Wednesday, April 15, 2015

REVIEW: Nikon D7200 + 18-140mm Lens–The Perfect Camera for Parents?

Nikon D7200 DSLR Camera with 18-140mm Lens
Nikon D7200 DSLR Camera with 18-140mm Lens

I’ve been a big fan of the Nikon D7xxx series ever since I reviewed the D7000. It’s always been a solid performer, so when I reviewed the D7100 I was considered picking one up for myself. I’m a Canon shooter, so I didn’t need another camera – especially one that couldn’t use my existing lenses, but that’s just how much I liked the predecessor to the Nikon D7200.

After some seat time with this camera I’ve discovered that everything that I liked about the predecessor returns plus it gets a EXPEED 4 processor, WiFi & NFC included as well as much improved buffer to hold more images before you have to wait for the files to write to the memory card. Click here to see a complete comparison chart.

What the improvements really mean is that you’ll be able to take 3x the number of photos (compared to the D7100) before you are waiting on the camera to finish writing, and you’ll be able to use much higher ISO’s with acceptable performance. How high is subjective, but I personally found ISO 25,600 to be usable for personal use and even 12,800 to be quite good.

What I’ve always really loved about the D7xx series is that it has a great balance of ease of use with a wide spectrum of advanced features. This means that even the most advanced photographer will likely get excited about D7200 features like:

  • An 4 level adjustable Auto ISO that comes in handy in Aperture Priority because you to control how aggressive the camera is at shooting slower or faster shutter speeds. At its fastest setting faster shutter speeds will be chosen to minimize blurry shots or having to use an arbitrarily high minimum shutter speed setting (or manual mode). I wish all cameras had this (especially my Canon’s!). It should also be noted that this feature is supported in Manual mode with exposure compensation too for the maximum in flexibility!
  • An auto white balance that favors warm temperatures (Auto2) so skin tones look healthier rather than technically correct (although still not as warm as you’ll get with Canon – which some people love, and others hate).
  • Fast physical button access to exposure compensation, flash exposure compensation, bracketing, metering modes, video recording, and more.
  • A usable built-in flash. While off-camera and hot shoe flashes are better, it’s good to have something when in a pinch and Nikons popup flashes perform better than the competing products I’ve tried.
  • 51 focus points accessible quickly via multi-selector button along with support for remembering separate portrait versus landscape orientation points.
  • Built-in intervalometer for doing time lapse photography
  • Two user programmable mode dial points for your favorite settings (U1 & U2)
  • Scene and Effects modes for amateur photographers who want to leverage the internal technology to its fullest so they can focus on shooting instead of camera settings
  • Programmable buttons for when you’d rather move things around or expose functionality that would otherwise require a menu visit.

While many of these feature are neither new nor available only on this camera, what I like about the D7200 is that it is a great bridge between features offered on more advanced pro bodies while retaining some of the ease of use features of the entry level bodies. It really is a camera that you can grow with from first time DSLR shooter all the way to the semi-pro level. The burst mode performance also makes it great for both wildlife shooters as well as parents who have been struggling with blurry shots of their little bundle of joy indoors. The great high ISO performance also means those shots won’t suck when you go to edit them.

Kite Test

I don’t typically do a kite test on a camera in this price range because it requires a sophisticated AF system that isn’t easily confused, but after spending time with the D7200 I began to have confidence it could handle it. Here’s a good example of where the D7200 performed admirably:


f/2.8 @ 75mm for 1/2000 sec at ISO 720
with Nikon 70-200mm (unedited)

Photographing people with kites is tough because you not only have to worry about tracking your subject, but also keeping the kite in the frame. As a result you leave extra space when framing, so having some extra megapixels to spare when you crop will come in handy! I ended up with usable shots like the ones above and below, but I definitely could use a much tighter crop. Thanks to a good image file size, it is quite easy to crop without losing any important detail from the image (assuming your output isn’t a huge print).

