Showing posts with label RX100 II. Show all posts
Showing posts with label RX100 II. Show all posts

Tuesday, July 22, 2014

Sony RX100 III - The Best Quality Point and Shoot I’ve Ever Tested (Review Part II of II)

Sony Cybershot DSC-RX100 III Digital Camera - Selfie Mode
Sony Cybershot DSC-RX100 III Digital Camera - Selfie Mode

This is my third time reviewing a Sony RX100 series camera and I’ve reviewed quite a few Sony’s over the years. I always fall in love with the size and sexiness of the RX100’s, yet I always find myself at the end of the review feeling a bit underwhelmed thinking – is that it?

Don’t get me wrong, this is an excellent camera, but I immediately ask myself “for nearly $800 price tag (at the time this was originally written), is this really the best bang for the buck?” With that in mind, I did a search on B&H on July 21, 2014 to see what else is out there for the $800 – $900 USD range:

Canon EOS Rebel SL1 DSLR Camera with 18-55mm Lens Deluxe Kit
Canon EOS Rebel SL1 DSLR Camera with 18-55mm Lens Deluxe Kit

Probably a better video camera, but bulky and only native ISO 6400

Nikon D5300 DSLR Camera with 18-55mm Lens
Nikon D5300 DSLR Camera with 18-55mm Lens

Good camera with great features, but it’s bulky and this is definitely no Zeiss lens

Nikon 1 J4 Mirrorless Digital Camera with 10-30mm and 30-110mm Lenses
Nikon 1 J4 Mirrorless Digital Camera with 10-30mm and 30-110mm Lenses

While these always underwhelm me too, at least you get decent interchangeable lenses

Nikon 1 V2 Mirrorless Digital Camera with 1 NIKKOR VR 10-30mm f/3.5-5.6 Lens Kit
Nikon 1 V2 Mirrorless Digital Camera with 1 NIKKOR VR 10-30mm f/3.5-5.6 Lens Kit

Definitely more my style than he J4, but bulky and last gen technology

Canon EOS Rebel T5i DSLR Camera Kit with EF-S 18-55mm f/3.5-5.6 and 75-300mm f/4.0-5.6 III Lenses
Canon EOS Rebel T5i DSLR Camera Kit with EF-S 18-55mm f/3.5-5.6 and 75-300mm f/4.0-5.6 III Lenses
This is a pretty good camera with great video performance, but alas still bulky

Leica D-Lux 6 Edition 100 Digital Camera
Leica D-Lux 6 Edition 100 Digital Camera

Sexy, small and a Leica – hum, do we have a contender?

Fujifilm X-E2 Mirrorless Camera Body Only
Fujifilm X-E2 Mirrorless Camera Body Only

Definitely better than the Sony, but you still need lenses and they aren’t cheap!

In this search, I definitely felt that only the Leica 100 stood a chance at really comparing well against all the things that make the Sony RX100’s great – including size. I haven’t reviewed that one yet, so I could be wrong, but it’s clear that this Sony is Leica priced!

The answer is that if you start comparing size and features, there’s a lot of great choices that are significantly less than the RX100 III. This begs the question that when you ignore price, what else is really a viable alternative to the Sony RX100 III, and funny enough one of the best answer is the previous generation Sony RX100 series which are now much more affordable!

RX100 ($498 on July 21, 2014)
RX100 ($498 on July 21, 2014)

See my RX100 Review

RX100 II ($649 on July 21, 2014)
RX100 II ($649 on July 21, 2014)

See my RX100 II Review

There’s also other great cameras like the Fujifilm X20, Canon G16, Canon s120, and so much more in the sub $800 price range. So this begs the question – is the Sony RX100 III really worth nearly $800 when even it’s own predecessors are so similar and cheaper?

Image Quality

Now that I’ve beaten the price issue to death, let’s talk about the RX100 III vs its predecessors and the competition when it comes to image quality.

