Showing posts with label X20. Show all posts
Showing posts with label X20. Show all posts

Tuesday, October 21, 2014

REVIEW: Fujifilm X30–The best one yet! (Part I of II)

Fujifilm X30 Digital Camera (Black)
Fujifilm X30 Digital Camera (Black)

When I first got the x100 to review I remember thinking “wow, this thing is special” (despite my later disdain for the fixed lens).  When the x10 & x20 came out I had high hopes, but the x20 (at least my silver one) seemed to pale in comparison the likes of a x100s.  Fast forward to this third version and it appears that Fujifilm has got it right. The x30 feels like a camera that deserves its hefty price.

Fujifilm X30 Rear View
Fujifilm X30 Rear View

The changes are plentiful and noteworthy. From a proper electronic viewfinder to a huge new LCD and wonderful control ring, this camera feels improved from the ground up. The net result of all the good new changes means this camera is heavier (12.45 oz / 353 g for the x20 vs 14.9 oz / 422 g for the x30), but I like the solid feel. The selector buttons make a great clicky sound and this camera is loaded with new and greatly improved features from end to end.

I can confess that this cameras weight is actually a positive to me. It feels as solid as a German luxury sedan, yet it’s super fast. All this new tech requires a bigger battery which doesn’t help either. The x10 & x20 were never going to win awards for their bulky design, but it was so charming you looked past it. The x30 is a bit like a Lamborghini where it’s big, bold and non apologetic about it!

I’ll discuss more in my next installment, but so far this camera has definitely made me a big fan.

Real World Sample Images

If you read my Nikon D750 review, this gallery might seem like déjà vu! The reason why is because I duplicated many of the shots I took with the D750 on the x30 shortly thereafter.

While the x30 is no match for the dynamic range of the incredible D750, you do see the advantage of a small cropped sensor when taking macro shots thanks to the greater depth of field. It’s also quite impressive how good many of these are when compared against one of the best DSLR’s on the market.

If you are new to my blog, what follows are in-camera JPEG’s with no modifications taken through the course of a normal day. The camera is mostly set to camera defaults but I do chose my AF single point and adjust the white balance as I see fit. Most shots are aperture priority but a few are using automatic modes as well. All but one shot long exposure shot in the gallery were also taken handheld.

You may view the photos for your pleasure, but please delete them and/or remove them from your cache when done. You may not edit, print, or otherwise use these photos. All rights are reserved. The full gallery can be found at http://photos.ronmartblog.com/fujifilm/x30.


f/2.2 @ 12.2 mm, 1/140, ISO 100, No Flash

This is one of those wow, I can’t believe it’s a “point and shoot” images. It looks so real and vibrant that I want to reach through the screen and grab it (especially on my 4k review display)!


f/2.8 @ 21 mm, 1/220, ISO 200, No Flash, Provia/Std Film Simulation

Fujifilm is known for great color, but as good as the standard Provia film simulation is, I still prefer the Velvia film simulation shown below. I use this often in my review because I just prefer the vibrant colors and deeper (sometimes shadow crushing) blacks


f/2.8 @ 28.4 mm, 1/220, ISO 200, No Flash, Velvia Film Simulation

Admit it, those leaves look pretty awesome with a simple film simulation mode change, huh?!!!


f/9 @ 7.1 mm, 1/850, ISO 100, No Flash, SP Sunset Mode

The x10 won my heart with the sunset shot I took in Hawaii with this auto mode (and a plate full of food in my right hand – ha, ha). In fact, that shot is still my Facebook cover page photo. The x30 didn’t disappoint here either. While it naturally doesn’t have the shadow detail of the similar shot taken with D750, I have zero complaints with this shot straight out of the camera


f/2.2 @ 10.4 mm, 1/125, ISO 100, No Flash, SR+ Mode

This camera is so good that I joked that I could just point it at the ground and press and it would make a vibrant and interesting shot. I think it did and that’s what you want from this class of camera – you want good results so you can capture the moment and move on


f/4 @ 13.7 mm, 1/340, ISO 200, No Flash

The sunset was raining down some serious yellow on these trees so this is actually still Auto White Balance in Velvia mode


f/2.2 @ 12.2 mm, 1/170, ISO 100, No Flash

The macro mode is still just as addicting as ever on this one


f/2 @ 7.1 mm, 1/60, ISO 1000, No Flash

Despite being such a high ISO, I see photorealism that makes me want to reach into the screen and touch it. There’s definitely an improvement in high ISO performance over the x10 & x20!