Click here to see 36 images from my kite testing including my favorite one below…


Kai’s first lift off with a kite
f/2.8 @ 70mm for 1/2000 sec at ISO 2200
with Nikon 70-200mm (unedited)

The value of 24 megapixels

Megapixels are often overrated because in reality people rarely print anymore, so the largest output most people often see their images displayed is on their 1080p HDTV (which is only 2 megapixels!). Even a UHD 4k display only requires 8 megapixels, so generally speaking we often discard megapixels when downsizing our images to the web or in small prints.

With that said, having some extra megapixels around does have one advantage and that’s to crop and still have a usable image for displaying on the web. I mentioned this above, but here’s a much better example:

D7200-3-122_zoomed
f/11 @ 200mm for 1/640 sec at ISO 280 – Edited to show detail
100% crop – See full-size original below

While the shot above isn’t going to win awards because it is bad on so many levels, what is interesting is that I wasn’t out shooting eagles. I was shooting something else entirely when I spotted something huge flying overhead. I raised the camera and fired off a couple shots (hence the unnecessary f/11!). As you can see from below, I had no clue it was kind of bird it really was:


Uncropped original

Despite being in full automatic AF mode I was able to successfully capture this image and with the bring enough detail out to see the underbelly of the bird using only the JPEG (RAW had been disabled when I was testing something different).

While this lame image won’t be appearing in any wildlife photography magazines, it does show the value of megapixels when cropping and the strength of the D7200 AF system. I had the wrong settings and wasn’t ready, but yet I came away with a shot that I could clean up and post on Facebook as proof that I saw a eagle circling above me.

When people ask me why they need a DSLR in these days of great cellphone cameras and mirrorless systems, I use cases like this to show that the DSLR still has great value. Yes, other cameras may have the megapixels and resolution, but few have everything they need to pull it all together. While poor, this shot clearly identifies the eye of the bird and the separation of wings from the in-camera JPEG.

Now imagine if I had a 400mm lens and was actually ready for this shot with better camera settings! On this camera that would be the 35mm (full-frame) equivalent of 600mm thanks to the 1.5x crop factor which comes in handy in scenarios like this. Wildlife shooters on a budget are going to enjoy what this camera brings to the table!

Swing Test


f/4 @ 86mm for 1/1000 sec at ISO 2000
with Nikon 70-200mm (unedited)

When a camera shows signs of being good for parents I get my kids to be my swing test subjects. If you’ve ever tried to take photos of kids on swings then you know what a challenge it can be getting a decent shot, so in the world of real life shooting it’s one of the bigger challenges for both the parent and the auto focus system.

While this is certainly no D750 or D4s caliber performer, it did do a very good job for a fraction of the cost. The AF system was by no means flawless as I would see a few missed focus shots in most series, but I’d occasionally get an entire burst that was usable.


f/4 @ 86mm for 1/1000 sec at ISO 800
with Nikon 70-200mm (unedited)

Click here to see the beginning of 83 swing test shots I did including this one which is the beginning of a continuous burst of 65 straight images (JPEG only) that were done without releasing the shutter button.

Real World Shots

My real world shots are about showing pictures taken from real life activities that haven’t been planned or labored over for hours. These are casual snapshots where only a few frames are shot and the best is taken for your review. Shots featured here use the kit lens first section and then the 70-200mm at the end where noted.

Most camera settings are in-camera defaults and the unedited in-camera JPEG is shown. Unless noted, Auto2 white balance is used with the Standard picture control setting. Aperture priority or manual mode was used with Auto ISO and all shots are handheld.

The goal here is to capture shots you’d expect to be able to capture yourself and results you could expect to see on your computer before post-processing.

