Showing posts with label photo. Show all posts
Showing posts with label photo. Show all posts

Tuesday, April 19, 2016

Deal: 20% Off on1 Photo Products

My friends at on1 Software have reactivated my coupon code with a 20% savings off all on1 software products like the full suite:

on1 Photo 10 Full only $87.99

or even the upgrade:

on1 Upgrade only $71.99

All you have to do is CLICK THIS LINK and enter this coupon code and click Apply Coupon:

MART16

This coupon code will eventually expire, so be sure to check my discount coupon code page if or contact me if it does. In the meantime, enjoy the savings!

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Disclosure

If you make a purchase using links found in this article, I may make a commission. It doesn’t cost you a penny more, but it does help to support future articles like this.

Wednesday, March 30, 2016

FotoMagico 5–The Best Slideshow Software Now in 4k

FotoMagico 5 - Click for a larger view
FotoMagico 5 makes creating advanced slideshows super easy

Back in 2013 when Boinx software asked me to take a look at FotoMagico, I was getting tons of requests to do reviews, but I only had the bandwidth to write about the best of the best products. After taking a quick look at FotoMagico 4, I was very impressed and gave a very favorable review.

Fast forward to 2016, and it was me reaching out to them as I was excited about the release of FotoMagico 5 which features 4k output plus lots of great user interface enhancements (see the press release below for full details).

This past weekend when I did my review, I found myself loving this newest version much more than its predecessor as it felt more like the ScreenFlow and Camtasia video editing tools that I am more comfortable using. What’s more, I was able to quickly create a 4k video with my images in less than 15 minutes which I repeated for this video tutorial here:


Click here to view the tutorial on YouTube

To save me even more time, I could upload my video directly to YouTube in 4k and the whole upload process only took 3 minutes on my 2015 MacBook Pro:

Click to see a larger view
Upload your videos to YouTube in 4k

With impressive intro video, lots of free music, and rolling credits – I had a video that was impressive to view on any resolution display. Here’s the final output which looked wonderful on my NEC PA322UHD 4k display: 


Click here to see on YouTube and be sure to view full screen

More info from the Press Release

Boinx Software has just announced a new version of its premier slideshow creation tool, FotoMagico 5. This updated software program brings a combination of brand new editing tools and advancements to pre-existing features. Among many enhancements, FotoMagico 5 now features a slideshow interface with pre-built stories called “Snippets,” Audio Envelopes and Fades to control audio levels, an Audio Marker Assistant to provide more precise sound editing capabilities, improved text editing and placeholders, and much more.

“FotoMagico is made by photographers for photographers,” states Oliver Breidenbach, CEO, Boinx Software. “This is why it puts the needs of photographers front and center. It’s easy to learn, as photographers want to spend their time taking photos - not learning a slide show app. The Snippets feature gets you magical results more quickly than ever. FotoMagico 5 slideshows look brilliant on 4K TVs as well as on YouTube. That’s why thousands of photographers rely on FotoMagico to tell their stories.”

FotoMagico 5 Updates Include:

  • New “Snippets” feature allow users to insert their own photo and video content into these pre-built stories to create beautiful slideshows; FotoMagico pros can create their own Snippets to streamline the production of slideshows, perfect for those working with clients
  • New Dark User Interface, designed for users of all skill levels, to make photos and videos stand out even more against a more modern backdrop
  • Music Snippets come with free CC licensed music by Josh Woodward and Kevin MacLeod to set the mood; pre-loaded with perfectly timed audio markers means your story is synchronized with the matching music, while an attribution slide keeps users out of copyright troubles
  • Animation Assistant designed to automatically make your slideshow move, while accounting for a variety of photo aspect ratios like portrait and panorama, movie and text properties
  • New Audio Marker Assistant (Pro only) offers more precise control over timing than ever before, with perfectly synchronized music and slides creating the right dramatic effect
  • New Audio Volume Envelopes and Fades (Pro only), the most requested feature, provides audio level controls that enable users to make the music softer when one intends to speak if presenting the slideshow, or to let the video audio take center stage
  • Improved Text Editing and Text Placeholders (Pro only) for the most intuitive way to edit and format titles yet

Additional new features available only in FotoMagico 5 Pro include the timeline view; record narration; access to Lightroom and Aperture libraries; teleprompter support; chapter support; masks, borders and color correction; and additional sharing options, such as the Standalone Player, ProRes video, and custom video.

Conclusion

The best way to create slideshows for your images just got way better with this release. It’s a no brainer upgrade for existing users, and a great addition to any photographer’s software workflow. It’s fast, easy to use, and the results are extremely professional looking at up to 4k resolution!

It should be noted at this time this product is for Apple OS X only and there are no known plans to offer a Windows version any time soon.

Where To Order

CLICK HERE to order or click here to learn more.

Click to enter order today

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Disclosure

If you make a purchase using links found in this article, I may make a commission. It doesn’t cost you a penny more, but it does help to support future articles like this.

Friday, June 12, 2015

REVIEW: Mylio–Your Life’s Memories Protected on All Your Devices

If you read this blog then odds are you love photography, so that means you most likely have photos scattered all over a variety of devices. We have images everywhere from our phone, our significant others phone, desktop computers at home & work, laptops, tablets, and backup devices. It’s a big mess trying to keep track of them all, so usually you don’t realize what a poor job you are doing of backing things up until a device crashes.

Even a geek like me who has over 25 years of software development experience – including data protection products – has faced that sinking feeling that photos were lost when a phone was stolen or Drobo crashes (see my story on Scott Kelby’s blog).

Apple’s iCloud, Google Photos, Microsoft’s OneDrive, Adobe Lightroom Mobile and others all make the promise that they are going to protect your photos, but let’s get real for a moment.