The image quality of this sensor is excellent for its size, but like its predecessors the in-camera noise reduction is pretty aggressive. At higher ISO’s it does a much better job than previous versions but I still I felt compelled to disable it for most (not all) of my bookshelf tests so you can see detail captured by the sensor.

The gallery contains a sample of images with and without noise reduction so you can better assess the image quality. For me, I prefer to do my own noise reduction with a product like Noiseware and then sharpen the images myself afterwards. Naturally, if you only process the RAW images you’ll do something similar too (even if it is just Lightroom/ACR only noise reduction).

With that said, here’s a close up of an image with noise reduction at ISO 125 that shows that this is a pretty decent point and shoot:

image
Click here for the full-size original

That’s pretty darn good for a camera that can easily fit in a top pocket or purse, so the next question becomes – how about high ISO performance? Well here’s what you get with noise reduction turned on at ISO 6400 (12,800 is pretty gnarly):

 f/2.8 @ 8.8 mm, 1/15, ISO 6400, Noise Reduction On - Click for full size original
 f/2.8 @ 8.8 mm, 1/15, ISO 6400, Noise Reduction On - Click for full size original

f/2.8 @ 8.8 mm, 1/15, ISO 6400, Noise Reduction OFF - Click for full size original
f/2.8 @ 8.8 mm, 1/15, ISO 6400, Noise Reduction OFF - Click for full size original


At web sites like 580x387 above or click to see 800x533,
you'll certainly be pleased with the results
ISO 6400 f/2.8 @8.8 mm, 1/15, ISO 640, Noise Reduction ON

However, pixel peepers will probably feel like ISO 3200 is as high as they want to go. That’s pretty good for a point and shoot, so I feel confident that most will be pleased with the image quality of this camera. The Zeiss lens is good too, so if that’s important to you then perhaps it’s worth the price.

To see more real world images, please be sure to see the first part of this review here.

Compared to the RX100 II and RX100

In my pixel peeping of all of my files on these three cameras I’ve noticed that the RX100 III has a much brighter and sharper lens which results in shorter exposure times and much more crisp images. This becomes significantly noticeable at full zoomed in, so the RX100 III is without question the sharpness king of the three.

I definitely think that the RX100 III is the best “all things considered” version of the RX100’s yet. Sony keeps taking a great formula and refining it with customer feedback to make it even better. Improvements like the full tilt display that allows selfies and a battery saving electronic viewfinder are sure to please to RX100 fans, and the image quality is definitely impressive for its size.

Conclusion

While I do struggle with the price, you are getting best of class performance for the premium price. If you just can’t get yourself to spend that much money, but love the compact size then consider now more affordable previous generation Sony RX100’s. They were great cameras that were overpriced at the time that I reviewed them, but now they are much more inline with the competition. In real world usage scenarios (i.e., small prints and mostly web size usage) I think some will have rather saved the extra $200 – $400, but for the pixel peepers the RX100 III will be your best bet. 

I will say that the image quality is certainly significantly better than my x20, the LF1, XQ1 or G16. If you are trying to decide between those then know that the RX100 III is the hands down image quality winner. It’s also much SIGNIFICANTLY better than the competition at video too. It’s no DSLR or mirrorless camera killer, but it is very good.

For those who also can stomach a larger form factor, I think you’ll be much happier with a mirrorless or fixed lens big sensor camera when you do image overall quality comparisons.

In the end Sony has created something that is outstanding for the size – if you can afford it. As a result, I have to recommend it as the best compact camera I’ve reviewed at the time this article was written.

Where to order

Click here to learn more or order on the B&H web site. You can also save some money by ordering the cheaper Sony RX100 or RX100 II and still get a great camera.

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Disclosure

If you make a purchase using links found in this article, I may make a commission. It doesn’t cost you a penny more, but it does help to support future articles like this.