f/5 @ 7.6 mm, 1/30, ISO 2500, No Flash –1 EV

This was a case where I actually preferred the X30 results to the similar shot I took during my Nikon D750 review. With a point and snap it it managed to capture the vibrant colors of the trees very well yet still not get too dark for the train tracks


f/2.2 @ 12.7 mm, 1/20, ISO 400, No Flash, SR+

Clearly the beauty of the x10’s EXR mode still isn’t in this model It is sad too because the x10 nailed tough exposures like these


f/4 @ 10.4 mm, 1/30, ISO 3200, No Flash

ISO 3200 starts to show some grain but with a little Noiseware this shot is totally salvageable and impressive for a small sensor camera!


f/2.5 @ 18.7 mm, 1/40, ISO 800, No Flash

See my Nikon D750 review and notice how the Nikon needed ISO 12,800 to get this shot taken minutes apart. As a point and shoot it once again does a great job that I feel confident IS better than your new fancy smartphone (yes, even that one)

For more photos see my On Vacation with the Fujifilm X30 (Includes a Mom’s 2 Cents) article and visit http://photos.ronmartblog.com/fujifilm/x30. 

Conclusion

CLICK HERE for part II and my conclusion.

Where to order

Click here to learn more or order on the B&H web site.

Other articles you may enjoy

If you enjoyed this article, you may also enjoy these:

Disclosure

If you make a purchase using links found in this article, I may make a commission. It doesn’t cost you a penny more, but it does help to support future articles like this.

Tuesday, July 22, 2014

Sony RX100 III - The Best Quality Point and Shoot I’ve Ever Tested (Review Part II of II)

Sony Cybershot DSC-RX100 III Digital Camera - Selfie Mode
Sony Cybershot DSC-RX100 III Digital Camera - Selfie Mode

This is my third time reviewing a Sony RX100 series camera and I’ve reviewed quite a few Sony’s over the years. I always fall in love with the size and sexiness of the RX100’s, yet I always find myself at the end of the review feeling a bit underwhelmed thinking – is that it?

Don’t get me wrong, this is an excellent camera, but I immediately ask myself “for nearly $800 price tag (at the time this was originally written), is this really the best bang for the buck?” With that in mind, I did a search on B&H on July 21, 2014 to see what else is out there for the $800 – $900 USD range:

Canon EOS Rebel SL1 DSLR Camera with 18-55mm Lens Deluxe Kit
Canon EOS Rebel SL1 DSLR Camera with 18-55mm Lens Deluxe Kit

Probably a better video camera, but bulky and only native ISO 6400

Nikon D5300 DSLR Camera with 18-55mm Lens
Nikon D5300 DSLR Camera with 18-55mm Lens

Good camera with great features, but it’s bulky and this is definitely no Zeiss lens

Nikon 1 J4 Mirrorless Digital Camera with 10-30mm and 30-110mm Lenses
Nikon 1 J4 Mirrorless Digital Camera with 10-30mm and 30-110mm Lenses

While these always underwhelm me too, at least you get decent interchangeable lenses

Nikon 1 V2 Mirrorless Digital Camera with 1 NIKKOR VR 10-30mm f/3.5-5.6 Lens Kit
Nikon 1 V2 Mirrorless Digital Camera with 1 NIKKOR VR 10-30mm f/3.5-5.6 Lens Kit

Definitely more my style than he J4, but bulky and last gen technology

Canon EOS Rebel T5i DSLR Camera Kit with EF-S 18-55mm f/3.5-5.6 and 75-300mm f/4.0-5.6 III Lenses
Canon EOS Rebel T5i DSLR Camera Kit with EF-S 18-55mm f/3.5-5.6 and 75-300mm f/4.0-5.6 III Lenses
This is a pretty good camera with great video performance, but alas still bulky

Leica D-Lux 6 Edition 100 Digital Camera
Leica D-Lux 6 Edition 100 Digital Camera

Sexy, small and a Leica – hum, do we have a contender?