Many real photographers don’t just have photos measured in gigabytes – they have terrabytes of photos. Even in the most optimistic case where you have the fastest internet service known to mankind and they won’t shut you down for uploading all your photos to the cloud, how long will that really take? What’s more, we’ve seen how secure iCloud can be, so do you really want your unencrypted photos in the cloud for hackers to access?

I’ve also got countless images that I’ve taken that the world has never seen, and in some cases I’ve never seen since I took them off my memory card. My wife has images on her phone of the kids that were taken while I was working that I’ve never seen either. These are memories, and they exist only on digital devices in ways that aren’t easy to view.

Wouldn’t it be great to solve the chaos that exists with images scattered everywhere and lost for years or even decades? I’ve been wanting to build a product that solved that problem for years, but until now it didn’t exist.

Bear with me in this long article as I introduce you to the first product to solve the headache that plagues every person who takes photos.

Photo Synchronization Done Right

Mylio is a product that runs on computers and mobile devices that syncs ALL of your photos between ALL devices of them ALL of the time.

When I first heard that statement at WPPI 2015 in Las Vegas, I thought – I don’t’ want that!!!!!! The reason why is because I thought that my storage strapped mobile devices didn’t have the space to store all of the photos, and what a pain it would be to navigate all of that mess on them. Over the last 3 months that I’ve been using Mylio, I’ve learned how this product really works and how that vision is indeed possible, but there’s also ways to only share what you want between devices too.

For starters, Mylio only shares small thumbnails with your mobile devices by default. As of today, I’ve got 247,564 images in my Mylio catalog synchronized across two iPhones, one iPad (3rd Gen - 16GB), two laptops and one desktop computer. My iPhone reports that Mylio is using 8.7GB, which is a lot, but I’ve got instant access to all 250k photos!!!

What’s more, I don’t have to sync everything to my phone if I want – I can choose to sync as little or as much as I like. I’ve also gotten in the habit of dumping old originals from my phone and only keeping the latest on the phone, so Mylio lets me keep the ones I’ve moved off. I also use Apple iMatch for Music so I only keep a small set of music so I went from someone who always had a full 64GB iPhone before iMatch & Mylio to someone who is only using 32GB now – with every photo instantly accessible!

Backup Nightmare Solved

The best part of about the sync feature is that it can backup your originals from all of your devices to a computer that has the space to hold them all. If your computer doesn’t have enough storage space to do that then you can add hard drives (both internal and external) or consider getting a ioSafe or Synology NAS (which is what I use).

You can also ingest photos from Flickr and Facebook to have copies both backed and readily accessible should you ever decide to cancel your social media accounts (like if they get hacked). I say ingest because there’s no sync for social media, but you can re-import at anytime and it will only add what’s new since the last time you imported.

For the first time since I got my 2nd device capable of taking digital photos, I can now honestly say that I have EVERY photo I’ve ever taken since 2007 backed up (minus the ones I lost along the way due to a lack of a reliable backup scheme). This one feature makes me a very happy and loyal Mylio owner, as NO software I’ve ever used up til now has made this process so easy.

Hey Mylio Team, can we get this for every thing on all of my computers? I’d love to have the same level of data protection for all my systems that I now have for all of my photos!

Is it secure?

In is most basic form, Mylio just synchronizes photos between your devices on your home network. At that point it’s only as secure as your home network and devices themselves – but there is no requirement to use cloud storage.

If you decide to use Mylio cloud, then I’m told that all of the data in the cloud is encrypted and can only be decrypted on your devices. This means that you can’t view what’s in Mylio cloud (like you can with all of the other services) because your web browser doesn’t have a key to decrypt the data. As a result, the data OPTIONALLY stored in the Mylio cloud would only be usable on your devices as they are the only ones that can decrypt that data.

But there is a catch…

One limitation of Mylio, which is primarily a iOS limitation that has been carried over to all versions, is that Mylio must be running in order to do its synchronization. On desktop computers this is no problem because it can run in the background, but on iOS it requires Mylio to be open and active so that means you can’t use other apps while it syncs. To deal with this it means you need to just let it run overnight on your charger and it’ll take care of the rest.

Mylio will make sure your phone doesn’t fall asleep so your screen will be on until it is done syncing. This can be annoying if you put it by the bed like I do, so I had to put my phone in spot where I couldn’t see the LCD glowing. Hopefully iOS’s smart display feature will fix that problem.

The good news is that on my PC version I can just minimize it and keep my PC running and it will run just fine. The bad news is that my wife isn’t going to run Mylio unless she wants to view pictures, so I’m on the hook for running it in the evenings to make sure her phone stays sync’d up. It is my understanding that this is an iOS limitation, so sadly there’s no good fix for this problem at this time.

Once one source has the images from a Mylio client then other clients can pull images, so it’s a lot like how BitTorrent works. There’s also something cool about Mylio cloud that you need to know about, so see the Subscription Services section to learn more.

Worried about Cellular Data Usage?

In case you are wondering, YES Mylio features an option (turned on by default) to avoid doing sync unless its on WiFi. If you have unlimited data like me, then you can disable that feature to make sure you are always running sync whenever Mylio is running (and active on iOS devices).

What about Video, RAW, and PSD?

Yes, all video, RAW and PSD are supported – but very much like how Lightroom and iPhoto do it. Free updates are required to support the latest RAW formats. At this time, PSD’s can be viewed in thumbnail format, but they can’t be edited or printed. Video can also be sync’d – but only to devices that are syncing originals of those video so that means you won’t see them on your mobile devices that are doing thumbnail sync only.

Yeah, but I don’t’ want to sync some of my photos

Shoot boudoir shots or have photos that you definitely don’t want sync’d on every device? No worries, Mylio gives you control at both the file and folder level to include or exclude files from sync. At this time I find it is much more practical to put all of the off limit content into its own folder structure and exclude that root folder from sync than to do it on a file by file bases – but that’s because I have a lot that fall into this camp that my wife doesn’t want on her phone which she’s looking for an old funny photo of our son Kai.

