Showing posts with label Nikon 1. Show all posts
Showing posts with label Nikon 1. Show all posts

Tuesday, May 14, 2013

New Nikon 1 Nikkor 32mm f/1.2 Lens for Mirrorless Camera System - $896.95

32_BK_a.low
Nikon 1 Nikkor 32mm f/1.2 Lens for Mirrorless Camera System in Black (Silver)

Key Features:

  • The fastest 1 NIKKOR lens. Featuring a maximum aperture of f/1.2, the 1 NIKKOR 32mm f/1.2 is perfect for portraits and low-light shooting.
  • 32mm focal length (86.4 mm equivalent in 35mm format) allows for versatility to capture images in multiple situations, from beautiful portraits to everyday shooting.
  • Features technologies employed with 1 NIKKOR for the first time: Nano-Crystal Coat, Silent Wave Motor, and Manual Focus Ring.
  • Nano-Crystal Coat reduces ghosting and flare, even in bright sunlight.
  • Silent Wave Motor (SWM) reduces noise of AF during shooting and movie recording.
  • Manual Focus Ring allows for full focus control, especially while looking through a viewfinder.
  • High quality, metallic exterior for attractive styling.
  • Compact and lightweight, maintains the perfect balance with the rest of the Nikon 1 system of bodies and lenses.

Where to order

My friends at Adorama have it available here. (Links may not be available for a little bit – please come back to try again)

Other articles you may enjoy

If you enjoyed this article, you may also enjoy these:

Disclosure

If you make a purchase using links found in this article, I may make a commission. It doesn’t cost you a penny more, but it does help to support future articles like this.

NOTE: This site requires cookies and uses affiliate linking to sites that use cookies.

If you enjoyed this article, please support future articles like this by making a donation or saving money by using my discount coupon codes. Either way, your support is greatly appreciated!

This blog is intended for freelance writing and sharing of opinions and is not a representative of any of the companies whose links are provided on this site.

The opinions provided are of Ron Martinsen alone and do not reflect the view of any other entity

Monday, January 14, 2013

REVIEW: Canon EOS M–Taking the Fun Out of Photography


Canon EOS M with 70-200mm f/2.8L IS II USM
Yeah, you’ve got to do this at least once ;-)

Let me just say up front that if you are looking for an article that makes you feel good about wanting an EOS M then you’ve come to the wrong place. While I enjoy reviewing cameras, there’s no camera that I’ve wanted to return faster than this one because I disliked it so much (well, the Nikon 1 V1 was close and previously held that title).

Why I Hate This Camera (Skip this if you don’t care why)

The reason why I hated this camera is because I’m just don’t get who the target audience really is for this camera. In the world I live in I see the need for one to three cameras for most people with the following logic:

  • Cell Phone Camera – This is the camera that’s always with you and hopefully is one that doesn’t suck. For me it’s the iPhone 5 and it gets the shots that are just for me to share with my friends on Facebook and to capture a moment that would otherwise be lost without it (like where my car is parked at the airport – ha, ha). Cell phones like the Nokia 920 even rival the higher end compact cameras! For many people, this is the only camera they really need – but not you if you are reading this.
  • Compact Cameras – This is the camera that you whip out when your cell phone just won’t do, but you don’t want the hassle of the DSLR. You get this camera because you want more control than your cell phone gives you (you know, like being able to control the depth of field, shutter speed to avoid blur or ISO to kill the noise when you can keep your camera stable, etc…). These days these cameras are getting so good that many rival lower end DSLR’s, and some are so fun to use that even photography enthusiasts can enjoy a creative outlet in a compact package. With great cameras like the X20 and RX100 this may be all “real photographers” who shoot for a hobby really need.
  • Interchangeable Lens Cameras – This is for the serious enthusiast or part-time semi-pro photographer who is willing to make a serious investment in their photography to match the right lens to the scene. This is the buyer who wants the best and is willing to pay for it. Now for some the appeal of the micro-four thirds meets their needs and for others it’s a full-blown DSLR. However, for both camps I argue that this is the person who wants full creative control over their shots and wants quick access to the change the focus point, shutter speed, aperture, and ISO as needed.

