Thursday, March 13, 2014

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If you make a purchase using links found in this article, I may make a commission. It doesn’t cost you a penny more, but it does help to support future articles like this.

NOTE: This site requires cookies and uses affiliate linking to sites that use cookies.

If you enjoyed this article, please support future articles like this by making a donation or saving money by using my discount coupon codes. Either way, your support is greatly appreciated!

This blog is intended for freelance writing and sharing of opinions and is not a representative of any of the companies whose links are provided on this site.

The opinions provided are of Ron Martinsen alone and do not reflect the view of any other entity

Wednesday, March 12, 2014

GUEST REVIEW: Sigma 120-300mm tested by a Canon 200-400mm owner by Joseph Calev

Sigma 120-300mm f/2.8 DG OS HSM | S
SIGMA 120-300mm f/2.8 DG OS HSM | S

When I did my review of the SIGMA 120-300mm entitled SIGMA 120-300mm f/2.8 DG OS HSM | S with the Canon 1D X at the Zoo (vs 200-400mm), I had some focus hunting challenges that really frustrated me with this lens. I had reviewed the Canon 200-400mm previously so my expectations were very high, but that’s a very expensive lens, so I was willing to give the 120-300mm a lot of slack. However, for all the good traits of this lens, I struggled to give a $3600 lens (at the time of this writing) a recommendation with the issues that I saw.

To ensure that the issue wasn’t only me, I let one of my readers who is also a 200-400mm lens owner to spend some time with this lens and share his thoughts. What follows are Joseph Calev’s thoughts after spending a weekend testing this lens:

Introduction

When Ron asked me to take a look at the new Sigma 120-300/2.8 OS I instantly jumped on the opportunity to test this highly regarded lens. I have had the opportunity to use a large number of the medium telephotos available for Canon and I was very curious to see what this lens was capable of.

Over the years I have owned most of the medium Canon telephotos including the Sigma 80-400 OS, Canon 100-400, 70-200/2.8 II + 2x III, 300/4, and 400/5.6. I now use the newer 200-400/1.4x.

In this review I will compare the Sigma 120-300/2.8 OS with the 200-400/1.4x. In some respects this comparison is unfair given that the 200-400 sells for approximately three times the price of the Sigma, but I think this comparison will still be extremely useful for those wondering exactly what you get with the Sigma, and what more you get if you’re willing to spend the money.

Upon receiving the Sigma, the first thing I did was look at the overall features of the lens. While most consider image quality and autofocus speed to be the most important, you cannot discount the extras of a lens.

  • Size – You would think that a lens that can reach to 300mm at a 2.8 aperture would be approximately the same size as one that can reach to 400mm at 4.0, but that is absolutely not the case here. The Canon 200-400 is significantly larger. In fact if you leave the hood on the Sigma, but remove it from the Canon, the two are nearly the same size.
  • Build quality – These are both premium lenses and neither can be faulted for overall build quality. The Canon is the heavier of the pair, but the Sigma probably weighs more per cubic inch. Given the choice of which one to use to whack someone on the head, I would easily choose the Sigma. The lens feels professional and is a joy to hold. The one real difference I noted was when faced with cold weather, the Sigma was freezing while the Canon wasn’t so bad.
  • Filters – Both of these lenses will require a different kind of filter than you likely have. The 200-400, like all of the big Canon primes, takes a special pop in filter on the back of the lens. The Sigma takes a 105mm filter on the front. Good luck trying to find your favorite filter in 105mm, though Sigma does make a polarizer this size. Canon sells a pop in polarizer and also a filter holder that accepts many 52mm standard filters. Personally I find the 52mm pop in much more convenient.
  • Foot – The Sigma contains a steel foot that is part of the tripod collar, which itself can be removed. If you want to attach an Arca-Swiss compatible plate then you’ll need to buy your standard lens plate. Personally I’m not crazy about lens plates for the bigger telephotos as they make handholding less comfortable and I am always a bit freaked out depending on the lens plate connection for holding such an expensive lens.

    The 200-400 takes a completely different approach. The lens foot itself is detachable, while the tripod collar is not. The lens comes with two feet – one for standard use and one for monopods. I really liked the standard foot as it was extremely comfortable to hand hold with its rubber padding on top. Nevertheless I replaced it with a foot from Really Right Stuff that is slightly less comfortable than the included foot, but is a much stronger connection. Overall I was not crazy about the Sigma’s foot, which is a bit bulky and quite cold.
  • Weight – I shoot everything on my 200-400 hand held, so the 120-300 was no different. If you find the 100-400 or 70-200/2.8 heavy, then you’ll find the 120-300 even heavier. One thing I advise is to always attach the straps that came with the lens. For smaller lenses like the 100-400 this is unnecessary, but for the larger lenses this makes the lens feel quite a bit lighter and reduces the strain on the lens mount.
  • Buttons/features – The Sigma comes with the same features you expect on Canon’s medium telephoto lenses. It has a focus limiter and two types of image stabilization. It also has a custom switch that I am not sure about. I tried looking on Sigma’s website for more information and from what I understand you can buy an optional USB dock that allows you to assign custom functions to these buttons.