TIP: The calendar, people and location features can accidentally expose photos that you don’t want high level thumbnails of (in my case a boudoir shoot from Valentines Day). To avoid any surprises you should take care about what you sync.

How long does it take to sync everything?

This is a tough question to answer because it all depends on how much data and the speed of your devices, but for my testing it took about a week before I had all of my devices synced up with over 200,000 images and videos – including RAW and PSD files. It should be noted that I was diligent about making sure all my devices were actively syncing when I was at home in the evenings and before I went to bed, and I did not use Mylio cloud, duplicate search or the shuttle feature while performing this sync. I should also note that the PC was sync’d pretty fast, but the mobile devices are what took the longest.

Wouldn’t browsing all of my images be slow?

That’s what I thought, but Mylio does an incredible job of allowing super fast scrolling of hundreds of thousands of photos. It’s been tested with well over 500,000 photos and to date performance hasn’t been one of its shortcomings.

You have to see this in action to fully appreciate it, so be sure to check out the videos on this page to see it in action.

Mylio is a Game Changer

Over the past 30 years I’ve been incredibly lucky to have been an early adopter of dozens products that would be industry game changers in the computer industry. For all of these game changes I had a gut feeling that “this is it – this is a game changing product that’s going to be wildly successful”. All had flaws at first that caused some people to see a rock when I knew it was a diamond that just needed polishing.

I think Mylio is one of those game changing diamonds, so I hope my enthusiasm isn’t misunderstood. However, I’m not alone in thinking that this is the next great product in the computer industry – others are too so I’d encourage you to take a moment to watch this short video to see what other noteworthy industry leaders are saying about it:

 

X-Rite & Mylio Integration

One of the cool features of Mylio is the ability to do photo editing on your mobile devices, but editing without a color managed workflow is a recipe for disaster. Wouldn’t it be great if all your devices could be color calibrated to the same standard so the way colors appears on one is the same on all of the others?

Sadly, before now color accuracy on mobile devices has not been possible unless you use X-Rite’s own ColorTRUE software. Mylio is built by a group of people who are extremely passionate about photography and color accuracy, so they’ve have implemented ColorTRUE directly in Mylio.

With accurate colors across all of your Mylio devices, you can edit on one and be sure that it looks the same on the others. It sounds simple, but guess what – you can’t do that with Lightroom Mobile!

Fun Tip: Think your eyes are good enough to detect color inaccuracies? Try the ColorIQ test here and see if you can get 100%! After this test, you’ll see why ColorTRUE support is so important!

Aperture Users Rejoice

If you’ve done a lot of work in Apple Aperture and haven’t been too happy about it being discontinued on April 8, 2015, you’ll be happy to know that Mylio 1.3 has you covered. Watch the video above to learn about the new support for Apple Aperture – including accessing of your photo edits!

Lightroom Integration

Mylio Support Video #10 features Matt Kloskowski doing a video that shows off how to do a complete Lightroom Workflow. I strongly advise you to check it out to see how it works.

In practice it is really the one thing that I wish Mylio did better, but sadly Lightroom has a closed architecture for its database where you import your images so the trick using XMP files is the only way to make this work. In theory, some may find that after they use Mylio they no longer care to use Lightroom, but diehards will probably still want some advanced features of the develop module before they kiss it goodbye.

If you are wondering how fast Mylio is at loading images compared to Lightroom 6, the answer is that Mylio is blazing fast (even on the phone). In fact, it seems strange that Mylio is so fast and Lightroom was so slow (in all versions before 6), but once Mylio is released with this feature Adobe finally comes out with a version that addresses the long-term thumbnail performance problem. Hum…

Mylio isn’t just about photos, it’s about memories

Mylio has more features than I can fit in a single article, so visit their website for the feature lists. However, it isn’t the feature list that will cause you to fall in love with Mylio.

Of all the people I’ve talked to about Mylio, we all have something in common – that moment that you realize that Mylio is more than just a digital asset management tool.It’s a product that brings your whole world of images together on all your devices, so you inevitably find yourself browsing them on your phone. Inevitably that moment comes when you start to walk down memory lane and find images that you forgot you had or you haven’t seen a very long time.

My Mylio moment was when I found images of my children that were taken before my divorce. My ex-wife hasn’t been especially cooperative, so I thought I had lost access to all but a handful of photos on the web. However late one night I found myself looking at images I haven’t seen since 2006 and I started to have an unmanly moment.

As I’ve talked with other Mylio users, they too have found themselves having such a moment for photos of treasured memories that have been buried on a hard drive for a long time. My wife rejoiced at seeing years worth of photos that I’ve taken but never printed or shared because I hadn’t got around to editing them yet. She didn’t care that I hadn’t edited them – she was just glad to see memories like Kai’s first bites of solid food, and his first birthday party.

When you have that Mylio moment, you quickly realize that is why this product is so special, that is why it is different, and that’s why you’ll love it. Even if you don’t have kids or pets, its ease of use pouring through tons of images will stop you in your tracks when you discover that awesome photo you took that you never got around to editing. It’s like unlocking a safe and discovering treasure that has been lost for years, and that’s why I love Mylio.

Subscription Services – Facts and Fiction

Mylio Pricing Info as of June 2015
Try before you commit

The Mylio is trial free, so try it out and see how you like it. However, if you want to do anything interesting you are going to need to get at least a basic subscription. The subscription DOES NOT require that you use Mylio cloud, so if you don’t like the idea of your photos in the cloud then you can use it to just synchronize images between your devices on your home network.

