Showing posts with label Lumix. Show all posts
Showing posts with label Lumix. Show all posts

Wednesday, July 8, 2015

REVIEW: Panasonic Lumix DMC-G7 with 4k Video & 14-140mm Lens (Part II of II)

Panasonic Lumix DMC-G7 Camera with 14-140mm Lens (Rear View)
Panasonic Lumix DMC-G7 Camera with 14-140mm Lens (Rear View)

Click here to read Part I of this review.

After more hands on time with this camera, I’ve decided that I’m not very impressed with it beyond the 4k video support. A camera like a Sony a6000 is a bargain competitor that cost less yet significantly outperforms this camera in all but one place – 4k video recording.

Bookshelf Testing


f/5.6 @ 46mm for 1/5 sec at ISO 6400

The more I used this camera I realized that it was really built as a way to tout 4k video, but as a camera there’s nothing that impresses me. In my bookshelf testing I was so underwhelmed that I didn’t even do a complete series of shots.

ISO 6400 was as high as I could comfortably go, but the image quality felt very noisy with details crushed by the internal noise reduction software.

With the use of my preferred vivid mode the colors are very neutral as shown.

Click here to see more bookshelf shots at different ISO’s

Real World Samples

The following images come straight from in-camera JPEG’s using the camera default noise reduction settings. Most camera settings are the default with the exception of RAW+JPEG, a desired White Balance (only Shade or AWB), and a desired focus point.  I chose to use the Vivid Photo Style as I found it to be pleasant and not overly done with i.Dynamic set to Auto and i.Resolution set to standard.

Click here for a full gallery of unedited images.

All images are copyright Ron Martinsen – ALL RIGHTS RESERVED. You may not save, print, edit, modify or otherwise use any images featured in this article or the gallery without expressed written permission.

Fireworks


f/4.9 @ 32mm for 1/4 sec at ISO 1250

My wife likes to shoot the fireworks with her iPhone and gets pretty good results, but this year I convinced her to try using the G7 – the net result was as any photographer would expect with someone who didn’t use a tripod for an evening shot – lots of camera shake.

Short of shooting on a tripod, there weren’t any built-in camera features that really helped with this scenario.

Other Shots


f/3.5 @ 14mm for 1/320 sec at ISO 640

I was impressed I could focus on the bubble gun and Kai’s face under tough shooting conditions.


f/5.6 @ 140mm for 1/25 sec at ISO 3200

This image captures much of what I don’t like about this camera
No enough dynamic range to capture the reds of this flower accurately


f/5.4 @ 109mm for 1/125 sec at ISO 3200

Macro shots were tough so I had to stand back and zoom in. I did discover that if you use the Vivid photo style mode it looks so much nicer on your subjects. Below is a flower shot that uses the default photo style.


f/5.4 @ 109mm for 1/125 sec at ISO 3200

The default photo style is neutral to the point of blah!


f/5.6 @ 37mm for 1/2000 sec at ISO 200

I had to shoot full manual to get an exposure that wasn’t completely overblown

Click here to see more real world sample photos.

Conclusion

With so many great cameras (Including cell phone cameras) on the market today, I can’t recommend purchasing this camera – as a still image camera. It does take nice 4k video, if that’s your thing I’d day go for it. For everyone else, I’d say go look at my which camera should I buy? article as the starting point for your research on what’s right for you.

Click here to read Part I of this review.

Where to order

Click here to learn more or order on the B&H web site.

Other articles you may enjoy

If you enjoyed this article, you may also enjoy these:

Disclosure

If you make a purchase using links found in this article, I may make a commission. It doesn’t cost you a penny more, but it does help to support future articles like this.

NOTE: This site requires cookies and uses affiliate linking to sites that use cookies.

If you enjoyed this article, please support future articles like this by making a donation or saving money by using my discount coupon codes. Either way, your support is greatly appreciated!

This blog is intended for freelance writing and sharing of opinions and is not a representative of any of the companies whose links are provided on this site.

The opinions provided are of Ron Martinsen alone and do not reflect the view of any other entity

Thursday, July 2, 2015

REVIEW: Panasonic Lumix DMC-G7 with 4k Video & 14-140mm Lens (Part I of II)

Panasonic Lumix DMC-G7 with 14-140mm Lens
Panasonic Lumix DMC-G7 with 14-140mm Lens

I just spent the last month using the Olympus OM-D E-M5 Mark II so my expectations about camera body quality are very high right now. I was pretty disappointed with the plastic feel of the body right away, but would this translate to image quality? Based on what I had been hearing from my readers is that this is an awesome camera that can do 4k video at 30 fps, so I had to give it a try.

I’ll talk more about the body in my next part of this interview next week after I’ve had more time with this camera.