Click the images to see the unedited, full-size, in-camera JPEG original images. All photos in this article are Copyright © Ron Martinsen – ALL RIGHTS RESERVED. You may view the images on your computer while this article is active in your browser, but you may not retain, print, edit, or otherwise use any images without my written consent.


f/5.6 @ 140mm for 1/500 sec at ISO 100

I felt this was a wow shot for a straight out of the camera result with a kit lens. Excellent dynamic range with reasonable sharpness and great shadow detail. It wasn’t long ago that you needed a couple extra grand to get these kind of results!


f/5 @ 52mm for 1/1000 sec at ISO 100

The Shade white balance turned this image a bit too yellow and camera meters always turn white to gray (tip: overexpose by 1/3rd stop), but what you are left with here is a RAW image that has all the data it needs for a decent image. The kit lens requires f/5 at 52mm so that hurts this shot especially due to its poor bokeh quality, but I’ve definitely seen worse from a kit lens.


f/5.6 @ 140mm for 1/800 sec at ISO 100

While I was unimpressed with the kit lens,
beginners are going to be pleased with this level of detail


f/5.6 @ 140mm for 1/640 sec at ISO 100

Excellent shadow detail is a given with this camera


f/5.6 @ 66mm for 1/200 sec at ISO 500

The purpose of this ugly shot is to show off the tremendous dynamic range from the super bright areas on the left that still retail some detail to the intense dark creek bed which still offer clearly visible rocks and ripples. This impressive for a camera this affordable!


f/4 @ 32mm for 1/500 sec at ISO 1250

I got a little overzealous in cheering my son on in this 10 shot burst series, but that’s easily correctable with a rotate in editing. What’s interesting is that the high ISO is not even noticeable as the image quality is excellent  for the entire series. Even more impressive is that the AF system nailed every shot while in full auto mode.


f/3.8 @ 23mm for 1/160 sec at ISO 100

I chose the wrong shutter speed and failed to add exposure compensation for the backlighting, but the D7200 gave me a shot I can still use – especially with raw processing. I was very pleased with the shadow detail of the face and the brightly lit background


f/5.6 @ 18mm for 1/160 sec at ISO 100

Kit lens users will appreciate that they can go pretty wide at 18mm as shown here,
or very deep as shown below taken from the same spot


f/5.6 @ 140mm for 1/500 sec at ISO 720

Full zoomed in from above, detail at the end of the trail is clearly visible at 140mm
thanks to the crop factor which makes this an effective 210mm reach


f/5.6 @ 27mm for 1/80 sec at ISO 220

My dynamic range torture test here shows how shadows under the escalator to bright areas in the glass and building outside are all within range – impressive!

Nikon 70-200mm f/2.8 VR II Photos

The following photos were all taken handheld with the Nikon 70-200mm f/2.8 VR II instead of the kit lens…


f/3.5 @ 200mm for 1/640 sec at ISO 720

With a proper lens incredible detail can be captured with respectable bokeh.
Be sure to click to view the pollen on the original at 100% – impressive!


f/4 @ 200mm for 1/640 sec at ISO 1000

Using the 70-200mm felt like I had a different camera body.
Zoom in to check out the detail on the main flower!


f/5.6 @ 195mm for 1/200 sec at ISO 2200

I was very impressed with the sharp detail despite this high ISO.
I was also very pleased that, despite being handheld and zoomed in tight,
I got such crisp detail on the tips of the flower!


f/2.8 @ 190mm for 1/200 sec at ISO 280

While a full frame FX sensor would have been better here, I was
once again impressed with the image quality from yet another D7xxx series body

To view the entire gallery of unedited original in-camera JPEG’s, visit http://photos.ronmartblog.com/nikon/d7200.

Bookshelf Shots

CLICK HERE to see or download my full collection of various bookshelf shots. You can also click the images below for a full-size original. While I can’t imagine why anyone would want to use them, please note that all are Copyright ® Ron Martinsen – All Rights Reserved.

As I’ve noticed in the past, the Nikon 70-200mm f/2.8 VR II causes the camera to expose brighter than other lenses in this test. Feel free to balance the exposure of the bookshelf shots for a better comparison on your computer for a more accurate comparison, but the net result is still that the image quality is very good for the 70-200 compared to the softer kit lens.


f/4 @ 70mm for 6 sec at ISO 100 (70-200mm f/2.8 VR II)

Based on the images above and below I’d classify the image quality of the D7200 to be very good, but there are definitely better cameras on the market – for much larger price tags. As p


f/5.6 @ 140mm for 6 sec at ISO 100 (Kit Lens)


f/5.6 @ 18mm for 1/250 sec at ISO 12800

ISO 12800 was the maximum ISO I felt comfortable with for dark shots, but in bright light 25,600 is totally usable. I review a lot of incredible cameras so I wouldn’t call this great high ISO performance, but it’s definitely better than any mirrorless that I’ve tested in this price range.