Remember that comment I made earlier about your devices always having to be on? Well, that wasn’t entirely true – your device has to be on long enough to sync up with one other source, Once that happens then other devices can get the files from any available Mylio source, so this is where Mylio cloud comes in handy. If you are taking photos on vacation and let your phone sync with Mylio cloud as you take photos then your other devices can start getting those images as soon as they come online (similar to BitTorrent).

Conclusion

Normally when I do a review I include lots of photos and for something like this I’d typically do a video. However, Mylio hired Matt Kloskowski to do a great job talking about how everything works on the support page. I can’t top that, so I advise you to check out the videos and come back here if you want a discount to sign up.

I love Mylio and I use it on all of my devices, but it’s not without fault. I definitely would like to see features like access control so I can decide what photos I see versus what my wife and kids see (and they think the same thing). I’d also love to see some user interface improvements on importing and synchronization because it’s a little confusing to new users. The good news is that they have great support, so if you are confused then just check out the web site or email them as they cleared things up for me in a hurry.

This product is so cool that once you get things setup you’ll have an endless number of things you wished it had. The cool thing is that it is in its infancy, so I think a lot of good things will come in the future. While I doubt we’ll ever see it match all of the Lightroom features, some people may consider that a good thing. What’s more, what it does well – device synchronization – doesn’t exist with Lightroom (even using Lightroom mobile).

However, none of that really matters. As I said earlier, the reason you’ll love Mylio is when you have those moments of discovery with images lost or forgotten. We take a lot of photos these days, but we fail to go back and look at them like we used to with printed photo albums. Mylio brings that back in a way no other product does. It is for this reason alone, that I give it my highest recommendation.

Free Trial

Click here to learn more or get a FREE 30 day trial of Mylio. If you decide you like it then you can sign up and take advantage of the special offer below if you’d like to continue using it.

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Disclosure

If you make a purchase using links found in this article, I may make a commission. It doesn’t cost you a penny more, but it does help to support future articles like this.

While I have not been paid to do this article, I have been given a tour of the Mylio headquarters and an advanced subscription so I can test this product. It is also a product that I have such an intense passion for, that I have been in discussions with them about ways I can get more involved with helping this product to succeed. As of the time of this article, that has not included any compensation or agreements of any type.

Saturday, November 1, 2014

REVIEW: Epson Metallic Photo Paper Glossy & Luster

Epson Metallic Glossy & Luster Photo Papers
Epson Metallic Glossy & Luster Photo Papers

I’m delighted to finally get a chance to bring you my review of Epson Metallic Glossy & Luster Photo Papers. This blog was made famous in the printing community for my previous metallic papers reviews, and I had been encouraging Epson for years to develop a metallic paper. Epson also surprised me by not only doing a traditional glossy metallic but also introducing a luster metallic paper. I’m a huge fan of the Epson Ultra Premium Luster and an ever bigger fan of metallic, so the marriage between the two is more than a dream come true!

Impressions

When I did my last metallic paper comparison, I loved Red River Polar Pearl Metallic and felt it was the winner on price but identical in quality to the Lexjet. As a result of the price advantage, the Red River has been my paper of choice for the last 2+ years and it even had a short run in an incredible 300gsm version (now discontinued) that is still my most favorite ever! As a result, when it comes to glossy metallic, Red River Polar Pearl is the standard by which others are judged.

Glossy

When I flop the papers around in my hands, I notice that the Epson Glossy Metallic seems to have less flex in it – which is great, because that’s the only gripe I have about the Red River (which is what the 300gsm fixed). The color of the Epson seems to be slightly warmer when viewed under a GTI light box, but other than that they are very similar. The amount metallic flake (for lack of a better term) in both papers seems to be about the same, and in my testing the printed results when using the superior Red River ICC profile on both papers surprisingly resulted in the Epson having a slightly cooler temperature image. The cost of the papers currently gives Epson the slight advantage, but if you use my discount coupon code for Red River papers then the Polar Pearl is slightly cheaper.

Luster (or Lustre)

Regardless of how you spell Luster, the Epson Luster Metallic is the first of its kind to come into my studio. I was absolutely THRILLED to find out that Epson had done a luster version because I prefer luster over glossy by a large margin.

As you would hope, the Epson metallic luster has what appears to be an identical luster texture and pattern to the ultra premium luster yet the color is slightly brighter for the ultra premium. The metallic characteristics of this new luster metallic are exactly what I would have hoped for, so I was very satisfied to see that it is a true metallic.

Again I had ICC profile issues, but overall I found the DMax and quality of the print to be very good. In the end I would strongly recommend this paper for anyone who loves metallic but would prefer to print on luster instead of glossy papers.

Compared to Red River & LexJet Metallics

When it comes to luster metallic, there’s only one game in town for me – Epson. However, when it comes to glossy metallic I still prefer the Red River Polar Pearl as my go to paper. My opinion could change if Epson improves its paper profiles, but given what I used during my testing I found the Polar Pearl to have deeper blacks and a more faithful color matching to what I saw on my color calibrated screen (when viewing the prints in a GTI lightbox).

ICC Profiles need work

I downloaded my ICC profiles for my 3880 from http://www.epson.com/cgi-bin/Store/jsp/Pro/ICCProfilesAll.do on November 1, 2014. At that point in time, I felt disappointed with the quality of the ICC profiles provided by Epson. This is rare as they are famous for making brilliant ICC profiles, so hopefully they will do an update in the future. In the meantime, if you can generate your own ICC profiles I’d recommend that you do. You may also find that using the non-metallic equivalent Epson profiles might yield more satisfying results than the actual metallic profiles – however, I strongly discourage that practice unless you have no option. If you don’t mind wasting a little paper and ink, I’d encourage you to do test prints where you print the same part of a image on roughly 1/3rd of the paper with one profile and the same on the other side with the same image and compare the results on the same sheet of paper.

