Showing posts with label Cyber-shot. Show all posts
Showing posts with label Cyber-shot. Show all posts

Tuesday, July 22, 2014

Sony RX100 III - The Best Quality Point and Shoot I’ve Ever Tested (Review Part II of II)

Sony Cybershot DSC-RX100 III Digital Camera - Selfie Mode
Sony Cybershot DSC-RX100 III Digital Camera - Selfie Mode

This is my third time reviewing a Sony RX100 series camera and I’ve reviewed quite a few Sony’s over the years. I always fall in love with the size and sexiness of the RX100’s, yet I always find myself at the end of the review feeling a bit underwhelmed thinking – is that it?

Don’t get me wrong, this is an excellent camera, but I immediately ask myself “for nearly $800 price tag (at the time this was originally written), is this really the best bang for the buck?” With that in mind, I did a search on B&H on July 21, 2014 to see what else is out there for the $800 – $900 USD range:

Canon EOS Rebel SL1 DSLR Camera with 18-55mm Lens Deluxe Kit
Canon EOS Rebel SL1 DSLR Camera with 18-55mm Lens Deluxe Kit

Probably a better video camera, but bulky and only native ISO 6400

Nikon D5300 DSLR Camera with 18-55mm Lens
Nikon D5300 DSLR Camera with 18-55mm Lens

Good camera with great features, but it’s bulky and this is definitely no Zeiss lens

Nikon 1 J4 Mirrorless Digital Camera with 10-30mm and 30-110mm Lenses
Nikon 1 J4 Mirrorless Digital Camera with 10-30mm and 30-110mm Lenses

While these always underwhelm me too, at least you get decent interchangeable lenses

Nikon 1 V2 Mirrorless Digital Camera with 1 NIKKOR VR 10-30mm f/3.5-5.6 Lens Kit
Nikon 1 V2 Mirrorless Digital Camera with 1 NIKKOR VR 10-30mm f/3.5-5.6 Lens Kit

Definitely more my style than he J4, but bulky and last gen technology

Canon EOS Rebel T5i DSLR Camera Kit with EF-S 18-55mm f/3.5-5.6 and 75-300mm f/4.0-5.6 III Lenses
Canon EOS Rebel T5i DSLR Camera Kit with EF-S 18-55mm f/3.5-5.6 and 75-300mm f/4.0-5.6 III Lenses
This is a pretty good camera with great video performance, but alas still bulky

Leica D-Lux 6 Edition 100 Digital Camera
Leica D-Lux 6 Edition 100 Digital Camera

Sexy, small and a Leica – hum, do we have a contender?

Fujifilm X-E2 Mirrorless Camera Body Only
Fujifilm X-E2 Mirrorless Camera Body Only

Definitely better than the Sony, but you still need lenses and they aren’t cheap!

In this search, I definitely felt that only the Leica 100 stood a chance at really comparing well against all the things that make the Sony RX100’s great – including size. I haven’t reviewed that one yet, so I could be wrong, but it’s clear that this Sony is Leica priced!

The answer is that if you start comparing size and features, there’s a lot of great choices that are significantly less than the RX100 III. This begs the question that when you ignore price, what else is really a viable alternative to the Sony RX100 III, and funny enough one of the best answer is the previous generation Sony RX100 series which are now much more affordable!

RX100 ($498 on July 21, 2014)
RX100 ($498 on July 21, 2014)

See my RX100 Review

RX100 II ($649 on July 21, 2014)
RX100 II ($649 on July 21, 2014)

See my RX100 II Review

There’s also other great cameras like the Fujifilm X20, Canon G16, Canon s120, and so much more in the sub $800 price range. So this begs the question – is the Sony RX100 III really worth nearly $800 when even it’s own predecessors are so similar and cheaper?

Image Quality

Now that I’ve beaten the price issue to death, let’s talk about the RX100 III vs its predecessors and the competition when it comes to image quality.

The image quality of this sensor is excellent for its size, but like its predecessors the in-camera noise reduction is pretty aggressive. At higher ISO’s it does a much better job than previous versions but I still I felt compelled to disable it for most (not all) of my bookshelf tests so you can see detail captured by the sensor.