Thursday, January 2, 2014

REVIEW: Fujifilm XQ1-The Ultimate Compact Point & Shoot? (Review Part II of II)

In the first installment of my Fujifilm XQ1 review entitled REVIEW: Fujifilm XQ1–A Canon s120 Killer or a Compact X20?, I posed the question if this is a Canon s120 killer or a Compact x20. The reason for this comparison was deliberate because Fujifilm users want to know if it is really a compact x20. Performance-wise, I’d say yes, but I’d also say that if you can handle the size of the x20 you’ll be much more satisfied with it than the XQ1. Canon users who lust for the gorgeous in-camera results from Fujifilm cameras will naturally want to know if they should get this camera or the s120, and in that case I’d have to recommend the s120 over the XQ1 because of s110/s120 touchscreen allows for quick autofocus adjustments on these compact cameras.

Personally I think the camera makers have gone overboard in cutting down cost and number of physical buttons, so no camera I’ve used is more irritating than the XQ1 due to this fact. Sure, it creates images that I prefer to its Canon S series counterparts, but the pain of changing the focus point via the E-Fn menu (which is a touch screen press on the s110/s120) is a showstopper for me. I couldn’t live with this camera, and even my non-geek wife found it annoying compared to her iPhone which allows for this functionality.

Bookshelf Test

The following shots are done on a tripod with all camera default settings except I do enable RAW when possible (ISO’s above 6400 are JPEG only). The full gallery of bookshelf images can be found at http://photos.ronmartblog.com/fujifilm/xq1/e254ef4e7, but I’ve included a few noteworthy images below. Please keep in mind that the images are not crooked – the camera is level, but the bookshelf has sagged over time due to weight so I use camera level instead of adjusting the camera for a level shot of the bookshelf. There’s also distortion when fully zoomed out to 6.4mm. It should also be noted that at 6.4mm I can’t get my close enough on a tripod to just get the one shelf, hence the extra space shown. Given the 4:3 aspect ratio of the images, I also can’t get just one shelf if I put the blue Mastery book to the left and the Excel book to the right as I try to do for all of my bookshelf shots.

Click to view and examine the original
f/1.8 @ 6.4 mm, 0.8s, ISO 100, No Flash

As is the case with most cameras, the zoomed out results offer the best overall results

Click to view and examine the original
f/4.9 @ 25.6 mm, 5.3s, ISO 100, No Flash

Zoomed in all the way is still good, but inferior to the wide angle dynamic range and sharpness

My findings were as follows:

  • After ISO 800 the in-camera noise reduction is so bad that it really destroys the images. As a result, my advice is to set Noise Reduction to –2 (Low) and use a product like Noiseware for the best results. Doing this will allow you to go to ISO 3200 and 6400 in a pinch and still get usable photos.
  • I found the image quality to be unusable after ISO 1600 due to horrible in-camera Noise Reduction and the quality was mediocre with external noise reduction after ISO 3200.
  • ISO 6400 and 12,800 are unusable with in-camera noise reduction and are barely useable with external noise reduction, so I consider this to really to be a camera with a maximum ISO of 3200 (1600 max with NR = 0).
  • The X20 has what appears to my eyes as one stop better high ISO performance (meaning that it goes to ISO 6400 with NR = –2 and it is still usable).
  • The Canon s120/G16 offer two stops of high ISO noise improvement over the XQ1 (meaning that ISO 800 on the XQ1 looks similar to ISO 3200 on the s120/G16 to my eyes).

Here’s a real world example of a shot taken at ISO 500 that looks okay from a distance, but if you click to look full view you’ll see massive artifacts that destroy the image:


f/1.8 @ 6.4 mm, 1/15, ISO 500

At 6.4mm, the 1/15 sec should have been sufficient stabilization to eliminate camera shake (and in fact it was shot from a fairly stable chest tripod. However, details on the ornaments are void even at this low ISO, so I think this camera will frustrate users who depend on it for important events.

Based on these findings, I was very disappointed with the image quality of the XQ1 so I’d recommend the following cameras in this order over this camera:

  1. Fujifilm X20
  2. Sony RX100 II 
  3. Canon G16
  4. Canon s120
  5. Panasonic LF1 
  6. Canon s110

However, I prefer the in-camera color and processing of the Fujifilm over the Canon and Panasonic equivalents. The Sony is very similar in terms of in-camera performance.