To my eyes the metallic glossy profile generates images that have a cooler color temperature than they should which results in red’s feeling more purple to my eyes. Printing the same identical image with identical settings, but on Red River’s metallic with their profile yielded a perfect print. When printing on the metallic luster and comparing to the ultra premium luster I observed that the metallic print resulted in an image that was too yellow whereas the ultra premium luster was perfect.

I repeated the prints with the metallic papers just to make sure I didn’t make a mistake and got the same identical results, so I’m convinced the problem is the quality of the Epson paper profiles.

Conclusion

My bottom line is that if you are printing metallic and like luster paper over glossy, then definitely get the Epson Metallic Photo Paper Luster – it’s great stuff! Once I get a good paper profile for it (and I’ll make one myself if I must), it’ll probably be my preferred metallic paper. However, if you still like the glossy metallic – which does have a bit more metallic appearance to it – then I’d still recommend the Red River Polar Pearl Metallic over the Epson Metallic Photo Paper Glossy.

If my opinion changes based on future paper profile updates then I’ll be sure to update this article.

Where to order

Click here to learn more or order these papers on the B&H web site. My friends at Amazon have it available here.

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Disclosure

If you make a purchase using links found in this article, I may make a commission. It doesn’t cost you a penny more, but it does help to support future articles like this.

Thursday, January 30, 2014

REVIEW: Zen of Postproduction by Mark Fitzgerald

The book, Zen of Postproduction: Stress-Free Photography Workflow and Editing, with its attractive cover is a book that just begs you to pick it up and read it. It conjures up thoughts of the stress free photo workflow that helps you to get through those terabytes of photos sitting on your hard drive that are begging for the attention that you never seem to find time to give them.

If only there was some magical change to your workflow that could help you get through that pile and find all of those diamonds in the ruff that are just begging to be discovered for our outdated portfolio web site. Alas, what if there was a way that you could finally find that awesome photo that pulls you away from the job that you hate and lets you live the dream of being the full-time photographer that you wish you could be.

Alas, all of this is what I think many people will imagine when they see this book and I honestly believe that is the hope of the author, Mark Fitzgerald, as he effectively shares his digital workflow from Lightroom to Photoshop and ending with various output types. Could this be the perfect complement to Bryan Peterson's Understanding Composition Field Guide: How to See and Photograph Images with Impact which focus on the capture portion, and this book picks up where it leaves off?

Well, I hate to be the bearer of bad news, but sadly like many things in life there aren’t any shortcuts. While this book is full of reasonable suggestions and one mans digital workflow using Lightroom, there are other such books that cover the subject both in more depth (The Adobe Photoshop Lightroom 5 Book: The Complete Guide for Photographers) and in a more user-friendly “follow along” way (The Adobe Photoshop Lightroom 5 Book for Digital Photographers). It also covers a Photoshop workflow but again, not in a way that is suitable for basics (like Teach Yourself VISUALLY Photoshop CC), or as effectively as Scott Kelby's 7 Point System, nor as comprehensively as The Adobe Photoshop Book for Digital Photographers.

So where does that leave us? It leaves us with yet another good book on the subject of photo editing and another photographers perspective on what works well for them. For those who have read many of the books I’ve mentioned individually and still are wondering how to tie things all together, this might be just the book to give them that “ah ha” moment. Of course it might also leave the more analytical types scratching their head and saying “but hey, that’s different from what <insert your favorite photographer or book here> told me, and they’d be right.

I have nothing against this book. It’s well thought out and written. It offers numerous helpful suggestions and shares the experience of what works for Mark Fitzgerald. However, it’s like getting someone’s recipe for Thanksgiving Dinner. What is great and wonderful for one person might be missing the most important thing for another, and it might be too complex for another. After all, if you don’t know how to cook then you probably don’t want a Thanksgiving Dinner book that says prepare the turkey and cook until brown. You want more details. If you know the details, then you probably want a book to give you tips on how to make the whole meal with half the effort and cleanup time, and the title of this book seems to suggest that is what it will do for your photo editing. However, what I read is your basic Photo Editing 101 overview with high level suggestions for those who already know how to use Lightroom and Photoshop, but there in lies a challenge – if you already know Lightroom and Photoshop then you probably already have a workflow that is some variant of what is suggested.

My fundamental issue with this book is that the stressful part of photography for most people that read this blog is that they have a full time job that doesn’t involve photography and very often a family that demands their attention. This results in taking photos when out with the family and barely getting time to dump them on the computer before it’s back to family duties. This results in backlogs of photos that don’t get the attention they deserve. Very often when the average person finally gets to their photo backlog there’s little time to invest in wading through the mountain of photos and giving them sufficient editing time. This is a simple hours in the day problem that is either solved by not sleeping (like me), jumping off the cliff to become a full time photographer or winning the lottery so you have time to triage and edit your photos. There’ no Zen involved – simply more time is needed where none exists.

In the end, Mark does offer his strategies for how he gets through triaging his photos as he offloads him off his memory cards. Personally I liked Scott Kelby’s workflow in his Lightroom book for triaging photos better than the one suggested by Mark, but fundamentally both accomplish something similar. This is like the Thanksgiving debate on stuffing that comes from being cooked inside the turkey or made separately – they are both good, so it’s just a personal preference as to which you like better. Ultimately this is how I felt about a lot of things in the book – it’s valid, but it’s not the way I like to do it. Perhaps, that my fault for being too set in my ways, and perhaps an amateur might find themselves appreciating the advice if this is the first time they read it. However, if that amateur was my student I’d probably have them read other books first to give them a better foundation of Lightroom and Photoshop.