The gallery contains a sample of images with and without noise reduction so you can better assess the image quality. For me, I prefer to do my own noise reduction with a product like Noiseware and then sharpen the images myself afterwards. Naturally, if you only process the RAW images you’ll do something similar too (even if it is just Lightroom/ACR only noise reduction).

With that said, here’s a close up of an image with noise reduction at ISO 125 that shows that this is a pretty decent point and shoot:

image
Click here for the full-size original

That’s pretty darn good for a camera that can easily fit in a top pocket or purse, so the next question becomes – how about high ISO performance? Well here’s what you get with noise reduction turned on at ISO 6400 (12,800 is pretty gnarly):

 f/2.8 @ 8.8 mm, 1/15, ISO 6400, Noise Reduction On - Click for full size original
 f/2.8 @ 8.8 mm, 1/15, ISO 6400, Noise Reduction On - Click for full size original

f/2.8 @ 8.8 mm, 1/15, ISO 6400, Noise Reduction OFF - Click for full size original
f/2.8 @ 8.8 mm, 1/15, ISO 6400, Noise Reduction OFF - Click for full size original


At web sites like 580x387 above or click to see 800x533,
you'll certainly be pleased with the results
ISO 6400 f/2.8 @8.8 mm, 1/15, ISO 640, Noise Reduction ON

However, pixel peepers will probably feel like ISO 3200 is as high as they want to go. That’s pretty good for a point and shoot, so I feel confident that most will be pleased with the image quality of this camera. The Zeiss lens is good too, so if that’s important to you then perhaps it’s worth the price.

To see more real world images, please be sure to see the first part of this review here.

Compared to the RX100 II and RX100

In my pixel peeping of all of my files on these three cameras I’ve noticed that the RX100 III has a much brighter and sharper lens which results in shorter exposure times and much more crisp images. This becomes significantly noticeable at full zoomed in, so the RX100 III is without question the sharpness king of the three.

I definitely think that the RX100 III is the best “all things considered” version of the RX100’s yet. Sony keeps taking a great formula and refining it with customer feedback to make it even better. Improvements like the full tilt display that allows selfies and a battery saving electronic viewfinder are sure to please to RX100 fans, and the image quality is definitely impressive for its size.

Conclusion

While I do struggle with the price, you are getting best of class performance for the premium price. If you just can’t get yourself to spend that much money, but love the compact size then consider now more affordable previous generation Sony RX100’s. They were great cameras that were overpriced at the time that I reviewed them, but now they are much more inline with the competition. In real world usage scenarios (i.e., small prints and mostly web size usage) I think some will have rather saved the extra $200 – $400, but for the pixel peepers the RX100 III will be your best bet. 

I will say that the image quality is certainly significantly better than my x20, the LF1, XQ1 or G16. If you are trying to decide between those then know that the RX100 III is the hands down image quality winner. It’s also much SIGNIFICANTLY better than the competition at video too. It’s no DSLR or mirrorless camera killer, but it is very good.

For those who also can stomach a larger form factor, I think you’ll be much happier with a mirrorless or fixed lens big sensor camera when you do image overall quality comparisons.

In the end Sony has created something that is outstanding for the size – if you can afford it. As a result, I have to recommend it as the best compact camera I’ve reviewed at the time this article was written.

Where to order

Click here to learn more or order on the B&H web site. You can also save some money by ordering the cheaper Sony RX100 or RX100 II and still get a great camera.

Other articles you may enjoy

If you enjoyed this article, you may also enjoy these articles:

Disclosure

If you make a purchase using links found in this article, I may make a commission. It doesn’t cost you a penny more, but it does help to support future articles like this.

Thursday, July 17, 2014

REVIEW: Sony RX100 III–Part I (includes Real World Shots)

Sony Cybershot DSC-RX100 III Digital Camera
Sony Cybershot DSC-RX100 III Digital Camera

I’ve reviewed the first Sony RX100 and the Sony RX100 II, and I liked both of them – but not enough to buy one. While the form factor was excellent, I struggled with the price and was frustrated by its default shutter speed choices (which often were too long to get a crisp shot). In the end, they were both a camera I loved but couldn’t bring myself to buy. Would the third time be a charm? Would this be the one that made me bite the bullet and get one? Read on to find out.