Video Performance

I’ve shot some video and will be including them here next week. Overall I thought video performance was average for DSLR in this price range. Parents shouldn’t consider any DSLR a replacement for their camcorder or cell phone – both of which are more foolproof – but with careful planning excellent video results are within reach with the D7200.

Compared To…

Generally speaking, I expect that the average buyer of this camera is going to be upgrading from an existing Nikon already. However, in the world of DSLR’s I thought I’d toss in my 2 cents about how I think this camera stacks up to the following:

  • Canon 70D (review) – I don’t see this as a competing product. I felt the D7100 really surpassed the 70D, so the D7200 blows it away on everything but price. Yes, the fps are similar, but until Canon replaces this camera with something newer I wouldn’t consider it to be a significant competitor to the D7200.
  • Canon 7D Mark II (review) – While I personally prefer the controls layout of the D7200, the 7D Mark II does offer a much higher FPS and theoretically more advanced auto focus system. Overall, I still prefer the D7200 for its overall keeper rate based on what I find to be an easier to use autofocus system.

    Image quality-wise, I find the 7D Mark II to be better than I expected before this review. I figured the D7200 would destroy the 7D Mark II but upon close examination the differences between the two favor the 7D Mark II – but it comes at a $500 premium!

    I do believe the D7200 is a lot more “mom friendly” after the correct settings have been dialed in by someone who understands how to configure it properly. 
  • Canon 6D (review) – Not really an apples to apples comparison, but I’m including it as the price will have some people considering it as an alternative. What it lacks in FPS and advanced AF system, it certainly makes up for in significantly superior image quality. I think most people considering the D7200 for its AF and burst mode performance would certainly be better off with the D7200 over the 6D, but if image quality is your only concern then the 6D is naturally the winner.
  • Nikon D610 (review) – Yes, this is a lot more camera for not a lot more money so if you can afford it then go for it. With the D610 you do lose a little bit in burst mode and AF performance, but you gain superior image quality. I love the D610, but until its replacement with the EXPEED 4 comes out, I think the D7200 is still a good choice for those who need a sports camera or one that keeps up with active kids.
  • Nikon D750 (review) – Again oranges vs apples, and the D750 easily earns extra $1k in price over the D7200 for superior image quality. Yes, the D7200 can basically match the burst mode performance when adjusted for image size, the images you get from the D750 are simply sublime. If you have the extra $1k, get it, but if your budget is tight the D7200 is a great start and leaves more budget for something far more important –  great lenses!
  • Nikon D810 (review) – It’s makes very little sense to compare these, but I’ve been asked so many times to compare the D7100 to the D810 that I figured I had to say something here.
    In my opinion, the D810 is a special purpose camera that’s great for landscapes and studio photography, but it is less than ideal as an all-purpose travel/everyday camera. Even 4k display owners and those who print large 16x24” prints will have all the megapixels they need with the D7200. If you even think that these two need to be compared, then this is definitely not the right camera for you – the D7200 is.

Models below the D7200 in the Nikon lineup are simply not in the same league in my opinion. Those are entry level cameras whereas this is a camera that an amateur can use and a semi-pro photographer will love. As a result, I’m not including them here as they are more suited for discussions when comparing cameras like the Canon Rebel T6s

Nikon AF-S DX NIKKOR 18-140mm f/3.5-5.6G ED VR Lens

Nikon AF-S DX NIKKOR 18-140mm f/3.5-5.6G ED VR Lens
Nikon AF-S DX NIKKOR 18-140mm f/3.5-5.6G ED VR Lens

When considering the crop factor, this lens is a 27-210mm (35mm equivalent). This is an awesome range, but like all lenses I’ve tested that try to cover so much range – it falls short on image quality. While I wouldn’t classify it as bad – especially if you never print or zoom in – it does create a softer image than this sensor is capable of displaying (based on what I saw with the 70-200mm). As a result, I’d opt against the kit and just go with the body only when ordering.

