Showing posts with label Photographers. Show all posts
Showing posts with label Photographers. Show all posts

Wednesday, June 24, 2015

REVIEW: Darling by Jerry Ghionis


Darling by Jerry Ghionis

Generally speaking, I’m not a fan of photo books that celebrate the work of photographers. However, I saw this book at WPPI in Las Vegas this past March and it drew me in. At 16 x 10 x 2 in and weighing in at 5 lbs, this is a substantial book with high quality prints that are often both mesmerizing and inspiring.


Darling celebrates the work of master photographer Jerry Ghionis

Simply put, if you are going to do a portfolio book this is a good example of how it should be done. What’s more, this is a book that will hook you with the images and I think inspire you when your running short on ideas. This is why I’m giving it a rare “recommended” rating for a book of this class because honestly I think people will love it.

Here’s a short promo video for the book to give you a peek inside:

Westcott Ice Light

Westcott Ice Light 5500
Westcott Ice Light 5500

You may have noticed in the video or elsewhere that Jerry’s a big fan of the Westcott Ice Light. These are pretty neat handheld LED lights that only weigh a little over a pound yet can run up to an hour on a battery. It’s pretty cool for location shoots. Click the image above to learn more.


Click photo to learn about Jerry’s
Westcott Ice Light 5500 on Amazon

Conclusion

This book isn’t cheap so it isn’t going to be for everyone, but for those who appreciate wedding and boudoir photography the images are sure to get your creative juices flowing again.

Where to order

Click here to learn more or order your copy today. 

While there is NO discount and I DO NOT make a commission on this book sale, I would appreciate it if you could acknowledge in the cart (as shown below) that you purchased this book after seeing it here on my site.

Please let them you know you saw it here on ronmartblog.com!

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Disclosure

If you make a purchase using links found in this article, I may make a commission. It doesn’t cost you a penny more, but it does help to support future articles like this.

NOTE: This site requires cookies and uses affiliate linking to sites that use cookies.

If you enjoyed this article, please support future articles like this by making a donation or saving money by using my discount coupon codes. Either way, your support is greatly appreciated!

This blog is intended for freelance writing and sharing of opinions and is not a representative of any of the companies whose links are provided on this site.

The opinions provided are of Ron Martinsen alone and do not reflect the view of any other entity

Friday, May 8, 2015

Recommended Adobe Lightroom CC 2015 Books


Click image to look inside

The Adobe Photoshop Lightroom CC Book for Digital Photographers by Scott Kelby is the latest installment of a book that I’ve been reading since the first edition many years ago. This latest installment is better than ever with over 550 pages of helpful step by step instructions on how to use all the cool features of Adobe Lightroom 6. If you’ve read the previous versions then you know what to expect, so this is a significant refresh that also covers all the new features found in Lightroom CC 2015. Simply put, this is the best edition yet for what seems to be the best version of Lightroom yet, so I highly recommend this book for photographers for Scott Kelby fans and those who like visual step by step instructions on how to use all the features Lightroom has to offer.


Click image to look inside

The Adobe Photoshop Lightroom CC / Lightroom 6 Book: The Complete Guide for Photographers by Martin Evening is very different from Scott Kelby’s book. This is 700+ page book is like the Lightroom encyclopedia of features. With in-depth details, this book is for the geek who doesn’t want you to show them how to use a feature (which Kelby’s book does), it’s for the geek who wants to know why to use a feature and how it works in depth. This book is NOT for the faint of heart, but it is extremely well written and very comprehensive. I highly recommend this book for geeks if you are the type of person who finds Scott Kelby’s books lacking the depth of technical details you want to know then this is for you. If you are the type that just wants to just see how to use a feature, then get Scott Kelby’s book.

Conclusion

These books are for two distinct different audiences, but I know for a fact that both audiences exist in the photography world. One audience will love one of these books and be underwhelmed by the other. Personally, I find both to be extremely well written and comprehensive resources. I’m glad to have the opportunity to have both on my bookshelf, but quite honestly I’ll probably reach for Scott Kelby’s book more often as my busy lifestyle often needs step by step “just show me” answers.

Where to order

Click the images or links above to order print or digital copies online today.

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Disclosure

If you make a purchase using links found in this article, I may make a commission. It doesn’t cost you a penny more, but it does help to support future articles like this.

NOTE: This site requires cookies and uses affiliate linking to sites that use cookies.

If you enjoyed this article, please support future articles like this by making a donation or saving money by using my discount coupon codes. Either way, your support is greatly appreciated!

