Epson Legacy Platine paper is a cotton fiber substrate that uses photo black ink to create archival quality fine art prints. Here are a few important facts about this paper:
- 100% cotton fiber
- Image Permanence: 200 years color / 400 years B&W (when used with Epson HD and Epson HDX Ink)
- 17 mil / 432 Mu caliper
- Acid and lignin free / pH buffered
- No Optical Brightening Agents
- Smooth surface / Satin finish
Check out the Print Your Legacy landing page with videos here to see what some well respected photographers think of this and all of the Legacy papers.
For more on my thoughts, continue reading.
If you aren’t a geek you might want to skip this section.
When comparing Platine next to a variety of other Epson papers you’ll see that its color gamut is outstanding even against Exhibition Fiber Paper which was my previous favorite:
Epson Legacy Platine vs Baryta, Exhibition Fibre Paper (EFP) and Metallics
Click for a larger view
Epson Legacy Platine vs Exhibition Fiber vs Legacy Etching Color Gamut
on a Epson SureColor P800
In The Hands Analysis
This paper is rigid enough not to flex when you hold the edge, but it is less thick and rigid as Exhibition Fiber (EFP) yet thicker than Luster. The texture is closer to Luster, but a lot less busy. It does have more visible light gathering texture than EFP, but that has the advantage in that I didn’t see the scuffing issues that seem so prevalent with EFP.
The colors are simply jaw dropping, and better than any paper I’ve seen before it. The blacks are incredibly deep with its nearly 2.7 Dmax and the colors just pop off the page better than most displays can render the color. I was so thrilled when I saw the results that I wanted to stop everything and start reprinting all of my favorite prints over again on this paper – it’s that good!
The flexibility of this paper means it should be a lot more roll paper friendly than Exhibition Fiber or even Legacy Baryta which would be a big plus for pano and super large prints.
Real World Print Analysis
Epson V850 scan of Legacy Platine on a Mac (16-bit)
(Click for Original Mac Version above or Windows Version Here)
The photo below is a scan of a print made using this paper, but even the scan is so vivid that it looks like the original photo! This is a great example of just how wide the color gamut is for this paper (included by permission of Vincent Versace author of Welcome to Oz 2 and Oz to Kansas: Black & White Conversion Techniques):
as well as this one which is available as a full resolution 24MB TIFF scan:
On a scale of 1 (worse) to 10 (the best I’ve ever seen), I’d give it a 9.5 whereas I’d give the Exhibition Fiber Signature Worthy papers a 9.4. It’s outstanding and extremely pleasing to the eye, but a bit it isn’t quite as rigid as Exhibition Fiber.
If you’d like visual instructions, including Advanced Black & White, then be sure to check out the visual tutorial in the Epson Legacy Papers Reviews & Tutorials video which covers both Windows and Mac.
The printer paper profile you use will be in the format <printer> LegacyPlatine_PK_<version>.icc (or sometimes icm) so for the Epson SureColor P800 you’d choose SC-P800_Series LegacyPlatine_PK_v1.icc
I didn’t know what to make of this paper when I first heard about it. I had high hopes that were exceeded for the Baryta, so I wondered why this was even necessary. Now that I’ve used it, I think if I were going to get print via roll paper I’d choose the Platine over the Baryta or Exhibition Fiber as the lighter weight would resist curling much better than its thicker counterparts. What’s more, this is so much richer and darker than Exhibition Fiber, that I don’t see the point in even using EFP anymore.
Of the four papers in the new Legacy series, this is the sleeper hit that I think roll users are going to love the most in the long run. My only gripe is that its pleasing texture is more reflective than Baryta or EFP, so that could be a turn off if a print was placed in a location where side light would make it hard to view the print while hanging on the wall. With that said, it’s less distracting than what you get from Luster, so images with lots of texture (especially abstracts) could actually use this characteristic to an advantage.
To say that I highly recommend this paper is an understatement – it’s simply incredible, so YES – I HIGHLY, HIGHLY, HIGHLY recommend it for people looking for incredible color and black depth in a paper that isn’t going to curl like heck when you are done printing.
Where to order
Other articles you may enjoy
If you enjoyed this article, you may also enjoy these:
- Epson Legacy Papers Reviews & Tutorials – Intro article that links to all of the Legacy Series paper reviews
- REVIEW: Epson Legacy Baryta & Video Tutorial (Legacy Series 5 of 5)
- REVIEW: Epson Legacy Fibre & Video Tutorial (Legacy Series 2 of 5)
- REVIEW: Epson Legacy Etching & Video Tutorial (Legacy Series 3 of 5)
- Printing Series – Tons of resources on printing and print related tech
- Epson SureColor P600 Review
- Epson SureColor P800 Review
- Epson Exhibition Canvas Natural Gloss Review
- Epson Hot & Cold Press Papers
- How To: Using Epson’s Advanced B&W Photo (ABW) printing feature
- Getting great 4x6 prints without any hassle
- Choosing The Right Display Calibration Device
- NEC PA242W Monitor Review (PA241W & PA271W Review)
- NEC PA302W Monitor Review (PA301W Review)
- NEC PA322UHD 4k for Pro Photo & Video Editing
- Ron’s Recommendations
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