    The Canon, commensurate with your top of the line Canon telephotos, offers considerably more. Along with autofocus and manual focus it includes a power focus feature. This is mainly used for video where a constant focus speed is necessary. I have used it exactly once. It is quite cool but I almost never use this lens for video. For image stabilization it includes a third type used for panning. Essentially the IS only turns on when you press the shutter. I have tried playing with it but do not have a verdict yet.

    The one feature I truly do use on the 200-400 is the focus preset button. This allows you to set a focus point and automatically go back to it. I find it crucial when I have a difficult to focus on main subject surrounded by other subjects. Given the price I was a bit shocked the Sigma does not include this.

Trying it out

Ron asked me to try this lens out in the real world, so I skipped any calibrated image quality comparisons and took it straight to the field. I traveled to a bird sanctuary that I had never visited before, plopped it on, and went for a walk.

First, it is obvious that this lens is not your ideal wildlife lens. It is simply too short. For most purposes 400mm is really the bare minimum. Closer to 600mm is where you usually want to be for wildlife. Still, I was anxious to see what this lens was capable of.

What Ron specifically asked me to look for was lens hunting. I have seen this often before. The Canon 100-400 and the 70-200/2.8 II + 2x III are infamous for hunting. There is nothing more frustrating than seeing the image of a lifetime going in focus, then out of focus, then in focus, etc. In my use of this lens I found none of that. The Sigma 120-300 latched in immediately on the subject and moved to focus.

Instead my primary issue was how quickly it focused. Given the 2.8 aperture this lens should make use of the maximum number of focus points on the Canon 5D3 or 1Dx. Instead the lens moved quite slowly to its target. How slowly? My best guess is that it is similar to the Canon 100-400 in AF speed (but far better in not hunting). When I press the shutter on the 200-400, however, the focus is right there. From what I have read, the Canon 300/2.8 II beats the 200-400 in autofocus speed, so I was quite shocked the Sigma was so slow.

The delay in locking onto a subject was quite annoying for me, and after I missed an eagle that flew overhead I relegated the Sigma back to the bag and replaced it with the 200-400. This was, after all, a shoot I cared about and I felt the Sigma needed some time to consider how it behaved – or more appropriately I decided to give it another chance when the light was better.

Image stabilization and sharpness

Later in the shoot I decided to give the Sigma another try. The trail had a number of nice viewpoints and I felt the Sigma would do well there. After all, given the focal length this should be just as awesome of a landscape lens as the 200-400.


Canon EOS 5D Mark III, f/8 @171 mm, 1/200, ISO 1600, No Flash

This time the Sigma truly was up to the task. It was here that I checked the sharpness, taking identical images with the 200-400 and it. While the 200-400 did show sharper, the 120-300 is no slouch here. This is a very sharp lens. How sharp is it? I would probably rate it somewhere between the 100-400 and the 200-400. It’s sharp enough at 2.8 that you really do not need to concern yourself with sharpness.

I then tried an image stabilization test between the two. Here the Sigma also performed extremely well. When I pixel peeped I noticed a tiny improvement from the 200-400, but it was difficult to tell if this was from sharpness or from image stabilization. In truth this was basically a draw. Canon prides themselves on having top notch image stabilization, but it appears that Sigma has equaled them. I did not try out the panning mode on the Sigma as I really did not have a proper test.

It was just then that I noticed a large flock of thousands of snow geese fly in front of a mountain. I had been wanting this shot and instantly aimed the Sigma and fired away. I was quite surprised to see them, as normally they roamed twenty miles to the north, but I was absolutely thrilled with the discovery. To my dismay, the Sigma had an extremely difficult time focusing on the far away snow geese. I thought I got the shot I needed, but when I examined them on the back of the camera after the snow geese had flew on I realized I did not get it.


Canon EOS 5D Mark III, f/4 @300 mm, 1/800, ISO 1600, No Flash

I was quite annoyed, so I put the Sigma back in the bag to sulk and put the 200-400 back on. An hour later I heard the snow geese again and this time the 200-400 was up to the task. I spent the rest of the trip tracking them across fields, but the 120-300 did not go back on the camera.