Conclusion

See the Bookshelf test section for my recommendations, but for now I’d put this camera in the NOT RECOMMENDED camp. It’s the perfect form factor, but it falls short overall for both ergonomics and image quality performance. I’d love to see them add a touch screen and Imagenomic’s Noiseware noise reduction in-camera for much better results, but until that happens it feels like I picked up an old camera from 2007 in terms of image quality performance.

Be sure to see the first installment of my Fujifilm XQ1 review entitled REVIEW: Fujifilm XQ1–A Canon s120 Killer or a Compact X20? if you haven’t already for sample pics and much more.

Where to order

Click here to order the B&H web site. However, I’d urge you to consider these cameras instead:

  1. Fujifilm X20
  2. Sony RX100 II 
  3. Canon G16
  4. Canon s120
  5. Panasonic LF1 
  6. Canon s110

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If you enjoyed this article, you may also enjoy these:

Disclosure

If you make a purchase using links found in this article, I may make a commission. It doesn’t cost you a penny more, but it does help to support future articles like this.

My advice to Fujifilm is get a bigger sensor and/or license the noise reduction software from Imagenomic to greatly enhance the in-camera performance. This and a touch

Wednesday, August 28, 2013

REVIEW: Sony DSC-RX100M2 vs RX100 with Real World Sample Photos (Review Part 2 of 2)


We took the Sony RX100 II for a trip to New Orleans to give it a real family vacation test
f/5.6 @ 25.32 mm, 1/640, ISO 160, No Flash, In-Camera JPEG, Vivid Mode (no edits)

In the first part of my review (click here), I just shared some pics. In this review I dig a little deeper in my thoughts about living with the RX100 II, and compare it to the RX100.  If you serious about purchasing this camera you should probably start with my RX100 review that I did in January of this year as this review will focus mostly on improvements that I discovered in this model.

The Same but Different

All of the things I liked and disliked about the RX100M1 carry over to this model, but there’s also some nice improvements that make it worth the upgrade. First and foremost improvements in its backlit sensor results in a noticeable improvement in image quality. In fact, I’d call this the best image quality I’ve ever tested in a camera this small.

NOTE: This camera does have a optical low pass filter.

Sony has a great web page discussing the features of this camera, but sadly they don’t do a good job of showing what’s new. Essentially what you get with this model are features to help it catch up (and surpass) the competition in the areas of WiFi, remote control from the phone (see below), and better video support.

This camera also supports NFC which really means a subset of Android based phones (Windows Mobile not supported), but I was unable to test it. It’s cool that it does it, but most won’t really get a chance to enjoy this feature. Click here to see a PDF with more info about this and other WiFi integration features.

This camera boasts 10 fps continuous shooting, but in real life at full resolution it’s no Canon 1D X that’s for sure. In fact, I’d go so far as saying don’t bother with continuous shooting with this camera unless you are in full manual mode as it does a pretty bad job out of the box (i.e., you’ll have mostly blurry shots nearly all of the time from what I saw in my real world testing).

Remote Control / WiFi Features

Join the RX100 II's private WiFi network from your phone
Join the RX100 II's private WiFi network from your phone
which is easily published using the Ctrl with Smartphone menu option

Install & Use the Play Memories App on your phone
Install & Use the Play Memories App on your phone
It features real-time preview and remote zoom and shoot

Once you do this, the camera is locked and may only be controlled remotely as shown here:

You can not operate the camera while connected remotely, but photos can get saved automatically on your phone!
You can not operate the camera while connected remotely,
but photos can get saved automatically on your phone!

Click here to iterate through some more of the screen captures I did from my phone when I was using this feature. The controls are very basic so advanced users will quickly find it frustrating, but having this ability can be handy for group photos where you want to include yourself in the shot. Sadly it doesn’t support bulb mode or any custom mode, so it appears to default to an auto mode when using this feature.