Of course there’s other categories of cameras and pro shooters have a need for multiple interchangeable lens cameras, but the point is that for much of the photography enthusiast world this pretty much covers what most people will need or want.

Now at first glance one might think that the EOS M falls into the third category since it has a large APS-C sensor like you’d find on a 60D, interchangeable lenses and even a hot shoe. However, this camera fails miserably in the all-important “quick access” feature that I think is critical to serious photography.

The fatal flaw of the EOS M is that it is going for the minimalistic approach of the cell phone camera with serious features buried behind nested touch screen menus. It’s clear from the design this camera is designed for the picture taker (I can’t say photographer) who finds a cell phone about as difficult as they can handle, but they long to look like their friends with DSLR’s.

Now I’m not saying these are stupid people because you have to be well off to afford this nearly $800 camera plus the additional lenses and accessories (like a flash which isn’t included), but it seems that Canon is targeting this to someone who finds a Sony NEX-7 to be just too complex to use.

Despite the strengths of this camera, I just don’t see the point of a camera that has been dumbed down even more than a s110, yet it has no built-in flash and it requires you to read the manual (which many DSLR owners fail to do) just to get out of the cell phone-like automatic modes. Perhaps, if you are an amateur videographer you might find some value in this camera, but even then I’d argue that you’d want more control and features than this camera offers.

What I Do Like About this Camera


f/4 @ 28 mm (24-105mm), 1/320, ISO 100, AWB
Unprocessed In-Camera JPEG – Standard Picture Style

Okay, so now that I got that off my chest I can focus on what’s good about this camera. In practice I found this camera to be very much like a T4i in a nearly touch only body with what seemed to be better ISO performance and dynamic range. This is a good thing, especially with the must have EF/EF-S lens adapter as it means you can get some great shots if you work hard enough at it.

A Real World Lens Comparison

In my sample gallery I have bookshelf shots for those who want to pixel peep three of the lenses I tested with, but here’s a quick real world practical test that illustrates similar behavior I found with other frames. These shots were chosen not to send a religious message but simply because they were good examples under challenging conditions and are similar to high ISO shots of this same subject used in other reviews.


f/2.8 @ 22 mm (kit lens), 1/40, ISO 800
Lack of stabilization and sharpness
made me quickly avoid the 22mm lens

In my testing I found that the included 22m kit lens was disappointing (sample shown above), but the optically darker but stabilized 18-55mm zoom lens was much more practical in everyday use. Here’s an example of the same shot above with the :


The EF-M 18-55mm f/3.5-5.6 IS STM Lens performed well for a $299 lens
f/4 @ 26 mm (18-55mm), 1/50, ISO 1600, AWB, No Flash

If you have an investment in EF or EF-S lenses, then the EF/EF-S lens adapter is a must as you can use the best lenses Canon makes to get great results. The downside is that the improved AF performance (and IS when applicable) comes at a cost of draining the battery very quickly. Here’s a sample using my old EF 24-105mm f/4L IS with the adapter which offers edge to edge sharpness improvement at a cost of $799 more for the lens plus another $200 for the adapter:


My EF 24-105mm f/4L IS (with adapter) had better edge sharpness, but it cost $700 more!
f/4 @ 24 mm (
24-105mm), 1/40, ISO 1600, AWB

If you are going to get this camera your takeaway should be to get the adapter if you own existing  Canon lenses, but if you don’t you’ll find the 18-55mm to be a good starter lens in terms of both size and performance (and especially battery life).