What’s new at a glance

There’s other sites that get into all of the details, but fundamentally there’s tome minor improvements in the sensor and the lens which in theory improve quality. As you read my review you can refer to my earlier reviews and see if you agree. Yes, this camera takes nice images, but I never got that “on my gosh, this is waaaay better” feeling. Perhaps my bookshelf tests in the next installment might make me feel different.

What I did like right off the bat was the improvement to the tilt feature of the LCD which now allows for 180 degree tilt which means selfie’s are now possible while looking at a live LCD preview. While I’m not a big selfie person, young couples and mom’s shared their frustration with me that the previous RX 100 models didn’t allow this functionality. Now mom can get her shot with the baby when dad’s at work, and best friends at the night club can get selfies complete with live previews of any attempted photo bombs.

Beyond this there’s some video performance improves and the inclusion of an integrated ND filter, but the thing that will get the most attention is the new pop up electronic viewfinder shown in illustration format here:

0.39" 1,440k-dot SVGA OLED Tru-Finder has Zeiss T*-coated optics
0.39" 1,440k-dot SVGA OLED Tru-Finder has Zeiss T*-coated optics

This actually works well thanks to a diopter which allows you to fine tune it for your vision. The quality is quite good and feels as natural as the rear LCD. What’s more, it uses a lot less battery life so it makes a great option when the battery starts getting low (which was a problem I never had in normal usage).

First Thoughts

While the menus haven’t improved to my liking, it was good to see that they are very familiar from other models like the a7/a7R. Features like zebra pattern and focus peaking work the same way, so people committed to the Sony platform will love this camera.

Of all of the camera systems I’ve tested, my least favorite user interface design comes from Sony. Sadly that opinion wasn’t changed here, but with the flexibility to program buttons to do what you want results in a camera that’s usable. I’d still like a “Q” menu that more closely mirrors what Canon, Nikon and Fujifilm do with their quick menus, but Sony does try with their mini version.

I still found focus point and mode adjustments cumbersome, but programming quick access to these helped. I also saw the classic Sony problem of the camera having a love affair with 1/30 sec (which if you shoot anything that moves then odds are it will be blurry). Sadly manual mode is the only solution as Sony still hasn’t implemented a minimum shutter speed or alternate feature for Aperture Priority and Program Mode to prevent this annoying behavior.

The LCD screen is as you would expect from Sony – excellent. In fact, it is so good that often times your image will look so good on the screen that you think you’ve got a fantastic shot but when you get it on your computer you realize that it wasn’t as razor sharp as you thought. What’s more, Sony hasn’t done anything to improve its built-in noise reduction feature, so it will make a nasty mess doing noise reduction on higher ISO images. As a result, I still strongly recommend users turn OFF noise reduction when using this camera and save that process for external products like Noiseware for the best results. I didn’t do that for the images below, but for any personal images I care about the in-camera noise reduction here gets turned off.

The weight and size of this camera have increased, but it isn’t going to be very noticeable to most people. It’s still an outstanding size and not unreasonably heavy in my opinion, but it’s a few ounces heavier than some of the competition so if you put it in your shorts pocket you better wear a belt!

Overall there’s lots of great photography features and geek features like the ability to install apps, do wireless image transfer and NFC. This and above average image quality and fast performance make this a camera that is very capable and enjoyable to use, which is why I’ve really enjoyed its predecessors as well as this latest version. If you bought or were tempted by previous versions of the RX100, you’ll most certainly appreciate this version which is without question the best version yet.

Real World Sample Images (Part I of II)

As always, these images ALL RIGHTS RESERVED (yes, even the lame ones <g>). You may not save, edit, print, redistribute or otherwise use them without expressed written permission.