Extenders

The 200-400 has a natural advantage here, given that its extender is part of the lens itself and may be engaged without removing the lens. Still, given that 600mm is extremely useful in wildlife photography I felt no review of the Sigma would be complete without trying this. The next day I sat down next to our bird feeders and tried it out.

My immediate reaction was – what the heck happened to my home point? Where did all of my focus points go? I felt I was back with my 5D2. Clearly the 5D3 removed most of the focus points given the effective 5.6 aperture. However, this does not happen when engaging the extender for the 200-400. All of my focus points are still there. Clearly though the Sigma does not support this. Luckily I realized my home point was still there – the 5D3 just moved it to the center because the original point was no longer available.

I found a bird and was back in hunting mode again. In and out the focus went. Where it stopped I’ll still never know. I gave up trying to focus on the bird and chose a stationary ball on the grass. That it eventually found focus worthy so I took a few shots. Wide open at 5.6 the image quality was horrible. However I did notice it improved considerably at 6.3 and at 8.0 the quality was fine.

Action photography

Given the focal length, this is more of a sports lens than a wildlife lens. With no sporting events that day I used my dog instead. I did the standard thing – throw a ball and photograph the dog running towards you. It is actually quite difficult to get these types of shots sharp. Objects running towards you are considerably more difficult for the camera and the lens to keep up with.

My first experiment was at 2.8 and I did not fare so well there. While in the field I felt I could just not get a tack sharp shot, after I examined the photos up close on my machine I found a few decent ones. Part of the problem is 2.8 is shallow enough that when the eyes are in focus the nose is not. Still, even when I switched to 4.0 my keeper rate was less than one in ten.


Canon EOS 5D Mark III, f/2.8 @ 300 mm, 1/1000, ISO 1250, No Flash

Was this due to my inexperience as an action photographer? I put the 200-400 back on and tried again. This time I was able to receive several good shots. I missed more than I hit, but overall the percentage was higher. Given that I rarely take these types of shots I cannot entirely lay the blame on the lens. I am sure there are photographers out there capable of consistently achieving action shots with this lens. That being said, it does seem considerably easier to achieve this with the 200-400.

Bokeh and Color

Once I download the images on my machine, I examined them for issues beyond sharpness. Both lenses look very similar in color rendition. In terms of vignetting, the Sigma does have noticeable vignetting at 2.8. When you move up to 4.0 it is much less pronounced and is similar to the 200-400. In terms of bokeh, the Sigma does a nice job there commensurate with what you would expect from a 2.8 lens.

The Verdict

Overall if you’re looking for an improvement over the 100-400, this lens is it. While I did not try it with a 1.4x extender, I suspect it will do just fine – minus a few focus points. In terms of how it compares to the 200-400, in image stabilization it is equal, in sharpness it is close, and in all other areas it simply doesn’t. The autofocus is slower, it takes extenders poorly, it is more difficult to use with quickly moving subjects, and it lacks most of the premium features you can expect with a top end telephoto.

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Disclosure

If you make a purchase using links found in this article, I may make a commission. It doesn’t cost you a penny more, but it does help to support future articles like this.

If you enjoyed this article, please support future articles like this by donating a dollar or saving several dollars by using my discount coupon codes. Either way, your support is greatly appreciated!

NOTE: This site requires cookies and uses affiliate linking to sites that use cookies.

If you enjoyed this article, please support future articles like this by making a donation or saving money by using my discount coupon codes. Either way, your support is greatly appreciated!

This blog is intended for freelance writing and sharing of opinions and is not a representative of any of the companies whose links are provided on this site.

The opinions provided are of Ron Martinsen alone and do not reflect the view of any other entity

Tuesday, March 11, 2014

Don’t Forget That Photography Is About Having Fun


Childhood Happiness
A special photo I took of my son after he saw me for the first time in over 8 weeks

The Internet has been a wonderful thing for photography because now more than ever we are able to show our photos to more than just the people who happen to be looking over our shoulder as we page through a photo album. Our images are often online via social networks like Facebook, Google+, Instagram, Twitter, etc… where friends and family from around the globe can see the images that have special meaning to us. However, the Internet has also been a curse to the self esteem of the developing photographer who has poured his/her soul into a photo that has special meaning to them. You know what I’m talking about – whether it be the insensitive friend or the Internet troll who pierced your heart with crushing comments about a photo you held dear, over time we begin to fear the reaction to clicking that upload or share button. As a result, photography starts to evolve from something we once thought of as fun to something where we start calling our photographs “our work”.