Conclusion

Photography is expensive so it’s easy to get caught up in the upgrade game or jonesing for what others have. I teach a lot of students who have made the wrong choices, so that’s why I get excited about this camera. This camera is a solid performer so I know I’ll never tell a student who uses it that “you’d probably be better off if you had got this other camera” when they are complaining about blurry shots or image noise.

Yes, a great photo can be made with any camera, but the mere mortals do best when they have the right tool that does a lot of the heavy lifting for them. The D7200 is just that – a camera that puts the fun back into photography by increasing your keeper rate. As a result, I highly recommend the D7200 for parents and those who take photography seriously, but who also need to keep their expenses in check!

Where to order

Click here to learn more or order on B&H’s web site.

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Disclosure

If you make a purchase using links found in this article, I may make a commission. It doesn’t cost you a penny more, but it does help to support future articles like this.

If you enjoyed this article, please support future articles like this by donating a dollar or saving several dollars by using my discount coupon codes. Either way, your support is greatly appreciated!

Click here to learn more about how this blog is funded.

Tuesday, April 14, 2015

Canon Lens Price Drop & NAB Specials

Canon has dropped the price on over 30 lenses. Click here to see a complete list!

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CLICK HERE to see the complete list of 80 NAB 2015 (a tradeshow) specials expire on April 16th and must be entered as described for each (some require the BHNAB2015 coupon codes at checkout!!! Here’s a few of the great deals but many more are available:

Canon EOS-1D X Digital SLR Camera (Body Only)


$700 instant savings and $269.40 in free stuff plus free expedited shipping


This offer expires on April 16, 2015

DJI Phantom 2 Vision+ v2.0 Bundles


Save up to $400 when you use the link and promo code BHNAB2015


This offer expires on April 16, 2015

Steadicam Merlin 2 Camera Stabilizing System


Save $100 - only $289


This offer expires on April 16, 2015

Apple 128GB iPad Air (Wi-Fi + 4G LTE, Space Gray)


Only $529 - Save $170


This offer expires on April 16, 2015

Disclosure

If you make a purchase using links found in this article, I may make a commission. It doesn’t cost you a penny more, but it does help to support future articles like this.

If you enjoyed this article, please support future articles like this by donating a dollar or saving several dollars by using my discount coupon codes. Either way, your support is greatly appreciated!

Click here to learn more about how this blog is funded.

PRESS RELEASE: Epson P800 Replaces the 3880


Epson SureColor P800 17-inch Wide Professional Printer

Printing enthusiasts rejoice as your dreams have finally been answered – the all-new Epson SureColor P800 is the official replacement for the aging 3880! In addition to an improved ink set it offers an optional roll feeder (not the toy kind found on consumer printers) which is a must if you plan to print canvas.

Epson's P Series display had a wrapped printer with prints on display by Greg Gorman and Steve McCurry - they were some of the prints I've ever seen!
The Epson P800 hiding at WPPI in Las Vegas this year

I had the pleasure of seeing the P800 in action and reviewing the prints at WPPI in Las Vegas this past March and I’m quite pleased to say that to my eyes they are a nice improvement over the 3880. I was also very pleased to learn that it has the same head design that kept the 3880 from getting clogged heads (unlike my 4900 which was clogged nearly every time I used it after about the first year I had it).

Epson Unveils New SureColor P800 17-Inch Wide Professional Printer

Epson SureColor P800 Features Unique Imaging Technology for
Producing Professional Color and Black-and-White Photographic Prints

LONG BEACH, Calif. – April 14, 2015 – Epson today announced the highly anticipated SureColor® P800 printer, representing a new benchmark in photographic print quality. Designed for professional use, the SureColor P800 is a full 17-inch wide borderless printer with unique Epson® MicroPiezo® AMC™ printhead technology. Leveraging an all-new Epson UltraChrome® HD eight-color pigment ink set, the SureColor P800 is capable of producing the next generation of color and black-and-white prints that will inspire us all.