The full set of images are available at http://photos.ronmartblog.com/sony/rx100iii, but below are a few that I wanted to bring to your attention. Click the image for the original in-camera JPEG version and view using the gallery to see EXIF information. All major settings were camera defaults unless otherwise mentioned. In most cases I’m using Aperture Priority or Intelligent Auto modes with camera defaults and Auto White Balance (except the more orange looking cave shots below where I chose Cloudy White Balance).


f/2.2 @ 8.8 mm, 1/30, ISO 125, No Flash

Definitely take the time to click the image above for the full size original so you can appreciate the level of detail this sensor will capture. The detail and dynamic range are outstanding from this camera at lower ISO’s.


f/2.8 @ 8.8 mm, 1/100, ISO 400, No Flash

While it’s tough to get a good shot of my son who bounces around like Tigger, I thought this shot had beautiful color and skin tones with great detail and bokeh for a camera of this size. Shots like this quickly reminded me why I loved the previous RX100’s I reviewed so much.


f/4 @ 8.82 mm, 1/160, ISO 125, No Flash

In this tough mixed light shot, this camera does a very admirable job of retaining detail in the shadows without blowing out the whites too bad.


f/2 @ 8.8 mm, 1/30, ISO 125, No Flash

This is a great example of one of those shots that the viewfinder made look so good that I thought I nailed the shot, but upon closer inspection I blew it. I quickly was reminded how important it is to zoom in on your shots with the camera before calling a shot “done”.


f/2.8 @ 25.7 mm, 1/80, ISO 250, No Flash

Despite being back lit, my wife was happy with how this camera handled those situations. Even the shadow areas of my oldest sons left eye under his hat turned out okay in the “Superior Auto” mode we used here. Unfortunately though, the focus and sharpness aren’t that great when you zoom in.


f/2.8 @ 15.31 mm, 1/125, ISO 640, No Flash

Thanks to the small sensor you get a lot of depth of field even at f/2.8


f/2.5 @ 10.51 mm, 1/125, ISO 800, No Flash

In-camera color is very accurate with only a small tasteful amount of color enhancements


f/1.8 @ 8.8 mm, 1/320, ISO 125, No Flash

The shadow detail is extremely impressive from this camera, so the Dynamic Range Optimizer feature did a great job with this difficult lighting condition


f/2.8 @ 21.79 mm, 1/125, ISO 125, No Flash

From the texture of the skin, to the detail in the eyelashes, I was very impressed with the Zeiss lens on this camera. The bokeh was also very good for this size sensor at f/2.8.


f/2.8 @ 14.3 mm, 1/40, ISO 4000, No Flash

Shooting handheld in a cave using my wife’s iPhone 5s gave us lots of blurry and poorly exposed images with terrible color, but I was impressed with how well the Sony did. The in-camera noise reduction made the camera look worse than it really was but shooting RAW+JPEG gave me the option to fix that using the raw image.


f/1.8 @ 8.8 mm, 1/500, ISO 3200, No Flash

Panos haven’t changed from the predecessor, but my test unit frequently gave me a grey bar at the end of the pano no matter how slow or fast I went when shooting.


f/1.8 @ 8.8 mm, 1/13, ISO 800, No Flash

The color is different for this shot because I used the Hand held twilight SCN mode feature which reverted back to AWB. It did an okay job and managed to stay at ISO 800 for this shot.


f/2.8 @ 23.53 mm, 1/20, ISO 6400, No Flash

While the noise reduction really destroyed a lot of detail in this shot, this camera did an admirable job (for a handheld shot(with the camera resting on a round pipe-like railing)

I’ll have more images in the next installment, but hopefully you can see that this is certainly better than your average cell phone or point and shoot. Yes, there’s a reason why this camera is expensive, despite its size, but will that be enough to convince me to ditch my x20?

Conclusion

See part II - Sony RX100 III - The Best Quality Point and Shoot I’ve Ever Tested (Review Part II of II).

Where to order

Click here to learn more or order the Sony RX100 III on the B&H web site.

Other articles you may enjoy

If you enjoyed this article, you may also enjoy these:

Disclosure

If you make a purchase using links found in this article, I may make a commission. It doesn’t cost you a penny more, but it does help to support future articles like this.

Tuesday, January 21, 2014

REVIEW: Sony DSC-RX10–a7 Alternative or Overpriced a3000?

Sony Cyber-shot DSC-RX10 Digital Camera
Sony Cyber-shot DSC-RX10 Digital Camera

In looking at my old mail, I requested one of these cameras to review last October when I first learned about it. It took me a few months to actually get one which must be a sign they are selling well, but in all honesty I also had other cameras higher in the queue to review. After spending a month and 585 pictures later, I’ve reached the point where I’m ready to render my verdict on this camera.