Real World Samples

The following images come straight from in-camera JPEG’s using the camera default noise reduction settings. Most camera settings are the default with the exception of RAW+JPEG, a desired White Balance (only Shade or AWB), and a desired focus point.  I chose to use the Vivid Photo Style as I found it to be pleasant and not overly done with i.Dynamic set to Auto and i.Resolution set to standard.

Click here for a full gallery of unedited images.

All images are copyright Ron Martinsen – ALL RIGHTS RESERVED. You may not save, print, edit, modify or otherwise use any images featured in this article or the gallery without expressed written permission.


f/5.6 @ 37mm for 1/2000 sec at ISO 200

I had to shoot full manual to get an exposure that wasn’t completely overblown


f/9 @ 14mm for 1/60 sec at ISO 1250

I was pretty disappointed with the in-camera meter which seemed to like to
overexpose by 1/3rd of a stop compared to what I’m used to seeing from other cameras


f/9 @ 84mm for 1/200 sec at ISO 2500

If your images final output will only be the screen or small print then the quality is great, but if you look closely at the original you’ll see lots of digital noise at higher ISO’s


f/9 @ 55mm for 1/160 sec at ISO 200

Even without using negative exposure compensation the greens were pleasing thanks to the Vivid photos style. Sadly the dynamic range was lacking despite using i.Dynamic Auto.


f/9 @ 46mm for 1/100 sec at ISO 500

Great colors with hot spots was the name of the game, so definitely get familiar with how to do negative exposure compensation if you buy this camera.


f/4.4 @ 32mm for 1/500 sec at ISO 2000

I think I shot this one in the standard picture mode and was disappointed so I went back to vivid. Fortunately this subject could handle less saturation ok. The detail in the original really shows off this lens and sensor resolution very well.


f/5.1 @ 55mm for 1/125 sec at ISO 1600

This scene tripped up the AF as it had a hard time getting a lock and then eventually chose poorly. These were big leaves and I should have been within a traditional minimum focus distance for this lens so I can only attribute to this as to the lack of contrast of the subject.


f/4.6 @ 37mm for 1/320 sec at ISO 1250

I botched this shot but I loved all of the leaf detail so I included it so plant shooters
can zoom in and confirm that this is definitely a good camera for nature lovers.

Click here for a full gallery of more unedited images.

Panos

I often forget to test out the pano feature of cameras these days because so many offer this feature. However, this scenic area had me wanting to take a pano of the beautiful environment so here are a few handheld shots that I did:


f/5 @ 17mm for 1/640 sec at ISO 200
(6976x1920)
Only an HDR pano can overcome this challenge of drastically different
exposures required to get the full scene, so don’t knock the camera for this one


f/3.5 @ 14mm for 1/125 sec at ISO 320
(4752x1920)
I stopped early for this one and went a little longer below


f/3.5 @ 14mm for 1/125 sec at ISO 250
(8176x1920)
This required me to twist my body and the result ended up
being some stitching problems in the railing


f/22 @ 14mm for 1/25 sec at ISO 3200

Without a pano you can either get the boardwalk… (and notice the railing doesn’t have jaggies)


f/11 @ 28mm for 1/60 sec at ISO 1600

… or the river, but not both

You lose resolution and detail with the in-camera panos, so they are often better for personal mementos than high quality images to be printed large.

4k UHD (3840x2160) at 30fps Video

While I hate doing video, one of the things that intrigued me was this cameras ability to record 4k video (3840x2160) at 30 fps. I use a NEC PA322UHD as my primary display, so it isn’t very often I get to see a video on this amazing display that takes advantage of its full resolution. As a result, I listed to readers like you who really wanted me to check out this product.

Now I have to start with a disclaimer for my online readers who haven’t had the chance to do a class or training session with me. I’ve always stated that cameras are NOT camcorders and therefore the best results are done using proper stabilization equipment and manual focus points for carefully planned scenes. No matter how great the camera is, they lack proper video stabilization and focus speed to get camcorder results so the results will always be shaky if done handheld.

This certainly applies here, but multiple it times four since you are taking a super high resolution video where movement is going to be even more obvious. As a result these informal handheld shots are representative of what you get if you try to treat a high end video device like this like a camcorder.

NOTE: Check out this article and search for Panasonic to see a GH4 fitted in a $40k video kit.

WARNING: You Tube lists quality by height so 4k is listed as 2160. What’s more, it usually takes a few seconds before it starts streaming true 4k so right click the video at full screen and choose “Stats for Nerds” to see what video quality you are really getting. If you don’t get 4k the first time at full screen (which requires a 4k display and video card) then SLIDE THE PLAYBACK SLIDER BACKWARDS (do not restart) to watch the video again and it will often correct itself. The dimensions AND resolution BOTH must say 3840 x 2160 before you are really seeing true 4k video. You can NOT see 4k in the thumbnail versions included here so be sure to make them full screen after you start them.