This blog is intended for freelance writing and sharing of opinions and is not a representative of any of the companies whose links are provided on this site.

The opinions provided are of Ron Martinsen alone and do not reflect the view of any other entity

Monday, July 8, 2013

Mini-Review: The iPad for Photographers–Second Edition

The iPad for Photographers: Master the Newest Tool in your Camera Bag (2nd Edition) is an update (see my review of iPad for Photographers here), but I definitely think it’s a must buy update. The reason why is because everything you loved about the first version is there, but this one has been greatly enhanced for the latest iPad’s as well as improvements to account for some of the better apps that are now available. To help you find these apps quicker than before are QR codes that you can scan with your phone or iPad to quickly learn more information or order from the AppStore.

Click here to visit the Amazon page where you can peek inside and see the updated table of contents and learn more.

Conclusion

With so many updates to the iPad since the first book was written, unless you have an old iPad which hasn’t installed the latest iOS, this is a no brainer update that I highly recommend. If you are photographer (even DSLR photographers) who want to make better use of your iPad, I can’t recommend this book highly enough.

Where to order

Click here to order it from Amazon and if you have a Kindle Fire reader then you can click here to order.

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Disclosure

If you make a purchase using links found in this article, I may make a commission. It doesn’t cost you a penny more, but it does help to support future articles like this.

NOTE: This site requires cookies and uses affiliate linking to sites that use cookies.

If you enjoyed this article, please support future articles like this by making a donation or saving money by using my discount coupon codes. Either way, your support is greatly appreciated!

This blog is intended for freelance writing and sharing of opinions and is not a representative of any of the companies whose links are provided on this site.

The opinions provided are of Ron Martinsen alone and do not reflect the view of any other entity

Tuesday, June 18, 2013

REVIEW: The Photographer’s MBA

The Photographer's MBA: Everything You Need to Know for Your Photography Business is a book that everyone who is serious about trying to make it as a photographer these days should read.

I’ll admit, when people contact me about becoming a photographer I paint an accurate gloom and doom picture of what many GREAT award winning photographers face these days. If you are JUST a great artist/photographer, you will fail (financially) in this business. I see it all the time. However, a mediocre photographer who understands how to market themselves, their product and who understands the economics of the system has the potential to make it. In this book, Sal highlights these realities and shares his tricks of the trade.

Unlike other books on the subject, this one isn’t super dry. It’s an entertaining and motivational read that will have you fired up and ready to take on this challenging industry. With that said, I still urge extreme caution as those with good day time jobs that provide medical benefits and food on the table have a luxury many amazingly  great photographers these days wish they had!

Chapter by Chapter Walkthrough

one – So You Want To Be a Photographer – This chapter offers a dose off reality and hope for the 50,000,000+ people who want to quit their day job each year to become what their imagination this is the relaxing glamorous life of a pro photographer.

two – Let’s Talk Business – This is an important overview with pros and cons about the different business types (i.e., Sole Proprietor, LLC, S-Corporation, etc…). This is the chapter I’ve been wanting to read by someone in the photography business for a long time! If you are still operating as a sole proprietor, then you must read this chapter!

three – The Business Plan – This type of stuff makes artists puke, but the reality is that in this is century you are NOT an artist. You are a business person who sells artwork that you create, and as such there are fundamentals required to ensure your business is a success – and that it is one that banks and business partners will respect. This the meat of the MBA portion of the book, so read this one after a good rest when you have an open mind about what you should be doing  for your business.

four – Branding – This a brilliant Business 101 course about how to establish a brand that your customers will respect.

five – The Marketing Plan – This is a great chapter that shares the reality about what your marketing dollars and effort will get you using a variety of common marketing options. This is a great chapter for the woefully out of date veterans of the business who haven’t caught up to the reality of what no longer works these days and what does. It has great cost, time and return analysis of a variety of techniques ranging from television to AdWords and more.

six – Getting Social – I’ll admit that I enjoy Facebook for personal use, but I really despise having to do anything with social media. However, my embracing social media has taken me to the next level so I can confirm what Sal says here is true. This is the modern day business tax, but most of the time your investment will pay dividends.

seven – Cost and Pricing – This is a brilliant chapter, especially when he talks about packaging. This is an area where most photographers fail miserably, so consider it a must read if you aren’t a rich 6+ figure photographer right now.

eight – Contracts – Another necessary evil chapter, but a must read after your morning coffee.

nine – Finding Your Niche – A good overview of the different categories of photography and practical advice on Sal’s journey trying each technique.