Some other bloggers have given this camera high praises, and its specs are very impressive. It’s also very well built and feels worthy of what I would call a modest price for the features it offers. However, the thing I really wanted to know was this the ultimate Sony for the casual user that was being overshadowed by its a7 and a7R siblings, or was it just a fancy a3000 with a bunch of features that do little to improve the overall experience? The RX1 had impressed me in many ways except for its fixed lens, and the RX1R didn’t address that problem, so I figured the RX10 could finally hit the sweet spot.

In my hands, my initial thoughts were “wow, this is a really nice camera”. When I scanned the specs, I even thought this could possibly squeeze in as my 2013 camera of the year winner. I’m a sucker for Zeiss lenses, good build quality and high quality displays so my expectations going in was that I was wielding a very special camera.

Much to my surprise, a funny thing happened while I was testing this camera and looking at its results. I began to forget about all of the other Sony cameras I’ve reviewed except one – the a3000. While on paper the two cameras are miles apart from each other, this camera really started to help me appreciate how good the a3000 really is. This led to a conclusion that why isn’t this camera so good that I’m wanting to compare it to the a7R that I tested at the same time I tested this camera – in similar conditions? The answer is simple, this camera has most of the drawbacks of the a7/a7R yet its only advantage seems to be a big zoom lens. The more I used this camera, I thought – why wouldn’t I just get a a7 with a good lens or save money and get a a3000 that I felt created images that weren’t $1000 worse than this camera? However, each time I thought this I kept saying “but it’s got a Zeiss lens, and it’s well built, and it’s got a better display, and it’s got all this cool stuff (that many people would never use).” This of course begged the question, were all of these things creating images that were a $1000 better than a3000 or would a little more money for an a7 be a better choice?

Read on to see what I came to love and hate about this camera, and my final verdict about how it fairs against its much cheaper and a little more expensive siblings.

Hands On Notes

To keep things short, I’m just including a brain dump of my notes below rather than a more narrative discussion:

  • I was surprised to discover that if the hood is off, that the popup flash isn’t half bad. In fact, I’d say it’s one of the better pop-up flashes that I’ve tested. Of course doing flash exposure compensation is very cumbersome, but I quickly found myself wishing for this popup flash on the a7R I was testing.
  • Like all Sony’s I’ve tested, I had an above average problem with blurry photos due to shutter speed choices by the camera. I also somehow ended up with ISO 3200 as the max ISO in Auto (my review unit could have came that way by accident), so I had dozens of shots ruined by the camera choosing f/4, 1/8 sec @ ISO 3200 in aperture priority mode. I won’t blame the camera for those failures as Auto ISO will support the maximum ISO, but it did seem to have a love affair with 1/30 sec quite often (which if you have moving humans usually means blurry photos).
  • One thing that really bugged me was that it was missing a front control wheel compared to the a7/a7R and many cameras I’ve tested. Some could argue that the aperture ring compensates for this, but it just annoyed me as I constantly found myself hunting for it.
  • I loved the aperture ring for quick and easy access, and I appreciated the switch underneath that allowed for a silent mode when doing video. While I preferred the tactile feedback, I appreciate the ability to do both.
  • While on paper the LCD good, it didn’t wow me in real life. I’d consider it more sufficient than anything else, and its pivoting screen was limited so you can’t do a selfie with your spouse or partner.
  • The electronic viewfinder (EVF) had that common Sony unreal feeling like you are watching something with nasty fluorescent lights. There was also latency when panning that I found to be disturbing. I didn’t experience either of these issues in the a7R that I reviewed, so I consider this EVF more of a checkbox feature than something I’d ever want to use.
  • During my testing I found that the battery life was adequate, so I have no complaints there.
  • I loved the range of the Zeiss zoom lens, but it tries to do so much that it comes at the cost of the image quality. A fixed f/2.8 across 24-200mm (effective) sounds like a dream and too good to be true, and in this case it proves to be just that – an unrealistic dream. This might have been a good lens 5 – 10 years ago, but it’s mediocre – at best – by today’s standards.
  • The in-camera noise reduction is unacceptably bad on this camera. I highly recommend shooting with it turned off and/or only shooting RAW then using a quality product like Noiseware to eliminate noise in a less destructive manner.
  • Auto White Balance could be very bad indoors, so this is a camera that I’d advise choosing a non-default white balance or using a gray card if you aren’t going to be shooting RAW (i.e., videos, pano, etc…).
  • The menu system on this camera is very cumbersome and the default button configuration make things like setting your flexible spot AF point very tedious. As a result, you’ll spend quite a bit of time figuring out how to get everything usable via numerous trips to the web due to a very inadequate printed manual. This is NOT a camera I’d even dream of letting my wife use as it’s too complicated compared to the Fujifilm X10/X20 or Canon G series cameras that she has enjoyed using in the past.
  • The autofocus performance and burst mode failed to impress me, and my active 4 year old repeatedly defeated it. Unless I had very good light and he was moving in a predictable pattern, I found the suitability for photographing my toddler to be below average. I would never trust this camera with an important shot of my kids or school sports.
  • Like the a7R, the timer drive mode failed to engage about 70% of the time. As a result, I’d have to hold the shutter release button for the entire 10 second countdown and then let go as the shot was taken which defeats the whole purpose! 100% of those shots naturally came out blurry, so I was very frustrated when the camera would do this for my long exposures shots where I had the camera on a tripod.