Good Lenses + Patience = Sometimes Good Results


When mastered, the EOS M can produce excellent results even with EF-M lenses
f/5.6 @ 44 mm (18-55mm), 1/80, ISO 640, No Flash, AWB
Click for original in-camera JPEG

If you are prepared to read the manual for this camera and learn how to use it properly, it will reward you when you match it to the right lens. It’s also quiet handy to point on the touch screen LCD to quickly pick your AF point (like the T4i offers), but you must be careful as grabbing this small camera body can also result in accidentally relocating the AF point – A LOT.

Bookshelf Test


Bookshelf Testing did include the 70-200mm

If you are frequent reader and are looking for my bookshelf test shots, you can find an assortment with three lenses at http://www.ronmartinsen.com/canon/eosm/e52365dee. As usual for non DSLR’s these are all in-camera JPEG’s all shot the same way. Touch to focus made it hard to get the same level of accuracy as I get with my other cameras tested, and it seemed easy for the meter to want to over expose by 1 stop.

image
In the center the smaller lenses perform well, but it’s at the edges where the expensive lenses show their value. Even at up to 55mm the EF-M lenses were only super sharp in the center.


Using the 70-200mm, here’s the best I got out of this sensor (but it was 1 stop over exposed)
f/5.6 @ 100 mm, 10s, ISO 100, No Flash, Manual Mode, AWB


Using the 70-200mm, here’s the best of the worst ISO 12,800
You MUST view at full size to see compare details
f/5.6 @ 100 mm, 1/13, ISO 12800

Overall I felt that ISO performance up to ISO 1600 was excellent, but even 3200 was good. 6400 under the right conditions was tolerable and 12,800 was usable but not suitable for printing above 4x6 prints.

For those wondering about RAW’s, see my other articles as to why I don’t include them. Yes, I do have the RAW’s and will make them available on demand for personal use only if you give me a free location to drop them. However, the delta of difference is the same in the RAW’s vs JPEG’s.

Video

I’m no videographer, but overall I found that with a good lens and decent light the video quality was very good. This is no camcorder though so expect DSLR like performance. The STM lenses do allow for near silent zooming and auto focus and the built-in audio was on par with DSLR’s.

Real World Sample Shots

Click here to see my full gallery of real world sample shots. These are the in-camera JPEG’s with zero post processing. With exception of the bookcase shots, all were taken handheld and where possible in the automatic modes to test the camera – not the photographer.

Be sure to look at the filenames to see which lens was used. Blurry or focus miss shots were included to point out shortcomings of focusing by touch or using the auto modes.


Bokeh freaks – yes, it’s possible – even here where I was riding at 70mph on a rough road <g>
f/4 @ 58 mm (24-105mm), 1/500, ISO 100, AWB, No Flash


The large APS-C sensor means you can control the depth of field very well
f/5 @ 37 mm (18-55mm), 1/30, ISO 6400, AWB, No Flash


I was impressed with the dynamic range and detail in the images
f/4.5 @ 28mm (18-55mm), 1/50, ISO 250, No Flash, AWB


High ISO performance was good, and seemed superior to the T4i, 60D and 7D
f/4 @ 105mm (24-105mm), 1/50, ISO 6400, AWB, No Flash


This doesn’t appear to be a lame G1X with interchange lenses as color depth seems to be better
f/5 @ 42mm (18-55mm), 1/80, ISO 160, No Flash, AWB


At times like this, I wanted to like this camera
f/4 @ 18mm (18-55mm), 1/30, ISO 3200, No Flash, AWB


Despite its size, this is no point and shoot. Just like a DSLR can burn you, so will this camera.
Sadly, I found it’s slow AF – even with good lenses to be problematic.
Unless you went to Manual mode, I found moving people to be impossible in all AF modes

Mouse over to see before, mouse out to see after
External flash is required, yet painfully difficult to use in all but 0EV ETTL
f/4 @ 25mm (18-55mm), 1/60, ISO 1600,
600EX-RT Flash
Mouse over to see the ISO 4000 no flash version

Mouse over to see before, mouse out to see after
I preferred the Shade White Balance over Vivid Mode (mouse over)
f/4 @ 45 mm (24-105mm), 1/80, ISO 160, No Flash

Conclusion

Putting a 24-105mm lens and a 600EX-RT on this body just feels stupid, and its touch screen makes it so easy to accidentally reposition the focus point that it becomes a real challenge to use this camera. This coupled with the reality that you have to go on a mission to change many camera settings made this a very unenjoyable camera to use, despite it’s decent image quality. This means you are then forced to either live without a flash or use the lame and bulky 90EX Flash and a EOS-M lens which would probably be bashed if that caliber lens were sold for a real DSLR.