Isn’t it funny how when you started in photography it wasn’t work? You took lots of photos and began to see the world differently. Perhaps you bored your family to tears with hundreds of shots of things you found interesting on your vacation, but it was clear to everyone that you were as happy as a child to share with them the things that caused you to take pause. 

Have you evolved into a photo hoarder where you take thousands and thousands of photos, yet you never share them with the world because of the work involve with getting them up to the standard you think is necessary to hopefully earn the like’s or +1’s that affirm your belief that something you shot was special?

I didn’t write this article today due to any recent personal experiences, but I have observed how many friends who once shared their photos with pride on social networks now hold back. Where I once saw casual shots of the meal they were enjoying, or the crooked cell phone shot of their toddler doing something that made them smile, I now only see shots that have obviously been carefully taken and edited in the hopes that they’ll withstand the scrutiny of the heartless (and often anonymous) Internet trolls. While I still believe your portfolio site should show your best work, don’t let the negativity of the world stop you from sharing that photo that made you stop and capture a moment in your life. After all, we wouldn’t push the button on our camera if there wasn’t something that moved us to capture that moment, so share it with pride.

For those who are building a career in photography you might worry that if the world sees anything but your best you reputation may somehow be diminished. While there’s probably some truth in that, there’s also two realities:

  1. No matter how great your work is, there’s always critics out there who will find fault in something that many might find faultless.
  2. The context and audience can dictate the appropriateness of what you share

For #1, one only needs to look at Mona Lisa by Leonardo Da Vinci and solicit comments from a younger generation to know that to some it’s a masterpiece, and to others it’s a painting of a woman who doesn’t fit today’s societies definition of beautiful and the color treatment doesn’t meet the standards by which modern photographers are held to. Accept the reality that there will always be someone out there who probably hates your photo, but don’t empower them by letting them stop you from expressing yourself. There’s people in the world who don’t like the way you dress or wear your hair, but you don’t walk naked through the streets with a bald head do you? (Well, that’d probably be criticized too – ha, ha.)

#2 is where I encourage YOU – the photographer reading this article – to find “safe” places again where you can share the photos that inspired you to pause long enough to push your button on your camera. Perhaps it’s creating a personal page on a social network that is restricted to an audience of just your TRUE friends and family. It could be going old school and just printing your photos like people once did at their local drugstore and sharing them with the people you love and trust the most. What’s more, be a kid again and not just show your photo but tell people what inspired you not only take that photo but what made you excited enough to want to share it with them. While a picture speaks a thousand words, no words are more precious than those from the mouth of the photographer who was inspired enough to share that moment in life with you.

Sincerely,
Ron Martinsen

If you enjoyed this article…

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Sunday, March 9, 2014

COMPARISON: The Sony A7 vs A99 by Shawn Rabourn (Guest Blogger)

The following is a guest blog from one of my readers who has a long history using Sony cameras. His current primary body is an a99, so I invited him to bring his best lenses and give the a7 a test to see how he liked. What follows are Shawn Rabourn’s own words and opinions:

Sony Alpha a7 Mirrorless Digital Camera
Sony Alpha a7 Mirrorless Digital Camera

Last week Ron posted contacted me about A-mount lenses as he had the Sony A7 and the EA-LA4 Adapter for testing, but no A-mount lenses. As it worked out, I was going to be in town, and I always have my A99 body and an array of A-mount lenses with me. I brought my favorite lenses including the new 50mm f/1.4 SSM ZA, the 85mm f/1.4 ZA, and the 135 f/2.8[T4.5] STF.

After doing some basic testing Ron asked me, as a full time Sony user, to carry the Sony A7 around and write about what I liked about it. He gave me the A7 with the LA-EA4 adapter, along with the new E-mount 35mm f/2.8 Prime lens.

I was a bit overwhelmed by the ask.  I mean, this is the A7! This is the new shiny E-mount full frame body everyone is talking about!

Let me tell you, for the most part the A7 did not disappoint. I wish I would have been able to test the Wi-Fi or the Zebra feature a little bit more, though I did try out the Zebra feature long enough to know I needed more than a couple days with it to give it justice.

The Good


Sony a7 with A-Mount Adapter at f/2.8 @ 85 mm, 1/100, ISO 100, No Flash
, handheld
Sony Zeiss 85mm f/1.4 ZA lens – click for original

Look and feel.  Regardless if the 35mm prime or my 85mm f/1.4 was adapted on the body, the A7 felt fantastic. It looked fantastic. The metal body felt like it could take a beating and it has a James Bond black metal finish to it. I was a little afraid of the smaller body with bigger lenses. For the most part, those fears were extinguished.