Conclusion

I’ve written two best-selling books and a third book that wasn’t published through traditional means so it can’t garner the title of “best-selling”, but it’s earned more money than both of my best-selling books combined. I know very well the energy and effort that goes into writing a book, so as a fellow author my heart wants to always give a glowing review of books. However, I read a lot of books and I’ve tried hard to boil things down to what I think will give my readers the most bang for both their buck and limited time. This is why I wrote my Which Books Should I Read? and What Photoshop Books Should I Read? articles as one of the first articles when I started this blog. While like my Thanksgiving Dinner analogy, my recipe for success might differ from others, I’ve got a long list of readers who have been very grateful for my suggestions which gave them the info they need quickly and efficiently.

I still stick to those recommendations.

Zen of Postproduction: Stress-Free Photography Workflow and Editing is a very well written and organized book filled with helpful suggestions that have worked well for Mark Fitzgerald. I have no doubt that people who haven’t yet established their own workflow will find his recommendations to be very helpful and enlightening. However, I kept hoping I’d get to the “Zen” part that had the magic bullet that I might be missing, but I never got there. Instead, I was treated to a good book that seemed very familiar but lacked the depth of the collective of books I’ve already recommended on this blog.

I recommend this book for those who are seeking an alternative viewpoint on the digital workflow already offered in Scott Kelby’s Lightroom (The Adobe Photoshop Lightroom 5 Book for Digital Photographers) & Photoshop books (7 Point System + The Adobe Photoshop Book for Digital Photographers).

Where to order

Click here to learn more or order either the print or Kindle version of this book.

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Disclosure

If you make a purchase using links found in this article, I may make a commission. It doesn’t cost you a penny more, but it does help to support future articles like this.

Wednesday, May 8, 2013

GUEST BLOG: Processing “Ray Ban” by Don Hoekwater

Ray Ban by Don Hoekwater - ALL RIGHTS RESERVED
Ray Ban by Don Hoekwater
Purchase this photo at http://hoekphotogallery.com/

Story behind the original

Priscilla is a dear friend of mine who graciously accepted an invitation to be my guinea pig as I set off to learn more about studio lighting. At the time I zipped right by this image as I really didn’t have an idea of what to do with it.

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Almost a year later I was prowling around some of my original shoots and came across this again, this time it caught my attention. I’d been wanting to do more fashion work and had been gathering feedback from other fashion photographers. One very relevant comment asked what I was trying to sell in my images. So, when I saw this one again and how the Ray Ban on the glasses popped right out, the game was afoot. Then challenge then to make this image into something that one may find in a Ray Ban ad.

Processing Steps

The first thing I did was crop it to a point I thought emphasized the message and put the focus on the the Ray Ban text

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Once I had that set it was time to remove those flaying strands of hair.

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Once those were out of the way I took the image for a pass through onOne’s Perfect Portrait. Priscilla had done her makeup perfectly so there wasn’t much to touch up in that area.

The next thing was to define her jawline a bit and reduce the fingers a bit. This was done with the liquify tool in Photoshop CS6. You’ll notice I also made a bit of a change to her expression. I didn’t want a big cheesy grin but something slightly more upbeat (photograph error on not getting this in the original shoot).

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Next thing was to bring out her eyes a bit (see below). In my mind I wanted the eyes and glasses to enhance the Ray Ban logo. I chose blue because I like the color. ;) But I do think it makes a nice contrast to a of the red in the image.

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I noticed her hand was a bit blown out, so I added a layer and changed the blend mode to Multiply. Since I only wanted to tone down the hands I added a layer mask and painted in the the reduced highlights in the fingers.

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At this point I added a little bit of a sharpen using the Nik Collection’s Sharpener Pro 3. Not much, but I did want the glasses to be more crisp.

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f you look closely at the previous image you’ll see that the reflection in the glasses is her dress, hand, and the floor. I didn’t think that would be something an ad rep would want to see so I decided to grab an image of a sports car and make it look somewhat as if she were about to get into it.

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I used Quick Selection Tool to get a general selection, then refined it with the Lasso Tool. Once I had the selection as I wanted it I simply used the Paste Into feature to place the car image within the frames of the glasses.

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A few tweaks and reduction in size and I had it as I liked. Now that looks much more like something you’d see in a fashion ad!

Since the focus was supposed to be on the Ray Ban text I didn’t want the car to overwhelm that, so I added a layer and set the blend mode to Multiply with a layer mask only on that part. It actually ended up making the white Ray Bay text stand out even more, so I was happy with it.

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The overall image was just a tad bright, and the part of the triangle formed by her right jaw and hand, with the hair, seemed a bit distracting, so I once again added a layer and put a Multiply blend mode on it, then backed the opacity to 78% (see above). I didn’t want to darken her eyes anymore so I put a layer mask and painted out the eyes.

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Finally, I did a little more work on her nose and this is what came of the entire project. I want to do something like this again, this time shooting for this effect rather than having to crop it. Even so I’m happy with the outcome and hope you enjoyed going through this with me.

Like Don on Facebook, or purchase this photo at http://hoekphotogallery.com/. You can also see more of Don’s work at http://www.hoekphoto.com.

Conclusion (by Ron)

I thought Don did a great job on this photo and it was fun to see how he edited it. When I first saw this photo I thought he had used Simplify because it just felt a bit cartoon like, so I was even more impressed that it was mostly done – in Photoshop with a little help from Perfect Portrait and the Nik Collection by Google. 

Where to order

Purchase this photo at http://hoekphotogallery.com/.

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Disclosure

If you make a purchase using links found in this article, I may make a commission. It doesn’t cost you a penny more, but it does help to support future articles like this.

Friday, September 28, 2012

Nikon D600, Epson R3000 and Canon PIXMA PRO-1 First Look Report

I’m happy to report that I have some great new products on hand that I’m reviewing with full reviews coming to this blog in the near future. In this article I briefly mention each of the products and what my first thoughts are after unboxing and playing with them a bit.