In the end, I’d rather have a Sony NEX-7 which offers a built-in flash and superior physical controls as well as almost all of the benefits of the EOS M. I applaud Canon for trying to compete in the new interchangeable lens compact camera segment, but honestly this is almost as bad as the abysmal Nikon 1 V1. Canon and Nikon are the kings of the DSLR’s, but it seems that the small camera makers (i.e., Fujifilm, Panasonic, Sony and Olympus) still own this space.

If you are a parent or pet owner, I DO NOT recommend that you get this camera. It will frustrate you to no end as its too cumbersome to set the camera to the settings you need to get the shot (and even if you do, many settings are lost when the power goes off automatically). The touch to focus is also impossible for a child and the shutter lag makes the face tracking nearly useless (see the blurry photos at Tokyo Steakhouse in my gallery).

Where To Buy

If you are a die hard Canon person who has just gotta have one of these, and you appreciated my honesty then please support this blog by using my links when ordering. Empty your cart and click the links below to give me credit for your referral:

Other articles you might enjoy…

Disclosure

B&H loaned this camera and two lenses to me for the purpose of this review. If you make a purchase using links found in this article, I may make a commission.

NOTE: This site requires cookies and uses affiliate linking to sites that use cookies.

If you enjoyed this article, please support future articles like this by making a donation or saving money by using my discount coupon codes. Either way, your support is greatly appreciated!

This blog is intended for freelance writing and sharing of opinions and is not a representative of any of the companies whose links are provided on this site.

The opinions provided are of Ron Martinsen alone and do not reflect the view of any other entity

Thursday, August 9, 2012

Nikon Expands Its Popular Nikon 1 System with the Addition of the New Nikon 1 J2 Camera and 1 NIKKOR 11-27.5mm F/3.5-5.6 Lens (plus WP-N1 underwater housing)

Nikon 1 J2 – Buy now from Adorama
Nikon 1 J2 – Buy now from Adorama

MELVILLE, N.Y. – Today, Nikon Inc. announced the expansion of the popular Nikon 1 Advanced Camera with Interchangeable Lens System with the addition of the Nikon 1 J2 camera and the 1 NIKKOR 11-27.5mm f/3.5-5.6  lens to provide users with amazing image quality and stunning 1080p HD video in a portable, powerful package. The Nikon 1 System, including the new Nikon 1 J2 and the 1 NIKKOR 11-27.5mm lens, is engineered from the ground up to give users the freedom to capture and connect with others to share life experiences.

The Nikon 1 J2 improves upon the Nikon 1 J1 with new features such as a Creative Mode that provides a variety of photo effects to users, a metallic body, a higher resolution LCD screen and the addition of stylish new color offerings. Made for those seeking portability without compromising stunning image quality and quick performance, the J2 is the camera designed to empower users to capture their world like never before with stunning and sharp image and HD video quality. In addition to the camera, the 11-27.5mm lens is a super-compact zoom lens that offers a helpful 2.5x zoom range in an easily pocketable size.

“Building on the success and popularity of the Nikon 1 cameras and lenses, the new J2 and 11-27.5mm lens are welcomed additions to the ever growing Nikon 1 System," said Bo Kajiwara, Vice President of Marketing, Planning and Customer Experience, Nikon Inc. “Expanding the Nikon 1 System demonstrates Nikon’s continued dedication to creating compact and portable advanced cameras with interchangeable lenses that are easy-to-use and allow users to explore and redefine their creativity.”