Bookshelf Test

The following shots are done on a tripod with all camera default settings except I also enable RAW. The full gallery of bookshelf images can be found at here, but I’ve included a few noteworthy images below. Please keep in mind that the images are not crooked – the camera is level, but the bookshelf has sagged over time due to weight so I use camera level instead of adjusting the camera for a level shot of the bookshelf. There’s also lens distortion with this lens at 24mm (effective).


f/5.6 @ 8.8 mm, 10s, ISO 125, No Flash

The result here is competitive with many DSLR’s – especially the entry level models. I found the results to be perfectly acceptable with the minimum native ISO of 125 (others are usually ISO 100 or 200 but not this camera).


f/4 @ 8.8 mm, 1/20, ISO 12800, No Flash

At ISO 12,800 there’s so much damage done to the image by the in-camera noise reduction that tons of detail is lost.


f/4 @ 8.8 mm, 1/20, ISO 12800, No Flash, From RAW via ACR 8.3

If you take the unprocessed RAW (shown above after ACR defaults) you’ll see that it’s got lots of good data with easy to remove noise. The image below is the same file (click for full-size) with Noiseware (Tutorial) default settings. The result is a decent file at a high ISO.


f/4 @ 8.8 mm, 1/20, ISO 12800, No Flash, From Raw with Noiseware Defaults

Be sure to click the above images to really get an appreciation of what’s happening here at full-size. This camera does an okay job, but most will find ISO 6400 to be the preferred upper limit.

Real World Sample Images

The following images come from in-camera JPEG’s using the camera default noise reduction settings. Most camera settings are the default with the exception of RAW+JPEG, a desired White Balance, a desired focus point, and occasionally a desired creative style being used.

All images are copyright Ron Martinsen – ALL RIGHTS RESERVED


f/5.6 @ 8.8 mm, 1/30, ISO 640, No Flash, Custom White Balance
This is a camera that will reward you if you get your white balance right in-camera manually


f/5.6 @ 8.81 mm, 1/30, ISO 800, No Flash, Custom White Balance


f/5.6 @ 8.8 mm, 1/30, ISO 2500, No Flash, Auto White Balance

DRO seemed to have some complete failures at time despite being in Auto mode


f/2.8 @ 11.56 mm, 1/40, ISO 500, No Flash

Reds are always a challenge, but cameras with a wider dynamic range can usually avoid the transition to orange shown here


f/8 @ 14.53 mm, 1/40, ISO 640, No Flash, Aperture Priority, –1 EV
The historical method of doing –1EV compensates but I’m finding that better cameras (and even some smart phones) can do this right in-camera without user intervention like this


f/8 @ 31.77 mm, 1/10, ISO 3200, No Flash

The dynamic range isn’t point and shoot bad, but its not RX-1 good


f/8 @ 10.28 mm, 6s, ISO 125, No Flash

Despite using a tripod, it took me 16 tries to get this shot due to problems with the in-camera timer not working