 

Conclusion

See part II for more info.

Where to order

Click here to learn more or order on the B&H web site.

Other articles you may enjoy

If you enjoyed this article, you may also enjoy these:

Disclosure

If you make a purchase using links found in this article, I may make a commission. It doesn’t cost you a penny more, but it does help to support future articles like this.

NOTE: This site requires cookies and uses affiliate linking to sites that use cookies.

If you enjoyed this article, please support future articles like this by making a donation or saving money by using my discount coupon codes. Either way, your support is greatly appreciated!

This blog is intended for freelance writing and sharing of opinions and is not a representative of any of the companies whose links are provided on this site.

The opinions provided are of Ron Martinsen alone and do not reflect the view of any other entity

Monday, October 14, 2013

Preview: Panasonic GF6 & LX1

Panasonic Lumix DMC-GF6 Mirrorless Micro Four Thirds Digital Camera with 14-42mm f/3.5-5.6 II Lens
Panasonic Lumix DMC-GF6 Mirrorless
Micro Four Thirds with 14-42mm f/3.5-5.6 II Lens

Panasonic LUMIX DMC-LF1 Digital Camera
Panasonic LUMIX DMC-LF1 Digital Camera

I’ll do the full reviews soon, but here’s a teaser with a few photos during my first big outing with these cameras today.

Real World Sample Photos

As always, these images ALL RIGHTS RESERVED (yes, even the lame ones <g>). You may not save, edit, print, redistribute or otherwise use them without expressed written permission.

These are taken from in-camera JPEG’s with zero modifications taken during everyday life events.

There’s more to come, but here’s a sample of some photos taken with each of these cameras during a walk in the park with my family today.

GF6

Click here for a full gallery of GF6 images.


f/5.3 @ 25 mm, 1/60, ISO 320, No Flash


f/5.6 @ 42 mm, 1/400, ISO 160, No Flash


f/6.3 @ 14 mm, 1/250, ISO 160, No Flash (In-Camera HDR)


f/5 @ 15 mm, 1/60, ISO 400, No Flash


f/5.6 @ 14 mm, 1/60, ISO 320, No Flash


f/7.1 @ 14 mm, 1/60, ISO 500, No Flash


f/5.2 @ 24 mm, 1/20, ISO 3200, No Flash


f/5.6 @ 42 mm, 1/30, ISO 3200, No Flash


f/4.4 @ 20 mm, 1/13, ISO 3200, No Flash


f/4 @ 17 mm, 1/60, ISO 200, No Flash


f/5.6 @ 17 mm, 1/200, ISO 160, No Flash


f/10 @ 16 mm, 1/60, ISO 320, No Flash

More to come…

LF1

Click here for a full gallery of LF1 images.


f/2 @ 6 mm, 1/60, ISO 400, No Flash


f/4.1 @ 14.2 mm, 1/60, ISO 400, No Flash


f/2 @ 6 mm, 1/60, ISO 160, No Flash


f/2.8 @ 6 mm, 1/250, ISO 160, No Flash


f/2.8 @ 6 mm, 1/250, ISO 80, No Flash


f/2 @ 6 mm, 1/250, ISO 250, No Flash


f/2.8 @ 6 mm, 1/200, ISO 80, No Flash


f/2 @ 6 mm, 1/160, ISO 80, No Flash


f/3.5 @ 12 mm, 1/60, ISO 200, No Flash


f/5.9 @ 42.8 mm, 1/80, ISO 800, No Flash


f/2 @ 6 mm, 1/60, ISO 100, No Flash


f/3 @ 9.5 mm, 1/60, ISO 100, No Flash


f/2 @ 6 mm, 1/40, ISO 800, No Flash


f/4 @ 7.5 mm, 1/25, ISO 400, No Flash

f/2 @ 6 mm, 1/80, ISO 80, No Flash
f/2 @ 6 mm,1/80, ISO 80, No Flash

More to come…

Conclusion

There’s more to come on both of these cameras, so set this blog as your home page to see the latest reviews and updates.

Where to order

Click here to learn more or order Panasonic Lumix cameras from B&H.

Other articles you may enjoy

If you enjoyed this article, you may also enjoy these:

Disclosure

If you make a purchase using links found in this article, I may make a commission. It doesn’t cost you a penny more, but it does help to support future articles like this.

NOTE: This site requires cookies and uses affiliate linking to sites that use cookies.

If you enjoyed this article, please support future articles like this by making a donation or saving money by using my discount coupon codes. Either way, your support is greatly appreciated!

This blog is intended for freelance writing and sharing of opinions and is not a representative of any of the companies whose links are provided on this site.

The opinions provided are of Ron Martinsen alone and do not reflect the view of any other entity