene modes include Kids, Food and Candlelight, giving users advanced presets to help ensure the best possible photos even under difficult shooting conditions.

Canon Rebel T5i

Canon Rebel T5i
PRE-Order now from B&H or Adorama

MELVILLE, N.Y., March 21, 2013 – Canon U.S.A., Inc., a leader in digital imaging solutions, is proud to introduce a new flagship model to its popular EOS Rebel line, the EOS Rebel T5i Digital SLR Camera. The incredible image quality and performance starts with an 18 megapixel CMOS (APS-C) sensor and Canon's superb DIGIC 5 Image Processor. Combined with an extensive ISO range of 100-12800 (expandable to 25600 in H mode), the EOS Rebel T5i boasts crisp, detailed images, even in low-light conditions. With a continuous shooting speed of up to 5.0 frames per second (fps) united with 9 all cross-type AF focus points, the new EOS Rebel T5i allows photographers the opportunity to shoot with ease, even in challenging shooting situations.

When shooting in Live View mode, the Hybrid CMOS AF system enables speedy and accurate autofocus for photos and video. Coupled with Canon's new EF-S 18-55mm f/3.5-5.6 IS STM lens, available in the standard kit lens bundle, the EOS Rebel T5i takes full advantage of the Stepping Motor (STM) technology, which allows the lens to smoothly and silently focus on the subject whether it is moving or standing still. When combined with the camera's high-resolution Vari-angle Touch Screen 3.0-inch Clear View LCD monitor II and intuitive touch controls, the EOS Rebel T5i stands as Canon's most "consumer-friendly" DSLR.

"Built to make advanced photography creative and fun, the EOS Rebel T5i Digital SLR Camera gives users exceptional image quality and fast, intuitive operation along with creative functions to help advance photographic expression," said Yuichi Ishizuka, executive vice president and general manager, Imaging Technologies & Communications Group, Canon U.S.A.

Expand Your Creativity with New Advanced Features

The EOS Rebel T5i provides amateur and advanced photographers looking to hone their creative and technical skills with a range of features that allow for crisp, clear images.

Whether it is adding saturation to a vivid landscape or applying a unique, vintage touch to a portrait, users who want to express their creativity can experiment with different effects and settings, composing a shot, by using one of Canon's seven Creative Filters. When the Creative Filters are applied in Live View, users can preview the filter on the vari-angle three inch LCD touch screen without having to shoot the image first. Effects such as ArtBold, Water Painting, Grainy Black and White, Soft Focus, Toy Camera, Fish-Eye and Miniature let users pick and choose how to best express their creative vision before or after the image is captured.

The EOS Rebel T5i features advanced shooting modes to take creative imaging even further. When using one of the advanced shooting modes such as Handheld Night Scene, HDR Backlight Control or Multi-Shot Noise Reduction, multiple images are taken and combined within the camera to help create the best quality image based off of the shots taken. Providing quick and easy accessibility, a new mode dial with Scene modes has been included, allowing users the flexibility to select the subject matter while the camera determines the optimal settings.

Enhanced EOS Full HD Movie Mode

The EOS Rebel T5i offers easy-to-use professional video capture. When users switch to EOS Full HD Movie mode, the EOS Rebel T5i offers the ability to shoot in 1080p Full HD video in a number of recording sizes and frame rates. With Canon's Hybrid CMOS AF System and Movie Servo AF, the camera provides continuous AF for focus tracking of moving subjects by helping to reduce the camera's need to "hunt", resulting in a quick and smooth continuous AF. While shooting with one of Canon's Stepping Motor (STM) lenses, such as the new EF-S 18-55mm f/3.5-5.6 IS STM lens, the camera will only capture the stereo sound of the scene being recorded. For added flexibility, the EOS Rebel T5i also features a built-in stereo microphone with manual audio level adjustment to enhance sound quality.

Expanded Lineup of STM Lenses

Canon is expanding the lineup of STM lenses by adding one new lens, which now gives users three choices that will allow for the capture of stunning images and video with the EOS Rebel T5i - the EF-S 18-135mm f/3.5-5.6 IS STM, the EF 40mm f/2.8 STM and the new EF-S 18-55mm f/3.5-5.6 IS STM lens. The EF-S 18-55mm f/3.5-5.6 IS STM lens offers high magnification in a compact and lightweight EF-S standard zoom lens with an optical image stabilizer for up to four equivalent stops for shake correction. When paired with the Hybrid CMOS AF, it allows for smooth and quiet, continuous AF for photo and video capturing - making it the perfect combination for preserving those once in a lifetime moments.

Where to order

PRE-Order the SL1 now from B&H or Adorama or the Rebel T5i  from B&H or Adorama.

Disclosure

If you make a purchase using links found in this article, I may make a commission. It doesn’t cost you a penny more, but it does help to support future articles like this.