Fujifilm X-E2 Mirrorless Camera Body Only
Fujifilm X-E2 Mirrorless Camera Body Only

Definitely better than the Sony, but you still need lenses and they aren’t cheap!

In this search, I definitely felt that only the Leica 100 stood a chance at really comparing well against all the things that make the Sony RX100’s great – including size. I haven’t reviewed that one yet, so I could be wrong, but it’s clear that this Sony is Leica priced!

The answer is that if you start comparing size and features, there’s a lot of great choices that are significantly less than the RX100 III. This begs the question that when you ignore price, what else is really a viable alternative to the Sony RX100 III, and funny enough one of the best answer is the previous generation Sony RX100 series which are now much more affordable!

RX100 ($498 on July 21, 2014)
RX100 ($498 on July 21, 2014)

See my RX100 Review

RX100 II ($649 on July 21, 2014)
RX100 II ($649 on July 21, 2014)

See my RX100 II Review

There’s also other great cameras like the Fujifilm X20, Canon G16, Canon s120, and so much more in the sub $800 price range. So this begs the question – is the Sony RX100 III really worth nearly $800 when even it’s own predecessors are so similar and cheaper?

Image Quality

Now that I’ve beaten the price issue to death, let’s talk about the RX100 III vs its predecessors and the competition when it comes to image quality.

The image quality of this sensor is excellent for its size, but like its predecessors the in-camera noise reduction is pretty aggressive. At higher ISO’s it does a much better job than previous versions but I still I felt compelled to disable it for most (not all) of my bookshelf tests so you can see detail captured by the sensor.

The gallery contains a sample of images with and without noise reduction so you can better assess the image quality. For me, I prefer to do my own noise reduction with a product like Noiseware and then sharpen the images myself afterwards. Naturally, if you only process the RAW images you’ll do something similar too (even if it is just Lightroom/ACR only noise reduction).

With that said, here’s a close up of an image with noise reduction at ISO 125 that shows that this is a pretty decent point and shoot:

image
Click here for the full-size original

That’s pretty darn good for a camera that can easily fit in a top pocket or purse, so the next question becomes – how about high ISO performance? Well here’s what you get with noise reduction turned on at ISO 6400 (12,800 is pretty gnarly):

 f/2.8 @ 8.8 mm, 1/15, ISO 6400, Noise Reduction On - Click for full size original
 f/2.8 @ 8.8 mm, 1/15, ISO 6400, Noise Reduction On - Click for full size original

f/2.8 @ 8.8 mm, 1/15, ISO 6400, Noise Reduction OFF - Click for full size original
f/2.8 @ 8.8 mm, 1/15, ISO 6400, Noise Reduction OFF - Click for full size original


At web sites like 580x387 above or click to see 800x533,
you'll certainly be pleased with the results
ISO 6400 f/2.8 @8.8 mm, 1/15, ISO 640, Noise Reduction ON

However, pixel peepers will probably feel like ISO 3200 is as high as they want to go. That’s pretty good for a point and shoot, so I feel confident that most will be pleased with the image quality of this camera. The Zeiss lens is good too, so if that’s important to you then perhaps it’s worth the price.

To see more real world images, please be sure to see the first part of this review here.

Compared to the RX100 II and RX100

In my pixel peeping of all of my files on these three cameras I’ve noticed that the RX100 III has a much brighter and sharper lens which results in shorter exposure times and much more crisp images. This becomes significantly noticeable at full zoomed in, so the RX100 III is without question the sharpness king of the three.

I definitely think that the RX100 III is the best “all things considered” version of the RX100’s yet. Sony keeps taking a great formula and refining it with customer feedback to make it even better. Improvements like the full tilt display that allows selfies and a battery saving electronic viewfinder are sure to please to RX100 fans, and the image quality is definitely impressive for its size.