“We understand how important it is for our printers to produce exceptional output that not only accurately conveys a photographer’s vision, but also delivers on the promise of longevity,” said Larry Kaufman, product manager, Professional Imaging, Epson America. “The SureColor P800 redefines the 17-inch photographic printing market, providing robust photo, fine art and canvas media handling capabilities, all focused on delivering stunning exhibition-quality prints that stand the test of time.”

The SureColor P800 features advanced media handling, including a sheet feeder for photo or matte media, and a front-in and front-out paper path for printing on thicker fine art papers and poster board. An optional 17-inch wide roll paper adapter is ideal for canvas and longer print lengths of up to 10 feet for creating breathtaking panoramas. Along with individual 80 ml high-capacity ink cartridges, the SureColor P800 is designed for serious professional use at home or in the studio.

More About the SureColor P800

The versatile SureColor P800 offers a range of new features:

  • UltraChrome HD Ink: Industry-leading pigment ink technology delivers outstanding color with improved black density and print permanence
  • Professional Features: Advanced Black-and-White print mode for professional-level neutral or toned black-and-white prints
  • True Productivity with High-Capacity Ink Cartridges: Nine 80 ml ink cartridges with Auto-switching Photo and Matte Black Ink
  • Advanced Media Handling up to 17-Inches Wide: Easily print on fine art and roll papers and create panoramas over 10 feet long; front-in and front-out paper path for media and poster board up to 1.5 mm thick and optional rear-mounted 2 or 3-inch core roll feeders
  • Modern Case Design: Professional look and feel; compact printer design optimized for desktop placement
  • Complete Connectivity: USB 2.0, Ethernet, Wireless n1, Wi-Fi Direct®, Apple® AirPrint™, and Google Cloud Print™ support
Pricing, Support and Availability

The SureColor P800 will be available for purchase in June 2015 through authorized resellers; pricing follows:

Epson SureColor P800 - $1,295.00 MSRP (or less at B&H)

Optional Roll Paper Adapter - $199.95 MSRP

UltraChrome HD 80 ml Ink Cartridge - $59.95 MSRP

The printer is supported by a one-year, whole-unit-exchange, limited warranty plan, and specialized technical support staff. For more information on the SureColor P800, visit www.epson.com/P800.

About Epson

Epson is a global innovation leader dedicated to exceeding expectations with solutions for markets as diverse as the office, home, commerce, and industry. Epson's lineup ranges from inkjet printers, printing systems and 3LCD projectors to industrial robots, smart glasses and sensing systems and is based on original compact, energy-saving, and high-precision technologies.

Conclusion

This is a significant announcement as the 3880 is an excellent printing machine, but it had become a technology dinosaur compared to other manufacturer printers which supported wireless printing. However, the cool features mean nothing if you don’t have an improvement in prints, and I felt that was present in the prints I observed at WPPI.

If you are wondering how it compares to a P600, you aren’t alone. I asked Epson this question and was told that the P800 is identical to the P600 in every way except for the improved advanced media handling, better roll support and other minor improvements. Rejoyce about this as it means it is likely to be free of head clogging issues that have plagued the 4900 (assuming you print at least one age per month).

The size of this printer is similar to the 3880 so it makes a great replacement for users who have one of those printers already.

More to come later this year when I get mine for review.

Where to order

Click here to learn more or order on the B&H web site. They aren’t expected to be ready to ship until June 2015.

Other articles you may enjoy

If you enjoyed this article, you may also enjoy these:

Disclosure

If you make a purchase using links found in this article, I may make a commission. It doesn’t cost you a penny more, but it does help to support future articles like this.

If you enjoyed this article, please support future articles like this by donating a dollar or saving several dollars by using my discount coupon codes. Either way, your support is greatly appreciated!

Click here to learn more about how this blog is funded.