The only modes are Photo and Movie, but both work okay with some latency that can be a little problematic sometimes.

Photo taken with my cell phone as the remote control
Photo taken with my cell phone as the remote control using a GTI light box for lighting

You can also wirelessly connect to the camera from your computer better than any device I’ve used to date. Here’s a shot of the bundled Play Memories software for the PC while it’s automatically importing photos over WiFi using the Send to Computer feature:

image

If you have a WPS capable router at home, you simply need to press the WPS menu item on your camera and do the same on your router and pairing happens automatically with no typing. If you have to do it manually it’s a bit more cumbersome, but it works as expected.

Unlike some cameras where these features are more gimmicks, I was very satisfied with what I could do with this Sony camera. In fact, I wish my Canon DSLR’s and Fujifilm cameras had this level of WiFi integration!

Video

Using my GTI lightbox to light up my face, I took a little video using the remote control phone app and was very impressed with the high quality of the video of this camera:

In fact, it’s so good I wish I would have shaved my face and fixed my hair before doing the video!

Bookshelf Pics


f/2.8 @ 10.4 mm, 3.2s, ISO 160, No Flash


f/2.8 @ 10.4 mm, 1/15, ISO 6400, No Flash


f/2.8 @ 10.4 mm, 1/30, ISO 12800, No Flash


f/11 @ 10.4 mm, 30s, ISO 160, No Flash


f/4.9 @ 37.1 mm, 6s, ISO 160, No Flash

If your only criteria for deciding which camera to buy is image quality, then the Sony Cyber-Shot DSC RX100 II should rank very high on your list of cameras to buy. The image quality and color is excellent, especially when I compare it to its predecessor. Much of the improvement in image quality comes from improvements to its backlit sensor. This modification results in jaw dropping great image quality when you stabilize the camera or ensure that its using an appropriate shutter speed to freeze subject movement.

As usual, all bookshelf shots are done on a tripod using camera default settings with image stabilization (aka Steady Shot) and DRO turned OFF. I also set auto white balance and set noise reduction to LOW for this test as I felt the default noise reduction was aggressive.

I have RAW’s available upon request, but only upload in-camera JPEG to the web.

See part 2 of my RX100 review (click here) to see sample bookshelf images from the RX100 II’s predecessor.

The Wife Verdict

Nothing really changes from my previous review. My wife loved the size of this camera, but this camera’s love affair with 1/30 sec in aperture priority and 1/250 sec in full automatic (on very sunny days) resulted in a majority of the photos being blurry in real world use (even with Steady Shot on). The reason for this was often due the camera choosing the incorrect shutter speed (as previously mentioned) even in the auto modes, and its quick to jump to f/1.8. At such a shallow depth of field, even on this small sensor camera, incorrect auto AF selections put faces slightly out of focus.

If I wanted a sharp shot, I had to switch to manual which was a no-go for my wife. What’s worse is that manual doesn’t support Auto ISO, so manual is really old school manual which isn’t very family friendly. These are non issues for people who will use this camera like a manual DSLR, but cell phone point and shoot mom’s are not going to like this camera.

Given the fact that this camera is $100 more than its predecessor ($748 at the time of this writing), it’s price isn’t very family friendly either. As a result, it gets a “oh hell no” verdict from my wife who says she’ll stick with our Fujifilm X20. 

More Real World Sample Images

Starting with this image, all of the photos in the gallery (excluding the bookshelf images) used the Vivid mode with Medium noise reduction (the default). Many shots were done using the Auto modes because most were taken by my wife on our vacation. A few of my contributions to the gallery (like the cathedral interior shots) were done using manual mode settings.

All images below also had DRO (Dynamic Range Optimizer) set to Auto.