Conclusion

While I do struggle with the price, you are getting best of class performance for the premium price. If you just can’t get yourself to spend that much money, but love the compact size then consider now more affordable previous generation Sony RX100’s. They were great cameras that were overpriced at the time that I reviewed them, but now they are much more inline with the competition. In real world usage scenarios (i.e., small prints and mostly web size usage) I think some will have rather saved the extra $200 – $400, but for the pixel peepers the RX100 III will be your best bet. 

I will say that the image quality is certainly significantly better than my x20, the LF1, XQ1 or G16. If you are trying to decide between those then know that the RX100 III is the hands down image quality winner. It’s also much SIGNIFICANTLY better than the competition at video too. It’s no DSLR or mirrorless camera killer, but it is very good.

For those who also can stomach a larger form factor, I think you’ll be much happier with a mirrorless or fixed lens big sensor camera when you do image overall quality comparisons.

In the end Sony has created something that is outstanding for the size – if you can afford it. As a result, I have to recommend it as the best compact camera I’ve reviewed at the time this article was written.

Where to order

Click here to learn more or order on the B&H web site. You can also save some money by ordering the cheaper Sony RX100 or RX100 II and still get a great camera.

Other articles you may enjoy

If you enjoyed this article, you may also enjoy these articles:

Disclosure

If you make a purchase using links found in this article, I may make a commission. It doesn’t cost you a penny more, but it does help to support future articles like this.

Tuesday, January 7, 2014

REVIEW: Canon PowerShot G16–The Best G Series Yet? (G15, s120 & Fujifilm X20 Comparison)

Canon Power Shot G16 Point-and-Shoot Camera
Canon PowerShot G16 Point-and-Shoot Camera

The Canon G12 was my favorite G series camera with great features like an ISO wheel and articulating display. However, between the release of the G12 & G15 I found a new love – the Fujifilm X10 and moved away from the G series. What were once considered the affordable pro’s point and shoot, they had fallen behind the times from an image quality perspective. The G16 comes along and tries to change that with better image quality thanks to improvements like the DIGIC 6 processing unit. New usability features also include wireless file transfer and a monster burst mode that goes Up to 12.2 fps for up to 6 frames and Up to 9.3 fps for up to 522 frames. Indeed, in my testing it was a beast that makes it the best G series ever for parents with active kids.

Compared to the G15 – Should you upgrade?

Canon PowerShot G16 Rear View
Canon PowerShot G16 Rear View

Sadly there is no articulating display like the G12
or touch screen like the
s120

Physically there’s no significant differences between the G15 and G16 beyond the typical shuffling around of buttons and new WiFi label. I covered the WiFi features previously in my s110 review, and the only thing I noticed is that it seems to be faster with integrated cloud support.

Where the G16 really shines is that overall it feels much faster and the DIGIC 6 processor make it the best G series yet in terms of internal image processing/handling.  This begs the question, should existing owners upgrade? I’d say yes if you have kids or if you long for Wi-Fi transfer and are dissatisfied with Eye-Fi. If you just use it as a travel or hobby camera and don’t have kids, then I’d probably skip upgrading at this time to see what the next generation holds.

Here’s a link to the G15 gallery of images, including the bookshelf images that you can compare to the G16 gallery.

Compared to the Canon s110/s120 – Is the s120 just a small G16?

Canon PowerShot s120
Canon PowerShot s120

At the time this article was written, the s110 and s120 were both available. Due to the holiday season orders, I was only able to test with a s110. I’ve had hands on use of the s120 already, and the big improvement it offers is the DIGIC 6 processor also found in the G16. Beyond this they are near identical, so consult my s110 review to see my thoughts on S versus G series.

Canon s120 Rear View
Canon s120 Rear View

I’ve always been a fan of the physical size of the Canon S-Series compact cameras, and the controls are very nicely laid out. With excellent improvements in video autofocus and a very handy touch screen, both the s110 and s120 offer the best ease of use on the market. For as nice as the G16 is, it’s lack of a touch screen give the smaller S series an advantage in quickly changing the focus point. Specifically, the s120’s ability to tap to set the focus point (and optimally shoot), as well as swipe to change pictures and pinch to zoom make it feel more phone like – but in a good way. With that said, you do lose two buttons and a knob from the G series which makes for much faster access to important features, but the S series adds a control ring by the lens that gives you the knob back (and it’s programmable).