Canon PIXMA PRO-1

Canon PIXMA PRO-1 Photo Printer
Canon PIXMA PRO-1 Photo Printer (Adorama, Amazon, and B&H)

Oddly enough, this is the only printer that Canon’s Certified Professional Service (CPS) recognizes as a pro printer! While I’m skeptical of the inks compared to the wonderful Lucia EX inks found on my Canon imagePROGRAF 6300, early signs show that this is a nice high quality personal photo printer.

If you stick with the included disk, the setup is a snap. In addition the port setup feature worked seamlessly so that when I went to my Mac (running 10.8.2), I was easily able to add this printer without having any USB cables connected to it.

I’m already finding the lack of a LCD to be very frustrating and unnerving. This unit is also crazy big (about the size of Epson’s legendary 3880). These gripes aside, it creates nice warm images out of the box that look stunning on Ilford Galerie Prestige Smooth Pearl Photo Paper.

It’s going to be interesting to see if this printer can hold up well against its large format big brothers and the mighty Epson R3000.

Epson Stylus Photo R3000 – No wires required

Epson Stylus Photo R3000
Epson Stylus Photo R3000 Inkjet Printer (Adorama, Amazon and B&H)

When you set up this printer you quickly find out why it won the PC Editors Choice award – it’s just so darn easy to set up. From the time I got all the wrapping paper and tape off of it until the time I was making my first print was about 10 minutes on Windows 7. When I tried to install it on my Macbook Pro some of that work done on Windows could be leveraged so I end getting it working in less than 5 minutes.

Out of the box, both Mac and PC printed perfect color matched prints from Photoshop CS6 that were identical despite being printed from different computers and operating systems. The Ultra Premium Luster is a great photo paper and great profiles are included with the printer to get you productive in a hurry.

This printer features the same ink set as the legendary Epson Stylus® Pro 3880, but it is a higher resolution printer featuring the same AccuPhoto HD2 imaging technology as the 4900. This coupled with its roll support, smaller droplet size, and overall user-friendliness – I’m seeing why this printer has been so well reviewed – it’s pretty awesome!

I like this printer so much that it’s already taken on the roll as my everyday printer.

Nikon D600 – Plenty to be excited about!

Nikon D600 Digital Camera with 24-85mm f/3.5-4.5G ED VR Lens
Nikon D600 Digital Camera with 24-85mm f/3.5-4.5G ED VR Lens 
(
Adorama, Amazon, and B&H)

One thing I love about Nikon is that when they announce something, it’s typically on its way to resellers (unlike the other company that announces 6 – 9 months+ before availability). It was just a couple weeks ago that I posted my press release article on the D600, and now I have one in my hands.


ISO 6400 is usable
D600,f/5.6 @ 56 mm, 1/125, ISO 6400, No Flash, AWB, Handheld

My first impressions of this camera are very positive because it’s very well built (feels like a smaller D800 and as solid as a 5D Mark III). The kit lens in the unit I tested isn’t shabby either!


Very nice dynamic range
D600,f/11 @ 85 mm, 2.5s, ISO 100, AWB, Supported, No Flash

This bad boy generates images that are 6016x4016, which is definitely more pixels than most real people need. However, unlike the D800 it’s not a ridiculous amount so this camera is definitely more forgiving handheld than the D800. The lossless compressed RAW files were up to 33MB and JPEG’s went up to about 13.6MB, so that’s quite a bit bigger than even my 5D Mark III files. 

D600 Sample Image - Scone
Excellent detail and sharpness even with the kit lens
D600,f/11 @ 85 mm, 5s, ISO 100, Mirror Lockup, Supported, AWB, No Flash

D600 Sample Image - Scone 100% View
100% view of the scone above shows that there’s plenty of megapixels for cropping

This camera is impressing me early on because it offers a reasonable price with great image quality in a feature packed body that is as fun to use as the D7000. It’s certainly feeling like the camera that most D800 owners would probably enjoy more as their every day camera.

Conclusion

Fun times ahead as I’ve got some great products that make my life easier from capture to print. I hope you’ll join me for my reviews when the become available!

Thanks,
Ron

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Disclosure

Canon and Epson have provided me with printers and paper for the purpose of reviewing the products mentioned in this article. B&H loaned me the D600 kit.

If you make a purchase using links found in this article, I may make a commission which helps to support this blog. Thanks for your support!

Tuesday, March 6, 2012

NEW Canon 5D Mark III Video and Image Samples

EOS 5D Mark III: Radball from Canon France on Vimeo.

Here’s some more sample images this time from the Imaging Resource.com.

Keep up on my latest findings at https://www.facebook.com/pages/Canon-5D-Mark-III and learn a lot more on my 5D Mark III launch article.

 

Adorama is NOW taking Preorders for March Shipments

Introducing the NEW Canon 5D Mark III! Pre-Order Now!

Canon EOS-5D Mark III Body Only & Kit with 24-105mm

B&H is NOW taking Preorders for March Shipments

Canon EOS 5D Mark III Digital Camera

Canon 5D Mark III Body Only and Canon 5D Mark III 24-105mm Kit, Canon Speedlite 600EX-RT from B&H

Disclosure

I may make a commission if you make purchases using links in this article.

Wednesday, January 11, 2012

REVIEW: Photographically Speaking by David duChemin

Photographically Speaking: A Deeper Look at Creating Stronger Images is the latest book by David duChemin that focuses heavily his idea of what makes a compelling photographic image. It is a masterfully assembled book that is sure to please those with engineering minds who like to dissect a photograph. It reminds me very much of Michael Freeman’s hit book, The Photographers Eye.

The Photographer's Eye: Composition and Design for Better Digital Photos is a well known and respected book on photography composition that many have told me was a very important book in their photography education. I read that book and while I can see how it may appeal to some, in all honesty I found it too boring and dry for my taste. The cover was fantastic so it got me to give it a close look, but the contents quickly caused me to lose interest due to the dry delivery style.