Monday, April 13, 2015

on1 Perfect Suite 9.5 Released - Video Overview

My friends at on1 Software released the latest version of its popular photo editing suite called Perfect Photo Suite 9.5 at 9:00 AM Pacific today so I decided to give a quick walkthrough of some of the new features that caught my attention. Check it out..

Of course that’s just the tip of the iceberg. Check out the official press release here:

PRESS RELEASE: Introducing Perfect Photo Suite 9.5

We take user feedback seriously. Our team has worked hard the past several months to improve performance and user experience in the latest release of our photo-editing app – Perfect Photo Suite. In this latest release, version 9.5, we’ve improved performance and usability for customers in several areas which include; browsing photos, portrait retouching, processing speed, feature additions, and enhancements.

Browse

Browsing photos is one of the key improvements and one of the most important tasks for photographers. Today, photographers use Perfect Browse as a front end to their workflow with other programs like Adobe® Lightroom® and Photoshop®.

Speed

The biggest reason to adopt this workflow is speed. Browsing photos must be fast, period. Improved speed in viewing photos assists in organizing photo libraries and helps determine what photos you want to work on. Specifically, the ability to view large Raw files in detail can take forever with some apps. Not with Perfect Browse. Users will see up to a 50% increase in speed with the latest version. Quickly seeing all the detail in photos without pixilation allows for faster culling, sorting, and rating. Then send your photos with the ratings intact to Lightroom or other applications, faster than ever before.

Organize

We’ve also added new features to Perfect Browse, which makes it a great standalone option for getting organized. on1 Albums allow you to create a collection of your favorite photos and provide a fast way to view them without searching. Want to drag and drop photos into an album? It’s simple to do right in Perfect Browse. Select the photos you want to add to the album and drag them to the Album Hot Spot. Photos in an on1 album can live anywhere, whether in the cloud or on your computer.

Faster Retouching and Effects

Another area we’ve focused on is improved speed and performance for portrait retouching and filters in Perfect Effects. Perfect Portrait is now faster than ever for auto face detection, and finding the details of the face, eyes, lips, and mouth. With easier to adjust control points and smoother sliders it makes for much quicker portrait edits. Many of the filters in Perfect Effects have been updated to use the computer GPU to make them much faster.

New Features

In addition to all the performance enhancements, Perfect Photo Suite 9.5 also has some great new features. The Line Mask tool allows you to create a straight path for masking sharp edges where brushing is difficult. Luminosity Masks have also been added for users to work on the luminance values or lighter and darker parts of a photo based on a specific selection.

To learn more about Perfect Photo Suite 9.5 and the rest of the new features, availability, and pricing, please CLICK HERE.

Conclusion

I started preaching a while back that this is a viable alternative to Photoshop and Lightroom (webinar video) and it seems each 6 months it gets better and better. The performance and reliability updates of this version make it the best version yet, so it’s definitely worth checking out the free trial when you get a chance!

Where to order

Click here to get a free trial to check it out today. Fortunately it runs side by side with previous versions so there’s no need to fear installing it.

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If you enjoyed this article, you may also enjoy these:

Disclosure

If you make a purchase using links found in this article, I may make a commission. It doesn’t cost you a penny more, but it does help to support future articles like this.

If you enjoyed this article, please support future articles like this by donating a dollar or saving several dollars by using my discount coupon codes. Either way, your support is greatly appreciated!

Click here to learn more about how this blog is funded.

Sunday, April 12, 2015

REVIEW: Athentech Perfectly Clear 2.0 (DISCOUNT OFFER)

Athentech Perfectly Clear Special Offer
Save 10% off Athentech Perfectly Clear with Coupon Code: RONMART

While I enjoy editing photos, the sad reality is that it just takes too long to put my loving touch on every photo. As a result I have hundreds of thousands of photos that have never seen the light of day (much to my wife's chagrin) due to lack of time needed to make them look the way I want them to look before anyone else sees them. This self defeating practice of image hording is common amongst photographers, and despite great products like Lightroom and Topaz ReStyle which can greatly decrease the time required to make your images look great – the reality is that it always take longer than we admit to others.

Wouldn’t it be great if there was a product that could do a very good job for a majority of our photos with as little as one click?