Personally I find the G series additional buttons more handy in the field, but with the touch screen and control ring the S series is pretty darn close. If I had to chose, I’d probably go for the G16 but I think most would find the s120 to be just as good. The gap between the two cameras has been closed, so the decision is really about ruggedness and the presence of another physical  button. In the end, I do find that the s120 is basically a smaller G16 so if you can live without the extra controls you’ll probably be just as happy with the smaller s120.

Compared to the Fujifilm X20

Fujifilm X20
Fujifilm X20 (also available in black) - Review

I was a huge fan of the Fujifilm X10 so I automatically upgraded to the X20 when it came out. While I’ve been a little disappointed in that camera (no EXR mode button and poor video), it has served me well. As a former G series owner of multiple previous units dating back to the G9, I’ve moved forward with the Fujifilm X series and never regretted it.

As you can see from the images here, there’s A LOT more physical controls which comes at the cost of a larger physical size (click here or watch the video later to see the size differences). What’s more you get better in-camera processing of the images which means that for the things I use a point and shoot for – I’m done – no additional post processing is required. That’s not true with the G16, which I consider to be at the same starting point as a typical DSLR.

Fujifilm X20 Rear View
Fujifilm X20 Rear View

From behind is where the additional buttons really start to show, and that pretty much sums up why I like using the X20 over the G16. The G16 definitely has a better burst mode, video quality, and indoor focusing performance. However, the X20 is the best of the X series in this department too so I never find myself frustrated by the X20.

I’d still pick a X20 over a G16 for my needs, but if I were looking to downsize from a X20 I’d probably give the s120 a serious consideration and not automatically go straight for the G16.

Bookshelf Test

These are taken from in-camera JPEG’s with zero modifications taken during everyday life events. Nearly all were taken in Aperture Priority (Av) mode using a timer and a tripod with stabilization turned off. The goal of these samples is to have a common measuring stick in a controlled environment by which you can measure the lens and sensor performance. What’s more you can also compare these to bookshelf shots of other cameras that I’ve reviewed to get an idea of how a camera really compares. See my other camera reviews for links to additional bookshelf images.

Visit http://photos.ronmartblog.com/canon/G16 for a full gallery and click the images to see the full-size originals. All images are copyright Ron Martinsen – ALL RIGHTS RESERVED. You may view them, but you may not store, edit, print, distribute or otherwise reuse any images without written consent.


f/2.8 @ 30.5 mm, 3.2s, ISO 100, No Flash

Click for full size

Overall I found the results to be excellent with good details in the shadows, but the auto white balance was a bit on the cooler side. There’s also not the vibrant warmth you get from Fujifilm's default images, but that can be accomplished via post-processing.


f/2.8 @ 30.5 mm, 1/10, ISO 3200, No Flash

Click for full size

At ISO 3200 things start to get a bit rough, but the image is usable for web and normal print sizes.

Here’s ISO 6400 from RAW in Lightroom 5.3:

image

This is what I call “salvageable” noise because with the default settings of Noiseware (Tutorial) and some selective sharpening I get an image that would show on the web or print just fine when viewed at normal web/print sizes (not 100% as shown here):

image

Using the default in-camera noise reduction I’d probably never shoot above ISO 3200 and I’d try to stay at 1600 or lower whenever possible.

Walkthrough Video

In this video walkthrough I compare the physical size of the Canon G16 to my point and shoot, the Fujifilm x20:


Click here to view on YouTube

Real World Sample Photos

These are taken from in-camera JPEG’s with zero modifications taken during everyday life events. Nearly all were taken in Aperture Priority (Av) mode unless otherwise noted, and all were handheld. The goal of these samples is to show you exactly what you’d expect to get if you were taking your own real world shots.