I found David’s book to be significantly more interesting than Michael’s, but honestly the photos presented in the book didn’t feel like stronger images to me. In fact they left me underwhelmed or bored. This is not a strike against David because art is subjective, so what is art to one may be garbage to the other. He would most likely find my images to be uninspiring and tacky, but that’s how art works. I don’t care for his images used in the book, but I respect his work and his attention to detail in how he takes the time to educate the reader on how he composed 20 shots is commendable.

It’s clear that David duChemin knows his stuff and is an masterful educator of photography. David provides excellent detail about the crop he chose and its use of the rule of thirds. When applicable he provides good examples of the golden spiral is applied, which is rare to find in photography books these days.

A Look Inside

Photographically Speaking: A Deeper Look at Creating Stronger Images (Voices That Matter)
Click here to see inside the book on Amazon

This book is divided into three parts:

  1. The Photographers Intent – The book starts off with a rather enjoyable chapter called “It Means Something” where he discuses why you just like some photos based on intuition or unexplainable reasons. This is something I think we can all relate to as photographers, so I actually enjoyed it.
  2. Visual Language – This is the meat and potatoes stuff that I think most photography books lack that many analytical/engineering minds wish for in a book. This is where he gets into great discussions about how lines, repetition, contrast, colors, light, etc… impact a photograph. He follows this with a text-book like chapter on framing, cropping, gesture, and other photographic principals. I’ll be referring my engineer friends to this chapter when I get questions from those wishing to approach photography as a math problem rather than an intuitive expression of one’s self definition of art.
  3. Photographs – I really commend David for taking the time to break down 20 photos in a way that makes you feel that you are looking at ones of his prints on the walk and he’s telling you the story of how he made the photo. If you like David’s work, then you’ll be thrilled with this part of the book!

Conclusion

If you find that Scott Kelby and Bryan Peterson books leave you wanting more detail and depth about the composition of the shot, then this book is for you. If you liked The Photographer’s Eye, then it’s a must have.

However, if you are the naturally gifted artist that grabs a camera without reading the manuals and just gets solid images with no clue why then this book will bore you to tears. The rebel photographer with ADD who works on instinct will not last through the first chapter. I don’t see a middle ground, either you’ll love it or you’ll be bored (but perhaps you can respect it as I do).

This book isn’t my type of book so it won’t make any recommended list. However, I respect the book for what it is and acknowledge that my learning style is different from some. I fully expect those who are much more analytical than me to absolutely love it.

Please see my Which Books Should I Read article for my advice on photography books.

If you intend to purchase this book, then please support this blog by purchasing from Amazon using these links:

Disclosure

I was provided with an unsolicited copy of this book with no obligation to review it.

Monday, December 6, 2010

ZoomAlbum – The Perfect Gift


Photo courtesy of ZoomAlbum

If you are reading this then odds are you are a photographer which means you have no available income for the holidays because you spend any extra funds you get on photography related expenses. This means for the holidays you’ll be offering your services or coming up with other ways to get leverage your photography skills as gifts so the holidays don’t wipe out your savings for that next lens or camera body.

With this reality in mind, wouldn’t it be cool if you could give a great photography gift that is original, creative and something your family and friends are sure to love?

Well this year I have the answer and it’s called the ZoomAlbum PhotoBook. This is a super easy to assemble mini-photo album that grandparents, soldiers, aunts & uncles, etc… can keep in their pocket to have great collection of their loved one(s).

Here’s a great example shown on the Martha Stewart that demonstrates just how easy it is to make these at home with your ink jet printer (and if you don’t have one check out my printing series):

 


Video courtesy of ZoomAlbum

When Chief Book Maker, Doug Rowan, showed me how to make these at the JVH Digital Print Festival, I knew I had to do an article to show my readers as I thought this was the perfect holiday gift!

Is it really that easy?


Video courtesy of ZoomAlbum

I finally had a chance to print one of these out from start to finish and do it all myself and it worked out fairly well. I’ve seen many examples assembled before my eyes at the JVH Print Festival, but I still found it a little tricky to assemble so be sure you watch the video above and do the test print. I should also point out that this doesn’t require that you have a pro series printer, as it seems any ink jet printer will do. If you do have a pro printer, use the auto sheet feeder for the best results!

Initially I had problems with the software on my Windows 7 64-bit based computer, but I solved the problem by running Windows Update and getting the latest version of the ZoomAlbum software after my reboot. Other’s have reported this problem so it appears it was an isolated problem.

These books seem pretty durable too as my 17 month old son has been "reading” one for over a month and it hasn’t been destroyed. He’s not a gentle kid, so this is a good sign. I know he could destroy it if wanted to, so don’t take this as an indication that it makes a great book for toddlers as that probably isn’t the case.


ZoomAlbum Christmas Tree Ornaments
Photo Courtesy of ZoomAlbum

Conclusion

I plan on sending family members some of these for the holidays and may also send some to select clients and agencies with my portfolio work as a way to get attention in the sea of holiday cards they will get.

It’s a clever idea and I highly recommend you check it out. They are also priced right to make it great gift for 3 family members for less than you’d normally have to spend for one gift!

Technical Info

Here’s more info about how to get the latest version of the software for use with ZoomAlbum for Windows (Mac available on http://www.zoomalbum.com) and the users guide:

ZoomAlbum Creator™ Version 2.1 Build 22 for Windows®

ZoomAlbum Creator™ Personal Version 2.1 Users Guide for Windows®


Special Offer

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Save 15% when you use the code ronmart2010 at http://www.zoomalbum.net/shop, so for less than $30 you can get 3 books! This is not a permanent sale and is EXCLUSIVE to ronmartblog.com readers (as of the time this article was written).

Disclosure

I may get a commission if you purchase using the special offer or via orders placed on external  sites. Thanks for supporting this blog by using my links.