Expanding the Nikon 1 System: The New Nikon 1 J2 Camera

The new Nikon 1 J2 offers a new Creative Mode accessible from the Mode Dial of the camera to let users express themselves in new creative ways. When in Creative Mode, photographers will be able to take advantage of several shooting modes including Panorama, Selective Color, Miniature, Soft, Night Landscape, Backlighting and Night Portraits. By selecting these modes, the camera will automatically adjust the settings for optimal results when capturing an image, yielding fun photos for a variety of conditions. The Creative Mode will also provide fast access to manual exposure controls (P,S,A,M), similar to those found on Nikon D-SLR cameras, for the ultimate in creative control and flexibility.


Rear View – Buy now from B&H or Adorama

In addition to the new Creative Mode, the J2 will sport a metallic camera body and Mode Dial giving the camera a sharp look and comfortable feel in hand. To match users’ varying styles and color preferences, the camera will come in a variety of fashionable colors including White, Black, Silver and Pink, as well as two new colors, a deep Red and Orange. The Red and Pink varieties of the J2 will have a textured grip to complement their vibrant color schemes. What’s more, the camera’s new high-resolution 3.0-inch, 921,000 dot LCD monitor provides sharper detail when sharing and composing images and HD videos.

True to the Nikon 1 promise, the J2 is the ultimate marriage of performance and ease-of-use wrapped in an attractive package. The new Nikon 1 J2 features a 10.1-megapixel CX-format CMOS sensor and the EXPEED 3 image processing engine to give users images and HD video with amazing fidelity and color, along with the ability to capture images in challenging lighting situations. The highly responsive Advanced Hybrid Autofocus (AF) system gives users a superfast shooting speed, allowing them to capture fast action with stunning clarity while the camera’s 73 point AF array will ensure accuracy and super precise focus, even on moving subjects.

The Nikon 1 J2 retains user-friendly features such as Full HD video recording, and a reputation for blazing fast speed with the ability to capture rapidly moving subjects at an astounding 10 frames-per-second (fps) with AF, or up to 60 fps with AF locked on the first frame. For even more creative freedom and to capture fleeting moments, Motion Snapshot Mode gives the ability to capture a spontaneous moment as a still image and combines it with a slow motion movie vignette. To help ensure the best shot every time, Smart Photo Selector captures multiple shots and lets the camera select the best one automatically.

To learn more, visit the product page.

Expanding the 1 NIKKOR Lens Lineup: The New 11-27.5mm f/3.5-5.6 Lens


Order now from Adorama or B&H

Alongside the new Nikon 1 J2, the versatile 1 NIKKOR 11-27.5mm lens will inspire shooters to take their creative expression on-the-go with an extremely versatile yet compact and lightweight lens. With a 2.5x zoom (30-74mm equivalent), this is an ideal lens for general shooting including landscapes, portraiture or even as the go-to lens on the next family vacation. The 11-27.5mm lens will be offered in Black and White, and will be compatible with the Nikon J2 as well as the Nikon 1 V1 and Nikon 1 J1.

To learn more, visit the product page.

New Underwater Case for the Nikon 1 J2 and J1


Pre-order now from c

Nikon has also announced the addition of a new accessory to the Nikon 1 System, one that will allow users to use their Nikon 1 cameras during water-based adventures and vacations for even more creative freedom and expression. The new WP-N1 is an underwater case that can house either the Nikon 1 J1 or new J2 in addition to the versatile 1 NIKKOR 10-30mm lens. The WP-N1 is ideal for users that enjoy the versatility of their Nikon 1 cameras but seek a way to protect their camera during their active lifestyle. The WP-N1 will allow users to bring their Nikon 1 camera on a beach vacation or water sport adventure like kayaking, jet skiing, snorkeling and surfing without having to worry about damage from the water. The case is waterproof up to 40 meters (approx. 131 feet), allowing consumers to enjoy the sun and surf while bringing back stunning photos and HD videos to share with their family and friends.