Visit http://photos.ronmartblog.com/canon/G16 for a full gallery and click the images to see the full-size originals. All images are copyright Ron Martinsen – ALL RIGHTS RESERVED. You may view them, but you may not store, edit, print, distribute or otherwise reuse any images without written consent.


f/1.8 @ 6.1 mm, 1/1000, ISO 6400, No Flash

It should be noted that this is the only one of 4 cameras I was testing
that rendered the color of the the Bull Crap bag accurately


f/4 @ 9.54 mm, 1s, ISO 100, No Flash

Shot using a Leica Tabletop Tripod and Leica Large Ball Head combo


f/5.6 @ 15.22 mm, 4s, ISO 100, No Flash

Shot using a Leica Tabletop Tripod and Leica Large Ball Head combo


f/5 @ 9.54 mm, 8s, ISO 100, No Flash

Shot using a Leica Tabletop Tripod and Leica Large Ball Head combo


f/5.6 @ 16.15 mm, 1s, ISO 100, No Flash

Shot using a Leica Tabletop Tripod and Leica Large Ball Head combo


f/2.8 @ 6.1 mm, 1/30, ISO 400, No Flash, Macro Mode


f/1.8 @ 6.1 mm, 1/20, ISO 100, No Flash

Somewhat shallow depth of field is possible – compare to f/8 below


f/8 @ 6.1 mm, 1s, ISO 100, No Flash

f/8 is the largest f-stop number, so this is pretty sharp considering that fact


f/1.8 @ 6.1 mm, 1/60, ISO 3200, No Flash

I wasn’t super happy with the way red was rendered but I felt ISO 3200 was fine for this shot

See more images at http://photos.ronmartblog.com/canon/g16.

Real World Sample Video

I hate doing video, so my apologies to those videophiles out there but here’s a couple sample videos I took with this camera. These are originals uploaded to Zenfolio shared for your viewing enjoyment:


Click here to download the 1080p version

There seems to be some new issues caused by Zenfolio as I see some shifting in the images that doesn’t occur in the original. You can see the quality of the image though which I find to be a bit on the soft side. The original wasn’t completely smooth (partially due to me and partially due to the video itself).


Click here to download the 1080p version

Conclusion

This is a decent point and shoot that I think will please current and former G series owners – except those who have owned models with the articulating screen (like the G12). I like it and the burst mode performance is a huge benefit to parents who are at the top of their budget with this camera. With that said, I think many will find the s120 to be just as good in a smaller form factor and its touch screen will be familiar to smart phone users. Personally, I still prefer the Fujifilm X20 and some will prefer the Sony RX100 II image quality.  As a result I won’t be upgrading my point and shoot, but I’m glad to see this model catching up with the times again – if only it had the s120 touch screen, control ring and the G12 articulating LCD!

Where to order

Click here to learn more or order the G16 from B&H web site. My friends at Amazon have it available here.

Other articles you may enjoy

If you enjoyed this article, you may also enjoy these:

Disclosure

If you make a purchase using links found in this article, I may make a commission. It doesn’t cost you a penny more, but it does help to support future articles like this.

Thursday, January 2, 2014

REVIEW: Fujifilm XQ1-The Ultimate Compact Point & Shoot? (Review Part II of II)

In the first installment of my Fujifilm XQ1 review entitled REVIEW: Fujifilm XQ1–A Canon s120 Killer or a Compact X20?, I posed the question if this is a Canon s120 killer or a Compact x20. The reason for this comparison was deliberate because Fujifilm users want to know if it is really a compact x20. Performance-wise, I’d say yes, but I’d also say that if you can handle the size of the x20 you’ll be much more satisfied with it than the XQ1. Canon users who lust for the gorgeous in-camera results from Fujifilm cameras will naturally want to know if they should get this camera or the s120, and in that case I’d have to recommend the s120 over the XQ1 because of s110/s120 touchscreen allows for quick autofocus adjustments on these compact cameras.

Personally I think the camera makers have gone overboard in cutting down cost and number of physical buttons, so no camera I’ve used is more irritating than the XQ1 due to this fact. Sure, it creates images that I prefer to its Canon S series counterparts, but the pain of changing the focus point via the E-Fn menu (which is a touch screen press on the s110/s120) is a showstopper for me. I couldn’t live with this camera, and even my non-geek wife found it annoying compared to her iPhone which allows for this functionality.