Conclusion

This is a must read book for both the beginner as well as the seasoned pro who doesn’t have enough jobs to not worry about money. Of course, many photographers will argue that they don’t do this for the money, and that’s fine – IF you keep your day job that pays the bills. For those that throw caution to the wind and rely on their skills to pay the bills, this is a must read book.

I give this book a HIGHLY RECOMMENDED rating from beginner to seasoned veteran (and it’s a bigger must read for struggling seasoned veterans).

Where to order

Click here to order this book on Amazon. It’s also available for your Kindle Fire HD.

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Disclosure

If you make a purchase using links found in this article, I may make a commission. It doesn’t cost you a penny more, but it does help to support future articles like this.

NOTE: This site requires cookies and uses affiliate linking to sites that use cookies.

If you enjoyed this article, please support future articles like this by making a donation or saving money by using my discount coupon codes. Either way, your support is greatly appreciated!

This blog is intended for freelance writing and sharing of opinions and is not a representative of any of the companies whose links are provided on this site.

The opinions provided are of Ron Martinsen alone and do not reflect the view of any other entity

Friday, June 7, 2013

Automotive Photography Legend Tim Wallace comes to Kelby Training (Discount Available)

Click to view full size
Copyright (c) Tim Wallace - ALL RIGHTS RESERVED

My favorite automotive photographer Tim Wallace has some  great content on  Kelby Training to show you how he does his magic. I loved watching this class,  and some of his others! It’s really great stuff!

Here’s a shot that I did shortly after watching his first video.

Click here to read my review of Kelby Training and enjoy a discount. There’s a lot of great stuff on Kelby Training, so this is just the tip of the iceberg. You’ll love it!

NOTE: This site requires cookies and uses affiliate linking to sites that use cookies.

If you enjoyed this article, please support future articles like this by making a donation or saving money by using my discount coupon codes. Either way, your support is greatly appreciated!

This blog is intended for freelance writing and sharing of opinions and is not a representative of any of the companies whose links are provided on this site.

The opinions provided are of Ron Martinsen alone and do not reflect the view of any other entity

Monday, April 29, 2013

Great T-Shirt for Photographers–Camera Sutra

Camera Sutra T-Shirt
Camera Sutra T-Shirt

I thought this Camera Sutra T-Shirt was pretty funny, so I thought I’d share it with other Photographers who have a good sense of humor. I can’t stop laughing at “The Grape Crusher” and “The Underexposed” – too funny!

Enjoy!

Where to order

Click here to order one today on my friend Trey Ratcliff’s Stuck In Customs web site where you can find this and several interesting tutorials, eBooks, presets and much more.

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Disclosure

If you make a purchase using links found in this article, I may make a commission. It doesn’t cost you a penny more, but it does help to support future articles like this.

NOTE: This site requires cookies and uses affiliate linking to sites that use cookies.

If you enjoyed this article, please support future articles like this by making a donation or saving money by using my discount coupon codes. Either way, your support is greatly appreciated!

This blog is intended for freelance writing and sharing of opinions and is not a representative of any of the companies whose links are provided on this site.

The opinions provided are of Ron Martinsen alone and do not reflect the view of any other entity

Monday, September 10, 2012

Guest Review: Google+ for Photographers by Colby Brown by Timothy Lusk

With the success of my blog, I have been flooded with books to review. Simply put, there aren’t enough hours in the day for me to review them all so when I was approached by my friend and previous guest blogger Timothy Lusk about Google+ for Photographers, I was happy to let him use my copy so he could offer his own thoughts on this book. Here’s Tim’s review in his own words:

Introduction

Over the last month I have read Google+ for Photographers by Colby Brown. While I have been on Twitter and Facebook for sometime, we all know that Google was sort of a “Johnny Come Lately” to the world of Social Media. I have had a Google+ account for some time, but didn’t really know where to start for using it.

You can find out more about Colby on his own Google+ page or at his web site below.

OVERVIEW

As the book describes, before Google+, photographers had to rely on visiting other social media sites like Twitter, Facebook, and Flickr, to display their work and interact with others that have the similar interests. In a way, Google came up with a social media that was tailored to photographers—Google+.

This book is a great resource for getting yourself up to speed with how to manage your account, build a brand, and interact with others. While I consider myself extremely tech-savvy, I did come away from reading this learning a few tricks myself and understanding how to better manage a Google+ profile.

CHAPTER SUMMARIES

Chapter 1 / Why Google+ Works for Photographers

I think the information I gained from this chapter really helped me understand why Google+ is here, and it will stick around. Unlike Facebook and other web sites that are considered social networks, Google has almost created a new class of online interaction—an “interest network”, as they refer to Google+.