The Menu. The menu system is very similar to the menu in the A99 and A77 with a little better organization. More features means more menu options, however Sony does a good job with the menu. I could see how someone used to a 1DX or D4 could be a little lost, however.

The EVF. The EVF was as good, if not better than the A99 EVF with the latest firmware. Sometimes the EVF on the A99 shows more light than the surroundings have. Here was a shot I took testing the A7 in very low light.

The rear scroll wheel. I like how smooth the rear adjustment wheel is. Much nicer than the clicking wheel on the A99 or A77. However this is also a segue…

The Bad

No left pinky AF mode adjustment button or knob. The A99 and A77 have a button or knob where your left pinky finger could adjust the AF mode (or whatever you program the button to do). I don’t know if there is enough real estate for it, but I missed it.

File name sequencing. In swapping memory cards from one in the A99, the A7 resumed the file number sequence the A99 had. So when I have two memory cards writing the same file names from two bodies, things get confusing. This isn’t the first time I have had this happen as I have done this before with Sony bodies, but it is annoying nonetheless.

No focus hold button on the 35mm lens. The 35mm f/2.8 lens carries the Zeiss badge. I wish it were like all of my Zeiss-badged lenses with a focus-hold button. Maybe I am spoiled. I had to put the body in Direct Manual Focus to get the same type of focusing effect I am used to with the A-mount Sony Zeiss lenses.

No stabilization. I missed my in-body “Steady Shot” stabilization. Every A-mount body I own has it, and it makes hand-holding shots easy below about 1/50s…

The Ugly

1/60s. The A7 brain has a love affair with 1/60s with the 35mm lens (1/100s with the 85mm lens adapted). I like to shoot Auto ISO from 100-1600 and in Aperture Priority. The body used the minimum ISO possible for 1/60s. I wish there were a menu setting to accelerate the minimum shutter speed the internal A7 computer uses under these conditions. Sounds like a good idea for the next firmware rev! In all seriousness, 1/60s is probably OK for situations where you have a stabilized camera. No stabilization, you almost need to double it. For 85mm, 1/100 is a little bit better, but still slow. At least if you hold the lens right, you have a fighting chance with a still subject.

NEW (3-24-14) - Image comparisons

I had hoped to do a more comprehensive test with the A99 and A7, apples to apples, however the weather in the Pacific Northwest didn’t cooperate, nor did my work schedule. I did manage to attempt to take similar shots with the A99 and A7 while passing to meetings on separate days.

A99 85mm f/1.4

A7 85mm f/1.4 (85mm f/1.4 lens with EA-LA4 adapter)

A99 85mm f/5.6

A7 85mm f/5.6 (85mm f/1.4 lens with EA-LA4 adapter)

 

And in trying to compare color I took these shots with identical light. The lenses are different here, but both bodies are using Auto White Balance and Auto ISO.

A99 50mm f/1.4 (50mm f/1.4)

A7 35mm f/3.5 (35mm f/2.8 lens)

With the EA-LA4 adapter I found the A7 and A99 quality to be negligible. More testing is needed. I would expect similar results with maybe a fractional difference since the EA-LA4 adapter has a similar, but newer generation translucent mirror. I did see the third of a stop difference in metering when the 35mm prime was on versus the 85mm or 50mm primes adapted at similar stops.

Where to order

Click here to learn more or order this camera on the B&H web site. My friends at Amazon have it available here.

Other articles you may enjoy

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Disclosure

If you make a purchase using links found in this article, I may make a commission. It doesn’t cost you a penny more, but it does help to support future articles like this.

NOTE: This site requires cookies and uses affiliate linking to sites that use cookies.

If you enjoyed this article, please support future articles like this by making a donation or saving money by using my discount coupon codes. Either way, your support is greatly appreciated!

This blog is intended for freelance writing and sharing of opinions and is not a representative of any of the companies whose links are provided on this site.

The opinions provided are of Ron Martinsen alone and do not reflect the view of any other entity

Don’t Forget To Change Your Camera Clocks!

Time Change-1

It’s easy to remember to change your household and car clocks, but if you are like me it’s pretty easy to forget to change your camera clocks. As I went through this exercise this morning, I discovered that one of my cameras had the correct time – because it had be wrong since the last time change – ha, ha!

Have a great day!

Ron

NOTE: This site requires cookies and uses affiliate linking to sites that use cookies.

If you enjoyed this article, please support future articles like this by making a donation or saving money by using my discount coupon codes. Either way, your support is greatly appreciated!

This blog is intended for freelance writing and sharing of opinions and is not a representative of any of the companies whose links are provided on this site.

The opinions provided are of Ron Martinsen alone and do not reflect the view of any other entity