Bookshelf Test

The following shots are done on a tripod with all camera default settings except I do enable RAW when possible (ISO’s above 6400 are JPEG only). The full gallery of bookshelf images can be found at http://photos.ronmartblog.com/fujifilm/xq1/e254ef4e7, but I’ve included a few noteworthy images below. Please keep in mind that the images are not crooked – the camera is level, but the bookshelf has sagged over time due to weight so I use camera level instead of adjusting the camera for a level shot of the bookshelf. There’s also distortion when fully zoomed out to 6.4mm. It should also be noted that at 6.4mm I can’t get my close enough on a tripod to just get the one shelf, hence the extra space shown. Given the 4:3 aspect ratio of the images, I also can’t get just one shelf if I put the blue Mastery book to the left and the Excel book to the right as I try to do for all of my bookshelf shots.

Click to view and examine the original
f/1.8 @ 6.4 mm, 0.8s, ISO 100, No Flash

As is the case with most cameras, the zoomed out results offer the best overall results

Click to view and examine the original
f/4.9 @ 25.6 mm, 5.3s, ISO 100, No Flash

Zoomed in all the way is still good, but inferior to the wide angle dynamic range and sharpness

My findings were as follows:

  • After ISO 800 the in-camera noise reduction is so bad that it really destroys the images. As a result, my advice is to set Noise Reduction to –2 (Low) and use a product like Noiseware for the best results. Doing this will allow you to go to ISO 3200 and 6400 in a pinch and still get usable photos.
  • I found the image quality to be unusable after ISO 1600 due to horrible in-camera Noise Reduction and the quality was mediocre with external noise reduction after ISO 3200.
  • ISO 6400 and 12,800 are unusable with in-camera noise reduction and are barely useable with external noise reduction, so I consider this to really to be a camera with a maximum ISO of 3200 (1600 max with NR = 0).
  • The X20 has what appears to my eyes as one stop better high ISO performance (meaning that it goes to ISO 6400 with NR = –2 and it is still usable).
  • The Canon s120/G16 offer two stops of high ISO noise improvement over the XQ1 (meaning that ISO 800 on the XQ1 looks similar to ISO 3200 on the s120/G16 to my eyes).

Here’s a real world example of a shot taken at ISO 500 that looks okay from a distance, but if you click to look full view you’ll see massive artifacts that destroy the image:


f/1.8 @ 6.4 mm, 1/15, ISO 500

At 6.4mm, the 1/15 sec should have been sufficient stabilization to eliminate camera shake (and in fact it was shot from a fairly stable chest tripod. However, details on the ornaments are void even at this low ISO, so I think this camera will frustrate users who depend on it for important events.

Based on these findings, I was very disappointed with the image quality of the XQ1 so I’d recommend the following cameras in this order over this camera:

  1. Fujifilm X20
  2. Sony RX100 II 
  3. Canon G16
  4. Canon s120
  5. Panasonic LF1 
  6. Canon s110

However, I prefer the in-camera color and processing of the Fujifilm over the Canon and Panasonic equivalents. The Sony is very similar in terms of in-camera performance.

Conclusion

See the Bookshelf test section for my recommendations, but for now I’d put this camera in the NOT RECOMMENDED camp. It’s the perfect form factor, but it falls short overall for both ergonomics and image quality performance. I’d love to see them add a touch screen and Imagenomic’s Noiseware noise reduction in-camera for much better results, but until that happens it feels like I picked up an old camera from 2007 in terms of image quality performance.

Be sure to see the first installment of my Fujifilm XQ1 review entitled REVIEW: Fujifilm XQ1–A Canon s120 Killer or a Compact X20? if you haven’t already for sample pics and much more.

Where to order

Click here to order the B&H web site. However, I’d urge you to consider these cameras instead:

  1. Fujifilm X20
  2. Sony RX100 II 
  3. Canon G16
  4. Canon s120
  5. Panasonic LF1 
  6. Canon s110

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My advice to Fujifilm is get a bigger sensor and/or license the noise reduction software from Imagenomic to greatly enhance the in-camera performance. This and a touch