Price and Availability

The Nikon 1 J2 camera with the 10-30mm lens will be available in September 2012 for the suggested retail price (SRP) of $549.95*. The 1 NIKKOR 11-27.5mm f/3.5-5.6 lens will also be available in late September 2012 and will have a suggested retail price (SRP) of $189.95*. Additionally, the new WP-N1, the underwater case for either the Nikon 1 J1 or the Nikon 1 J2, will be available in September 2012 and will have a suggested retail price (SRP) of $749.95*. For more information on these new Nikon 1 series products and other Nikon products, please visit www.nikonusa.com.

To pre-order now, us the following links:

About Nikon

Nikon, At the Heart of the Image™. Nikon Inc. is the world leader in digital imaging, precision optics and photo imaging technology and is globally recognized for setting new standards in product design and performance for its award-winning consumer and professional photographic equipment. Nikon Inc. distributes consumer and professional digital SLR cameras, NIKKOR optics, Speedlights and system accessories; Nikon COOLPIX® compact digital cameras; 35mm film SLR cameras; Nikon software products and Nikon sports and recreational optics as well as the new Nikon 1 advanced camera with interchangeable lens system. In 2012, production of NIKKOR lenses surpassed 70 million, creating a new milestone in Nikon’s heritage of superior optics. For more information, dial (800) NIKON-US or visit http://www.nikonusa.com, which links all levels of photographers to the Web's most comprehensive photo learning and sharing communities. Connect with Nikon and other photographers on Facebook at http://www.facebook.com/nikon and get the latest news and information from Twitter by following @NikonUSA.

*SRP (Suggested Retail Price) listed only as a suggestion. Actual prices are set by dealers and are subject to change at any time.
Specifications, equipment and release dates are subject to change without any notice or obligation on the part of the manufacturer.

Disclosure

If you make a purchase using links found in this blog, I may make a commission.

NOTE: This site requires cookies and uses affiliate linking to sites that use cookies.

If you enjoyed this article, please support future articles like this by making a donation or saving money by using my discount coupon codes. Either way, your support is greatly appreciated!

This blog is intended for freelance writing and sharing of opinions and is not a representative of any of the companies whose links are provided on this site.

The opinions provided are of Ron Martinsen alone and do not reflect the view of any other entity

Monday, June 18, 2012

REVIEW: Sony Alpha NEX-7–Yeah, it lives up to the hype

Sony NEX-7
Sony NEX-7 – Yeah, it’s really as good as everyone says it is

The Sony NEX-7 has been around for a while, and when I saw it in New York last fall I wasn’t captivated enough by it to give it a deep look. I tried to reach out to Sony, but they seemed uninterested in blogs like mine so I figured I’d focus on the much hyped Nikon 1 V1 and Fujifilm X100. Both of those cameras end up disappointing me, and the eagerly anticipated XPro-1 had brilliant image quality in yet another poorly executed end product. My dream of having everything I loved about the Fujifilm X10, yet with a better sensor had seemed to be an impossible dream.

While I won’t be replacing my X10 just yet, I’m impressed with the Sony NEX-7. I’m still in the camp that if you want a DSLR, get a great DSLR from Canon or Nikon, but if you want a compact camera then get X10. However, The NEX-7 is the camera I’d easily recommend over the Nikon 1 V1 (and J1), X100, XPro-1, and the Canon G1X.

Living with the NEX-7


Well laid out, but not has handy as you might think at first glance

While the NEX-7 isn’t as big as a full-blown DSLR, it’s big enough that it’s not going to drop in the door pocket of my SUV like some of the other cameras I’ve tested. The lenses are proper lenses, not some tiny pieces of junk like those found on the Nikon 1 V1.