Reading through it, you’ll move onto the next chapter with more clarity of why Google+ is great for the artistic community—whether you’re a photographer, artist, illustrator, or even a knitter.

Chapter 2 / Building an Online Presence

Colby goes through some important features within a profile here and how you should think about the information you include on your profile so that you’re properly “engaged” in Google+. In short, if you’re a photographer who has a business, this is where you’re going to understand why it is important to have a brand and how best to market your offerings and learned knowledge on Google+.

Chapter 3 / Getting Started with Google+

If you’re a first time user of Google+ (not even having an account, for example), this is where you will finally get help with creating an account, adding photos, understanding how to add friends, and making sure your profile is setup in such a way to ensure nothing is left out. I have to say, this is very detailed and Colby did a great job with the instructions and breaking down the sections of a Google+ profile to take advantage of the features.

However, one thing to note—like any internet-based instruction manual—Google+ has been refreshed since Colby’s book was published. While it’s been a little over a year since Google+ launched, I think this is the only frustrating part of Google+ for Photographers. Note though that all of the features are still active on the new look in some way, so beyond having to make some minor adjustments to the new profile. For example, today, you have a banner image next to your profile photo instead of five thumbnail images.

Chapter 4 / Working with Circles to Stay Organized

This is where I started to learn some new tricks. While I had a basic grasp of how Google’s “circles” worked being that you could categorize friends, family, school mates, etc., I learned how the circles actually help with filtering content to ensure that only certain people could not only receive the information, but others wouldn’t be privileged to see it unless they were in that circle.

Chapter 5 / Learning How to Interact on Google+

Throughout the chapters before this, you learn a couple things about what Google is doing. You learn that Google has their employees on Google+ for you to interact through Circles, etc. Yes, you can talk with a real live employee who either works on Google+ directly or another on of the Google projects.

Here, you will also learn how interacting on Google+ actually helps with pushing photographers and their work to a higher position on the search list that we see when we search on Google. What this chapter is offering is how to fine turn your interactions. Everything from what you do and don’t want posting on your stream and how to include a fellow Google+ user—can you guess?! Yes, just add a “+” in front of their name (+Timothy Lusk). You can also Twitter-fy it and used the @Timothy Lusk.

Chapter 6 / Publishing your Photographs and Other Content

This is sort of the “business of” chapter. I found that while it does instruct you on how to upload photos to your profile and share them out, it was going beyond that to help you understand how to start gaining recognition…

Chapter 7 / Photo Management on Google+

Like anything with a lot of information, it is best to keep it organized… This chapter goes into great detail on how to keep your photography organized in the way you share it, categorize it, and make sure that your fellow Google+er’s know where to find the photos that suit their interest. If you’re familiar with Google’s photo gallery, Picasa, you’ll be able to breeze through this chapter. If not, and you’re using Flickr or another sharing site, you shouldn’t have a problem becoming aware of the ways to date, organize, and share your galleries with your friends, family, and circles.

Chapter 8 / Using Hangouts to Interact with People Worldwide

While there is a lot that is like Facebook and Flickr on Google+, Hangouts are where Google has singled itself out and moved away from the social media pack… I would say this is a big draw to those you are heavily involved with online webinars and continuing education sites that support live or recorded video instruction. It’s using a Skype-like video playback to meet with others, but with Hangouts, you can have more than one video connection going at the same time. Colby has some great examples of using Hangouts for gear review, critiques, tutorials. In short, think of it like a “live” version of YouTube.

Chapter 9 / Google+ on the Go

To start, I want to say that I do have the Google+ app for my iPhone, and before I go into the chapter itself, I would like to mention (if you haven’t already uncovered it), the default features for the application automatically publish your images to Picasa and Google+, BUT they are not shared publicly until you approve to release them.

To best sum up this chapter, it is best to say he will “cover the ins and outs of the Google+ mobile app and explain the importance of keeping in touch while on the road.” And he does just that. He walks through the mobile app and breaks down what the features do and what you gain from an iPhone, Android, or Windows Phone.

CONCLUSION

Throughout the book, there are green boxes called “Colby’s Quick Tips”. Read them, read them all! I think I learned more tricks from those than I ever thought existed on Google+. Another great addition to this book are the Q&A sections with other photographers and how they take advantage of Google+ and what it offers to their business and gaining clients and recognition in the photography industry.