The promise of one click greatness has been promised for a long time but I’ve never seen any product deliver on it. What’s more, my images are my art so I want my finishing touches so how could any respectable photographer trust software to do this critical part of the creative process for them?

I’m here to tell you that the day has arrive where you have a new tool to add to your editing arsenal that will make your unedited images look great while still giving your edited images that extra oomph to make them look better. That product is Perfectly Clear and it rocks!

Here’s a common example of a shot that looks good straight out of the camera but it jumps off the screen (or print) when you do a one click edit with the details preset:


One click fix in seconds with the Details Preset

This preset works well for most images which allows you plow trough tons of old images quickly to make them look great. In fact, Photoshop’s Ctrl+F / Cmd+F features lets you replay back the last filter you ran for zero click editing of images that can use your last preset settings.

Simply put, this is a game changer folks so I encourage you to check out my video and try it out. A free trial is available so if you don’t like it then you’ve lost nothing, but I suspect people who take the time to learn it will find they love it – a lot.

Have you tried it before and hated it? Me too! If so, try it again as this latest version is the one that finally got it right – and it is very good!

Video Demonstration on 8 Images

This product works so well so quickly that it is easier to just show you than to write a lot about what it does. If you have a minute at least watch the first couple minutes of this video to see Perfectly Clear in action:


As the demo shows, this is the fastest and easiest way to make your images look great in seconds. I highly recommend you try it out (at least via the Free Trial version).

User Interface

Athentech Imaging Perfectly Clear User Interface
Athentech Imaging Perfectly Clear User Interface

This product is about as simple as it gets. You simply load it from Photoshop or Lightroom and choose a preset. The big squares are the ones provided with the product and the dropdown list below are these plus ones that you have optionally created by making changes on the Adjustment panel shown below:

Athentech Imaging Perfectly Clear Adjust Panel
Adjust Panel

Often times it is one click and you are done as you’ll see in the samples in the next section, but sometimes (as shown in my video) you need to make a few adjustments. You can make your adjustments and be done or you can take a moment to create a new preset with them, but either way you don’t spend much time in this UI.

Simply put, it just works!

More Before and After Samples


One click fix in seconds with the Landscape Preset


Landscape preset with minor adjustments


One click fix in seconds with the Landscape Preset


Beautify+ Preset with minor adjustments


Beautify+ Preset with minor adjustments

NOTE: Effects exaggerated to show possibilities – less garish looks possible with simple adjustments

Conclusion

When I first heard about this product a few years back and tried to play around with it, I thought it was garbage. Its algorithms weren’t as mature as they are today so I felt like I needed more control over what it was doing. The product I’ve been using for the last month has worked on a large number of images I’ve thrown at it so I’ve began to trust it. In some cases it does make a mistake so I’ve learned to turn off settings which appear to have no effect as sometimes they can do something very unexpected (like red eye removal removing red from an area that isn’t an eye). It’s rare, but it does happen.

Aside from this one quirk, I’ve really become addicted to this product for those hundreds of thousands of images that I need to edit but will never get around to with my commercial photography workflow. I still need professional results as the edits represent my work to friends and family, but the ability to get great results quickly is pushing me harder than ever to get more things right in camera to speed up my workflow.

I HIGHLY RECOMMEND this product as it really has changed my life. I find that I even try it out as a last step on images that I’ve painstakingly edited because it does such a great job at final highlight and shadow detail adjustments. I do often skip the sharpening unless its for a private family photo, but other than that I trust it.

Where to order at a discount

Click here to learn more about Perfectly Clear, try the free demo or purchase your copy today. The Photoshop and Lightroom versions are sold separately so either pick the product you use the most or take advantage of the special bundle pricing for both versions.

Upgrades are also available for users of previous versions.

SPECIAL OFFER

CLICK HERE and use the coupon code RONMART to save 10% as shown below (be sure to click the Update Coupon button!!!!!):

Click to place your order today

Please note that coupon codes can change so visit my discount coupon code page or contact me if you have any problems with my code.

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