The unit I tested also had the 18-55mm f/3.5-5.6 zoom lens which surprised me with the fact that it didn’t suck like most kit lenses typically do. It seems to be well made with reasonable optics (not great, but usable) and features a very usable minimum focus distance. I also had the 50mm f/1.8 which cost the same as the zoom, but was much more frustrating to use due to its longer minimum focus distance (15.3 vs 9.84”). If I were buying one of these for myself, I’d definitely go for the zoom and pass on the 50mm. Here’s a sample image taken with both the 50mm and 18-55mm @ 50mm (both at f/5.0):

Mouse over to see 50mm, mouse out to see 18-55mm @ 50mm
Mouse out for the 18-55mm @ 50mm (full-size) and
Mouse over for the 50mm (
full size)

Controls & OLED Display


The grip, buttons and knobs are first class – no cheap feeling at all

This camera features an excellent grip and a very usable OLED display in the rear. I expected to be blown away by the OLED display, but I wasn’t. Perhaps I’ve become desensitized after staring at the new iPad display, but I didn’t perceive it to be any better in real-world use over the LCD’s in the latest Nikon and Canon cameras, nor was it to super to the Fujifilm cameras I’ve used. The controls have a good solid feel, but like many cameras in this class it’s lacking the controls I want where I need them, so often you are cycling through menus or buttons to get to what you need. This really hampers reactionary work, so this is definitely not a camera I would recommend to a photo journalist looking to downsize to something more discrete.

Flash Performance

I found the pop-up flash to be just as useless as most point and shoots, despite its interesting design. It still doesn’t go high enough to clear the hood on the zoom lens, and it’s a tiny nuclear bomb of light that hits the target like a laser instead of spreading wide to light the entire scene. Here’s what you can expect in your typical dark restaurant scenario:


Typical point-and-shoot like nuclear blast of light from the on-camera flash (0EV FEC)

Pulling the flash exposure compensation back is a challenge by default, but when you set it to –3EV it gets better but is still pretty hot due to the direct nature of the flash. Here’s an example which admittedly is being impacted by the white hoodie which acts as a reflector here, but you can see on the girl and toddler that the lights not quite as hot:


You can dial back the flash, but not enough (-3EV FEC)

Just like the Fujifilm X100 and XPro-1, this camera features a LCD viewfinder that matches what you see on the rear. However, it’s not as advanced as the brilliant Fujifilm design which also allows for true optical – there is no optical here. I also found the viewfinder to be frustrating as I’d often get my hand too close to it and end up causing the rear LCD to go black.

A good investment with growth opportunity


20 minutes before sunset on a cloudy day
Click for original (this has minor debris removal and cropping, original is untouched)

What I really like about this camera over the competitors is that Sony has made a great selection of E-Mount products in the NEX lineup that give you room to grow. There’s long, wide-angle, pancake, fisheye, etc… lenses as well as high quality Carl Zeiss lenses like the 24mm f/1.8 Sonnar.  This is a platform that grows with you, so you won’t be left out in the cold as easily as I fear will be the case with some of the other manufacturers highly proprietary designs. In fact, if you don’t mind manually focusing, Bower makes an adapter which allows you to mount your Canon EF lenses to the NEX-7.

Bookshelf Test

I found this camera to underexpose by about 1 stop compared to my other cameras so I shot all of these in M(anual) mode at +1 EV. These are all the in-camera JPEG’s with no modification. Click to view the originals for a fair assessment of image quality as artifacts appear in these small thumbnails that do not appear in the original file. I was VERY impressed with the results – this is competitive with any DSLR on the market.


18-55mm lens - f/5.6 @ 50mm, 6s, ISO 100, DRange Auto, AWB


50mm 1.8 lens – f/5.6, 8s, ISO 100


ISO 12,800 is usable for casual photos

HDR Result


HDR Mode +/- 6

This camera has built-in HDR support (JPEG only and discards exposures). The best it can do is shown above which is quite good, but one frustrating fact is that when you are in HDR mode you can’t use the timer. As a result your finger press can introduce shake that can ruin your long exposure. A remote release or great care is required to avoid camera shake at the start of the first exposure.