If you are new to Google+ and/or are looking to further expand your photography through a social media, I would recommend this book as a great starting point. I will say though that this book can be seen as VERY focused on the professional/business photographer who actually shoots as a career and that is their sole income. The reason I say this is due to the reality of asking yourself… Do you have time to glue yourself to yet another online media outlet?

In a way, if I hadn’t already committed myself to Facebook, Twitter, Flickr, etc. and I was looking to join onto a new outlet for my photography, I would have focused 100% on getting my Google+ account up and running to work for me. So, if you know of someone looking to move beyond the masses of Flickr or Facebook to share their photos, please introduce them to Google+ and this book… I don’t doubt they’ll thank you later.

Ordering Information

Support this blog by buying your copy of Google+ for Photographers on Amazon.com or get your Google+ for Photographers Kindle Edition on Amazon.com.

Disclosure

If you make a purchase using links found in this article, I may make a commission. I was provided a copy of this book by the publisher to review for you and loaned it to a co-work who graciously wrote the text here for use on this blog.

NOTE: This site requires cookies and uses affiliate linking to sites that use cookies.

If you enjoyed this article, please support future articles like this by making a donation or saving money by using my discount coupon codes. Either way, your support is greatly appreciated!

This blog is intended for freelance writing and sharing of opinions and is not a representative of any of the companies whose links are provided on this site.

The opinions provided are of Ron Martinsen alone and do not reflect the view of any other entity

Friday, August 24, 2012

REVIEW: The Adobe Photoshop CS6 Book for Digital Photographers

The Adobe Photoshop CS6 Book for Digital Photographers is an update of a classic book that every Photoshop owner should have near their desk.  If you already own The Adobe Photoshop CS5 Book for Digital Photographers, then you’ll find that this book is very similar with some nice new updates to keep your skills relevant to current trends. The biggest obvious difference is that Chapter 6 (Jonas Sees in Color – Color Correction Secrets) gets dropped and replaced with the new Chapter 12 – Videodrome chapter which is a must read if you are wanting to learn what Photoshop CS6 can do with video.

Chapter by Chapter Walkthrough

Because I’ve reviewed preview editions of this book, I’m catering my walkthrough a bit to those who have read the previous version. If you haven’t, don’t worry, you can still get an idea of what’s included but you might find it handy to read one of the previous edition reviews if you are feeling like you are missing something. Each version of this book drops a little of the old and picks up the new, but each one is strong enough to stand on its own – if you own the version of Photoshop that the book was written for.

Here’s my thoughts on the chapters in this edition:

Chapter 1 Mini Series – Using Photoshop CS5’s Mini Bridge

One of the cool new features of CS5 was the miniature version of Bridge built in to a panel directly into CS5. This chapter covers a lot of things you never would have guessed it would do. It replaces the “London Bridge – Bridge Essentials” content from the CS4 edition, so it’s worth a read if  you’re coming from CS4 or skipped this chapter in the last book. There’s some very cool stuff you can do with Mini Bridge so check it out.

Chapter 2 WWF Raw – The Essentials of Camera Raw

This is an improvement over Chapter 3 of the CS4 edition where now more practical tips are added, but near identical to the CS5 edition. It’s worth a read if you aren’t using Lightroom or are new to Adobe Camera Raw (ACR). If you read the

Chapter 3 Raw Justice – Camera Raw – Beyond the Basics

I highly recommend this chapter, especially if you haven’t read the 7 Point System. There’s lots of practical tips here that every photographer should know and it starts to show why you should care about Adobe Camera Raw (ACR) even if you own Lightroom.

If you read the previous version of this book then it’ll feel like déjà vu all over again, but there’s a a few hidden gems scattered throughout. The one I think many will appreciate is the “Getting the Old CS5-Style Fill Slider Back” (which also applies to Lightroom). I hated Adobe for getting rid of this one, so if you haven’t figured out what to do to get it back then you’ll love this!

Chapter 4 Attitude Adjustment – Camera Raw’s Adjustment Tools

This was a good chapter in the last book and it’s actually improved quite a bit here. The last main three sections on selective white balance; reducing noise just in shadows; and getting more out of adjustment brush effects are “doh, why didn’t I think of that” tips that beginner to intermediate users will love. 

Chapter 5 – Scream of the Crop – How to Resize and Crop Photos

If you read the last book then skip to the next chapter, but if you haven’t then this is pure gold – especially for new and frustrated users. You might actually stop saving cropping for Lightroom and do it directly in Photoshop after reading this!