f/5.6 @ 10.49 mm, 1/30, ISO 1000, No Flash

Unless I went full manual, this was about the only shots I could get of my toddler that weren’t blurry


f/5.6 @ 42.73 mm, 1/100, ISO 3200, No Flash, Auto White Balance

I was very unimpressed with skin tones and portraits with auto white balance


f/5.6 @ 39.2 mm, 1/125, ISO 2000, No Flash, Cloudy White Balance

Cloudy was better, but still kinda green and blah


f/5.6 @ 45.37 mm, 1/125, ISO 2000, No Flash, Shade White Balance

Shade just gave a jaundice appearance to skin


f/8 @ 8.8 mm, 1/250, ISO 125, No Flash, In-Camera Pano

On multiple occasions my pano’s would leave a gray block on the right. Regardless of the reason, it seems like the camera should detect and trim this unnecessary block.


f/8 @ 8.8 mm, 1/200, ISO 125, No Flash

Zoom out and you can get a huge field of view


f/8 @ 73.3 mm, 1/250, ISO 200, No Flash

But zooming in all the way on the same scene and you’ve got a spy camera <g>


f/8 @ 8.83 mm, 5s, ISO 125, No Flash,
Tripod & Timer
Not bad, but I’ve seen many cameras outperform the results I see here


f/10 @ 10.49 mm, 3.2s, ISO 200, No Flash, Tripod & Timer

This reminded me more of what I’d expect to get from an a3000, not a camera with a Zeiss lens

See the full gallery at http://photos.ronmartblog.com/sony/rx10.

Real World Sample Video


Click here to go to this video on YouTube

Conclusion

To be fair, I could be a little overly harsh on this camera as I was testing the a7R at the same time I was testing this camera. The a7R has incredible image quality, so it has a way of making lesser cameras look inadequate. As a result, this might have skewed my opinion compared to what I might have thought had I tested this camera in isolation. However, I kept coming back to the same thought with this camera – I’d rather have a a7 if I was going to spend this kind of money, and if I was going to save money I’d prefer a NEX-7 or possibly even the super bargain a3000.

The Zeiss lens on this camera really disappointed me, but most super zooms with this much reach generally do. There’s a reason a really good zoom with 200mm spread cost a fortune, so if you cut corners on the glass then everything else looks bad on a fixed lens camera. In the end, I think that is where this camera falters and its also why its a3000 sibling succeeds – because it doesn’t try to overachieve.

This isn’t a bad camera, but I don’t think it’s one that is going to make any active/impatient photographers or parents with kids very happy (unless they only shoot in manual mode in good light). I also think that unless you always process the RAW files, you’ll probably find yourself seriously underwhelmed by the image quality (of the in-camera JPEG’s). Better quality is available by processing the raw images and using Noiseware (Tutorial), but for some that will be an additional unwanted step in their workflow. It’s also rather bulky in these days of camera downsizing, so I can just think of so many better choices on the market than this camera.

Like many Sony cameras, I find myself commending Sony for trying to meet a market need yet I find myself struggling to find enough reasons to recommend this camera. In the end, I can’t due to its unimpressive lens performance and below average usability. For as many things as this camera does right, I feel this would be a camera that offered much buyers remorse. I quickly found that I could trust it for travel photography or important family events, so I’d often reach for my smart phone as a backup to make sure I got the shot. With that being the case, why would I bother carrying this bulky camera with me?

My advice is that if you must stick with Sony then consider the a7 or NEX-7 instead. If you are willing to branch out then consider the Fujifilm X-E2, Canon 70D, or Nikon D7100 (at the time this was written). If quality trumps price then I’d consider the 5D Mark III, Nikon D610, or Canon 6D as alternatives (in that order).

Where to order

Click here to learn more or order on the B&H web site. My friends at Amazon have it available here.

Other articles you may enjoy

If you enjoyed this article, you may also enjoy these:

Disclosure

If you make a purchase using links found in this article, I may make a commission. It doesn’t cost you a penny more, but it does help to support future articles like this. B&H provided me with this loaner camera, but it was returned to them shortly after this review was published.