Click these images to view their original in-camera jpeg’s with only filename and metadata changes from their in-camera originals.


f/5.6 @10.4 mm, 1/500, ISO 160
It took pretty harsh sun like I had here for this camera
to jump out of its f/1.8 @ 1/30 or 1/200 sec comfort zone


f/8 @ 37.1 mm,1/200, ISO 160
Out of hundreds of gator shots during our tour,
we had only a handful come out that were not blurry - despite the blistering sun


f/4 @ 10.4 mm, 1/250, ISO 160, No Flash
Steady Shot worked properly here and extreme sun allowed for a good shutter speed


f/2 @ 10.4 mm, 1/200, ISO 160
The swamp pics turned out nice, but when compared to a 5D Mark III equivalents
I was glad that I didn’t ‘t leave the DSLR at home!


f/1.8 @ 10.4 mm, 1/200, ISO 200
This is here just to annoy my son for not listening to me about poking his nose,
but I was impressed with how well the quality of this image was right out of the camera


f/1.8 @ 10.4 mm, 1/125, ISO 3200, No Flash
User error here led to the wrong aperture and excessive shutter speed,
but I was very satisfied with the in-camera color and result


f/2 @ 10.4 mm, 1/30, ISO 160, No Flash
DRO did its job properly here


f/1.8 @ 10.4 mm, 1/30, ISO 500, No Flash
DRO still is no substitute for HDR when dealing with wide range lighting conditions,
but it does a good job with backlit scenarios


f/2.5 @ 10.4 mm, 1/30, ISO 640
This was one of the few shots that reminded me that this wasn’t a wide dynamic range DSLR,
but it was easy to forgive its shortcomings when seeing how well it exposed the rest of the scene


f/5.6 @ 26.57 mm, 1/200, ISO 160
The geek in me got pretty excited at the detail in this shot that my wife took.
There is zero post-processing and zero additional sharpening here – WOW!


f/2.5 @ 10.4 mm, 1/30, ISO 250
If your subject is static, then the slow default shutter speeds are
easily overcome by Steady Shot stabilization to give you an amazingly sharp result


f/4 @ 10.4 mm, 1/4, ISO 160, No Flash
This shot required stabilizing the camera with a stack of unsteady books
and holding very still. It took a few shots before I got one, but I was
really wishing I had a tripod about now!


f/2.5 @ 10.4 mm, 1/30, ISO 200
DRO worked very well here to produce one of the best auto exposed shot
I’ve ever seen of stained glass. Typically this requires an HDR shot.


12416x1856 pixels pano at f/8 @ 10.4 mm, 1/500, ISO 160
Despite moving water, the stitching was excellent but the shot was more grainy
and had more chromatic aberrations than I’d expect under these conditions
with these camera default settings.


f/2.8 @ 10.4 mm, 1/30, ISO 160, No Flash,
Image quality was great, but I did struggle with white balance sometimes


f/9 @ 20.64 mm, 1/250, ISO 160
My railing acting as a tripod ended up being crooked so my horizon was off – sorry!
There was plenty of detail in this shot

Conclusion

The RX100 is still on sale these days for much less, but the improved image quality and new features make this camera worth the upgrade.In fact, the WiFi and wireless features had me calling this camera a phone about a dozen times in this article because it felt so phone like!

While the wonderfully compact design of this camera and its fantastic image quality suggests that it is a brilliant point and shoot, personally I found it to be horrible at that task. This camera demands the photographers attention and manual intervention in all situations except outdoors on sunny days. If you give this camera that attention (i.e., shoot manual) you’ll be rewarded with fantastic results from this tiny camera, but this simply is not a point and shoot for the non-geek photographer.

I love so many things about this camera, but alas I’ll have to send it back to B&H because it failed its job as a point and shoot just as bad as its predecessor. If you are the patient type who has a different camera as your point and shoot, then using this camera in manual mode will delight you with the gorgeous images its sensor captures. For this reason, I love this camera and so desperately hope that Sony will make it a better point and shoot in the next iteration. If they do that, I’ll buy one for sure – despite its obnoxious price. It really is that good!