Chapter 6 – Black & White – How to Create Stunning B&W Images

For me Silver Efex Pro is the only way to create Black & White now, but if you are pinching pennies and need to do it the old fashion way then there’s much goodness here. It feels identical to the previous book because not much has changed in Photoshop. It’s an easy skip for repeat readers or those who have accepted the reality that the Nik Software suite is simply a must own collection for anyone serious about photo editing.

Chapter 7 – We are HDR – Creating HDR Images

CS6 has come a long way with HDR over the past few versions. However the only reason you use Photoshop for this is because you are pinching pennies. Proper HDR is best done in HDR Efex Pro 2, or Photomatix. In this article I compare different HDR products including CS6 so you can see which HDR solution is right for you.

If you decide to get Photomatix then Trey Ratcliff's Photography, HDR and Post-Processing Course is a must own in my book.

Chapter 8 – Little Problems – Fixing Common Problems

I loved this chapter before and it keeps improving. CS6 has some awesome stuff like content aware scale and move added, so everyone should read this chapter. Scott added several new sections over the last edition for things like dealing with backlit subjects and creative content-aware related sections. He nixed the fixing dark eye sockets section (which can be solved easily using Viveza), but left in goodness from the previous edition like selecting hair & compositing. This is a must read chapter!

If you like this chapter then you’ll love Photoshop Compositing Secrets, so I highly recommend you pick that book up when you are done reading this one.

Chapter 9 – Side Effects – Special Effects for Photographers

This is a major update to catch up with current trends, so if you are a previous edition owner and are wondering if there’s much that is new – this is where you’ll find a good chunk of it! Personally I try to re-read every chapter of this book each time a new edition comes out because I find that there’s too much for me to absorb through just one pass through the book. I rarely find time to read it twice before a new edition comes out, so I add a few items to my toolbox each time I read one of these killer books by Scott Kelby! This edition includes cool new things like the Instagram look, tilt-shift effect (using the new blur gallery), lighting effects, liquify tricks, and so much more. Don’t skip this chapter!

Chapter 10 – Sharpen Your Teeth – Sharpening Techniques

Just when you think that you can’t beat this old dead horse much more, Scott goes and adds some new stuff that makes you glad you read the chapter. Sharpening is a critical part of photography these days, so I recommend you read this chapter. Personally I find Sharpener Pro easier, but CS6 can create results that are as good in the right hands. This chapter helps you to get those skills. Previous edition owners can skip this chapter though as nothing has really changed.

Chapter 11 – Fine Print – Step-by-Step Printing and Color Management

This a good super high-level summary of what I cover in more depth in my Printing 101 eBook. This chapter gives you a taste of what you are jumping into if you decide to do your own printing, before you’ve told yourself – yes, I’m going to do this! My book is for those who are definitely getting ready to get into printing, or who already have but are frustrated with mediocre results.

This chapter is a carryover from the previous edition with only one minor section about contact sheets added.

Chapter 12 – Videodrome – Editing DSLR Video in Photoshop

I despise doing video because it’s so time consuming and I’m just not really ready to learn new software. I want to take my Photoshop knowledge and be able to apply it to my video, but that hasn’t been possible – until now. Scott mirrors my thoughts exactly and does what we all want – he just shows us how to make use of Photoshop’s video features right away using what we already know. This subject is big enough for a whole book (hint, hint, Scott!), but until we get that this is the primer that I think most readers will appreciate.

Chapter 13 – Workflow – [Scott Kelby’s]  Step-by-Step Workflow

If there is one reason to keep your old versions of this book it’s because Scott always does something new in this section for each book, and personally I like to have the old ones around. This one is useful even if it’s a little more simple than some of the past editions (mainly due to advancements in Photoshop). It’s really geared towards the beginner who is looking for that “ah,ha moment” where they start to tie things together to see how the stuff they’ve learned can be used on their photos.

I still STRONGLY recommend Scott’s 7 Point System book even though it’s written for CS3. If you like this chapter then you’ve gotta get the 7 Point System – that book changed my life!

Conclusion

Anytime I know I’m going to be on a long flight I like to take the books from this series and re-read them because I always pick up great new things each time. While it’s more of a recipe book that you'll use as a reference, I find myself using this book at least once a month for some tricky challenge I face. I love it and can’t live without it!

Skill Level: ALL - Beginner to Advanced
Value:
Excellent (worth every penny)
Recommendation: Must Own for those who don’t have previous editions and worth the upgrade for those doing video or who want to pick up modern day skills.