Mouse over to see before, mouse out to see after
Mouse over to see the non-HDR and mouse out to see the HDR Auto version

I found the auto HDR setting to be very conservative, but the auto-alignment was brilliant. Hand-holding was never a problem for reasonable light exposures.

Conclusion

The battery was good for a day which was a big improvement over other non-DSLR cameras I’ve looked at. The performance of the Anti-Blur mode (JPEG only) was outstanding. It’s the mode you use when you are in the dark restaurant or pub and you want to get that family shot. Of course, it doesn’t help you with the the fact that there might not be a lot of light on your subjects faces, but at least your subjects won’t be hopelessly blurry.

I was impressed with image quality with the kit lens and availability of lenses (including third party), I find this to be a good choice for those looking for something smaller than a traditional DSLR – for casual use. I was also pleased with the pano feature which works much like the Fujifilm X10, but is more forgiving and fun to use (click here for samples). Video is also excellent, but sadly I didn’t get much time to test it so I have no meaningful samples to share.

My only real gripe about this camera are the annoying menu system and its lack of quick access to things like white balance and macro mode. I also hated that I didn’t have a easily accessible way to zoom the live view like I would on a DSLR. YES, I can realize I can reprogram buttons but the fact is I don’t see any candidates I’d want to reprogram. I just want more buttons for faster access, and its crappy menu system doesn’t help either.

If you are hell bent on going with a more compact alternative to a DSLR, then I think you’ll be happy with the Sony NEX-7.

Order your NEX-7 today at B&H and help support this blog!

Too expensive for your budget? How about this option…

If the NEX-7 is out of your budget, you might want to consider the NEX-F3 which is on sale now. It’s a fraction of the cost, comes with the excellent 18-55mm lens and is only $598!

The cool thing about the NEX system is that it seems to be well thought out and executed, so you could buy the F3 and then grow into the 7 down the round. Your lens and accessories would still work so you could get the body only for the 7 and you’d be back in business.

Real-World Sample Images

You can find the latest images that I’ve added at http://ronmart.zenfolio.com/nex7 as well as my article entitled “Sony NEX-7 Panorama Images Added”. Here’s a few that I’ve done so far that are worth mentioning. None have any post-processing and all link to their original in-camera JPEG’s:


I was pleased with the detail from hand-held shots in low ambient light


My wife thinks these are creepy, but this and others in the gallery give you an idea of how the lenses compare. These were all done hand-held in admittedly tough wind conditions.


This was really dark in real-life – I was shocked at how well the NEX-7 did here


Using Landscape mode and Shade White balance, rich colors were possible


This is a tough shot because my son is bouncing around like a head banger
Using the Anti-Motion / Blur feature, I stopped him his tracts and got a good clean shot.
That’s very impressive for this price point.


Taken on the go while walking back to the car
Macro mode sometimes just works

Macro mode was hit or miss. Here’s an example of a miss where the camera made an audible focus lock sound, but the net result was a total fail (which happened a lot):


Macro mode can let you down if you aren’t careful


50mm 1.8 lens - it works well as a portrait lens


Thanks to a shorter minimum focus distance, the 18-55mm outperformed the 50mm for this shot


Lots of detail even at ISO 1600


Horrible shot, but what’s noteworthy is that at ISO 640 there’s still plenty of detail in the netting


Another horrible ISO 6400 shot, but the detail on the strawberry is impressive (ISO 1600 version)


Shallow depth of field was much easier than with a point and shoot

Disclosure

I was provided with a loaner unit of this camera and lens which I intend to return. If you make a purchase using links found in this article, I may make a commission.

NOTE: This site requires cookies and uses affiliate linking to sites that use cookies.

If you enjoyed this article, please support future articles like this by making a donation or saving money by using my discount coupon codes. Either way, your support is greatly appreciated!

This blog is intended for freelance writing and sharing of opinions and is not a representative of any of the companies whose links are provided on this site.

The opinions provided are of Ron Martinsen alone and do not reflect the view of any other entity