If you do decide to pick one up and treat it as a point and shoot, just set your expectations low about the number of blurry images you’ll get (typically not discovered until you get them on your computer at home). If you do, you’ll probably love this camera – especially when it does occasionally nail a shot (typically because the subject can handle the f/1.8 at 1/30 sec camera default settings).

Click here to see the Sony support page with more information about this camera.

Where to order

Click here to order the Sony Cyber-shot DSC-RX100 II Digital Camera from B&H.

I had significant scratching to the LCD that occurred during my review, even before I took it outside of my home. As a result I HIGHLY recommend a protective product like Expert Shield - THE Screen Protector for the Sony Cyber-Shot DSC-RX100 II. I prefer these over the ones offered by B&H.

BlackRapid SnapR 10 Camera Bag + Sling Strap is a great camera bag to consider for this camera as well!

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Disclosure

If you make a purchase using links found in this article, I may make a commission. It doesn’t cost you a penny more, but it does help to support future articles like this.

Monday, August 12, 2013

REVIEW: Sony Cyber-Shot RX100 II with Real World Sample Photos (Part 1 of 2)


I'm as excited as Kai about the new Sony RX100 II
f/2.8 @10.4 mm, 1/250, ISO 160, No Flash, In-Camera JPEG (click for full-size original)

I wanted to like the original RX100, but it left me disappointed about what I got for the price. When I heard about the RX100 II and its removal of the low pass filter and image quality improvements, I got excited. However, my enthusiasm was tempered when I read it would still try to squeeze 20.2MP in a sensor with its the one inch Bionz™ sensor. A modest 12 megapixels would have made more sense, but technology keeps improving so I always reserve final judgment until I see my real world results.

In this article I start with some sample photos, but my main review and comparison to its predecessor is featured in my part 2 review.

Real World Sample Images

I have more featured in part 2 of my review, but click here to see all of my favorite shots taken during my testing. Here’s a few that I felt like were worth mentioning for this short part 1 of my review:


Bokehlicious f/2.5 @ 10.4 mm, 1/125, ISO 160, No Flash
(Click for the uncropped original)


Image Quality is rather tasty, as is the dynamic range
f/5 @ 10.4 mm,1/800, ISO 160, No Flash


Intelligent Auto doesn't seem any smarter, but I've seen worse
f/4.9 @37.1 mm, 1/320, ISO 320, No Flash


With a good focus lock and decent light, the image quality was extremely impressive
f/1.8 @ 10.4 mm, 1/1250, ISO 160, No Flash


I found myself getting addicted to its wonderful shallow depth of field at f/1.8
In-camera color is gorgeous as well!
f/1.8 @ 10.4 mm, 1/250, ISO 160, No Flash


In my studio with these models (who are also sisters), I decided to test low light conditions.
I was surprised the RX100 II aperture priority at f/1.8 chose only use ISO 640 and 1/30 sec.
However, I quickly remembered this was another feature I didn’t like about its predecessor.
f/1.8 @10.4 mm, 1/30, ISO 640, No Flash


Sony Image Stabilization didn’t really seem to help very often indoors because
this camera defaults to shutter speeds that are too low to prevent motion blur
f/1.8 @ 10.4 mm, 1/30, ISO 800, No Flash


Flash in landscape orientation gets the job done
f/1.8 @10.4 mm, 1/30, ISO 160, Flash


Flash in portrait orientation is above average
f/1.8 @ 10.4 mm, 1/30, ISO 160, Flash


f/1.8 @ 10.4 mm, 1/30, ISO 800, No Flash with Lamp Light and Tungsten White Balance

Conclusion

See http://www.ronmartblog.com/2013/08/review-sony-dsc-rx100m2-vs-rx100-with.html for more details.

Where to order

Click here to order the Sony Cyber-shot Digital Camera RX100 II at the B&H web site.

Other articles you may enjoy

If you enjoyed this article, you may also enjoy these:

Disclosure

If you make a purchase using links found in this article, I may make a commission. It doesn’t cost you a penny more, but it does help to support future articles like this.

B&H has loaned this camera to me temporarily (at my request) so that I may do this review.