If you are too busy or lazy to read a book like this, then you might consider KelbyTraining.com too. While I prefer to have this as a reference book to quickly to the solution for the problem I’m currently facing, there’s lots of great videos on Kelby Training (discount) that are more in-depth. I also find that Kelby Training keeps me up to date on the latest techniques as they are always adding new videos each week. Some good examples are Photoshop CS6: Brushes and Painting and Photoshop CS6: What’s New?. There’s also tons on Lightroom 4 too!

Click here buy your copy today and help to support this blog!

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Disclaimer

If you make a purchase using links found in this article, I may make a commission. I was also given a copy of this book by the publisher so I could see what was new and share that info with you.

NOTE: This site requires cookies and uses affiliate linking to sites that use cookies.

If you enjoyed this article, please support future articles like this by making a donation or saving money by using my discount coupon codes. Either way, your support is greatly appreciated!

This blog is intended for freelance writing and sharing of opinions and is not a representative of any of the companies whose links are provided on this site.

The opinions provided are of Ron Martinsen alone and do not reflect the view of any other entity

Tuesday, June 5, 2012

REVIEW: DroboPro–Up to 24TB with Fast iSCSI Support–

DroboPro
DroboPro (Adorama, Amazon, B&H)

February 2015 UPDATE – I DO NOT RECOMMEND DROBO ANYMORE

What follows is my old review and what I thought about the product at the time I reviewed it. It seemed promising, but the real test of a storage solution is how it performs over time. A better test of a backup solution is how the product and company respond to a failure. Sadly this is where Drobo has let me and others like Scott Kelby down (Scott’s Drobo failure story).

In my case the connection between the Drobo and computer stopped working so I could no longer access the 12TB of data I had on this device. Numerous attempts to reach Drobo support and management went unanswered during my data loss scenario. Another pro photographer I know have had similar problems with firmware updates that have gone bad and again Drobo support would not respond.

As a result, I personally can’t in good faith recommend this product which seemed to have so much potential. When it works, it’s great, but if you are left up a creek without a paddle when things go wrong, what good is it?

See also ioSafe 1515+ NAS powered by Synology DSM–The Ultimate in Photo & Video Storage

For years Scott Kelby and many others have been singing the praises of Drobo as an inexpensive way to reliably backup your data using spare or inexpensive hard drives, and grow as your budget allows. Even one of my mentors last year had a drive crash in his Drobo, but thanks to the dual disk redundancy feature he just swapped the drive and kept going. He was ecstatic and sang the praises of Drobo, so I decided to finally give it a look.

I’m not your average Drobo customer.  Are you?

When I started to do this article I spoke with the folks at Drobo and explained to them the dilemma that myself and other pros have expressed. We need fast, reliable, redundant storage that just works and doesn’t cost a bazillion dollars. When I need to free up space off my laptop or system drive I want to be able to move it quickly to a safe location and not wait weeks for CrashPlan or some other backup service to catch up with me.

I also expressed my concern about some solutions like my Buffalo 4TB LinkStation NAS that uses RAID 1+0 because I had the network card stop working for a few days. I thought I lost the 2TB of data I had entrusted in it, but the network card came back to life. It’s a good thing too because Buffalo's support was horrific!  I also wasn’t able to use online backup with a NAS (without a hack), so that data was very vulnerable. I wanted reliability, but when I needed to pull something out of the archive like a 650MB PSD file I wanted it quickly (in fact, editing in-place should be an option).

I already had 2TB of redundant storage filled, and then I had a 500 GB C drive, a 1TB E drive, a 500 GB ioSafe Solo D drive, and a 1TB ioSafe SoloPro drive. After many, many months I had all of this data backed up to Mozy only to have their service price go up so I had to move it to CrashPlan and start over. While I liked the idea of online backup, it’s just too damn slow to protect me against short term losses or accidental deletion so I needed a better solution.

I thought I had a lot of space requirements, but when I started talking to other pro photographers who are dumping their 8 and 16GB cards onto their drive frequently, I found out that I was small potatoes. I heard horror stories of 6 – 10 drives that were configured to be the perfect fire hazard and no reliable backup existed (beyond some cd/dvd’s burned occasionally for an important shoot).

I decided that I needed a smoking fast solution that would keep up with the frantic pace of new big files being added to my machine, but it also needed to run non-stop with backing up to the cloud. In short, I wanted:

  1. A local copy of my original protected on my ioSafe (the only product I trust for my original photos) so I was covered against fire or flood.
  2. I wanted all my local drives backed up automatically to a device with dual disk redundancy so even a hard drive crash or two wouldn’t lose my backup.
  3. I wanted redundant backup in the cloud so that I’d be covered against local theft or other unforeseen losses.
  4. I wanted something that would grow with me so my 8TB needs of today wouldn’t be an issue when I needed 16TB or 24TB down the road. With 100 megapixel sensor cameras and 4k video already in development, being future proof was critical.

I also wanted it to be affordable (i.e., not more than a new camera like a 5D Mark II or a great lens like a 70-200mm). Granted, gear like that isn’t cheap, but it’s peanuts compared to my life's work, so I figured that was a reasonable starting budget.

In all my research everything kept pointing back to Drobo. It was recommend by some peers and others wanted my 2 cents before investing. After talking with the folks at Drobo we concluded that the Drobo S would meet the needs of most “normal” photographers, but guys like me really needed the DroboPro.

For this article I tested a DroboPro on a 64-bit Windows 7 PC because that is where I keep all of my data. Drobo’s work with Mac’s as well, but given the nature of this device I did not test it on my MacBook Pro.

What is a Drobo?

How Drobo Works

Simply put a Drobo is like a empty computer with no hard drives. It’s a device that has its own intelligence on board that can control how it works with your hard drives to give you all the things you need (and I mention above), but you provide the hard drives. This makes sense when you think about it because you may have a handful of small drives lying around that still work but are just not in service anymore. If they fit, they’ll work (unlike RAID which requires matching drives) and the system is designed to grow with you. It also allows you to shop for the best price on drives or add more storage as hard drive sales happen.

Unlike a NAS, your connection to the Drobo is local so it just acts like another external hard drive on your computer rather than a separate computer on your network (a NAS).

Here’s a page to learn more about how Drobo works, but the key bit is its BeyondRaid technology.

BeyondRaid

Drobo has a great page that explains how BeyondRaid works, but the beauty of the design is that it is flexible and it grows with you. In fact, when I began my testing the maximum size my Drobo could support was 16TB, but a firmware update to support 3TB drives boosted the limit up to 24TB. That can never happen with RAID, so I was pretty jazzed to see this technology grow without me doing anything on my end!

How does the DroboPro differ from the smaller models I’ve seen?

The Drobo and Drobo S are effectively the same as the DroboPro but they have fewer storage bays and neither support the super iSCSI connection type (think faster than eSata & USB 3). Drobo FS is a NAS, which has strengths and weaknesses, but not what I wanted for my solution (where speed was critical).

Here’s a look at the front of the DroboPro where you insert your drives after you take of the sexy magnetic cover:

DroboPro front view - no door

It can hold up to eight 3.5” SATA I, II or III drives, but you’ll want to use their guide to see what drive is right for your Drobo. These bays are not hot swappable though, so you must power off to add or remove drives. Due to the performance characteristics of iSCSI and the potential for heat, Drobo recommends Enterprise (business) class drives:

Sadly despite my best effort to clear my drive selection with Drobo in advance, I ended up with non-Enterprise class drives (which BTW are not refundable). Fortunately they still work, but they aren’t designed for 24/7 use so I might be testing out the dual disk redundancy feature more often than if I would purchased what I was supposed to.

Here’s a look at the rear of the unit where you connect your cables:

DroboPro Rear View

I started with USB to get things going, but eventually I moved to iSCSI to get the best performance. As you can see, Mac users can also use Firewire and there’s a Kensingston lock port for locking the device down (which makes little sense because you can just remove the drives out the front).

iSCSI vs USB

iSCSI sounds odd, but simply put it is just the act of plugging a network cable from your computers network card into the Drobo and away you go. It’s cheap, fast and works. The kicker is that you need a free network port, but I just switched to using wireless to free up my port and I was in business. If you can’t do that then you will need to support a second network card that is compatible with your computer (and be careful as network cards these days want to go in the slot dedicated for your graphics card).

On the PC when when things work as they should, it’s just plug and play. If it doesn’t, then begin here. On the Mac you have to install some software to get it working so you’ll want this article handy.

Drobo Dashboard

Drobo Dashboard

Once you’ve installed your drives, got things set up and have updated your software and firmware as needed from http://support.drobo.com, you’ll begin setting up your Drobo using the dashboard as shown above. It’s a sexy UI that is easily approachable, so when things work smoothly it’s a pleasant place to be.

Speaking of drives, I managed to use a variety of brand new drives that I got on sale from New Egg (some based on the advice of my Drobo contact) and ended up with a configuration like this:

Drobo Dashboard - Status

Yes, you are reading that right. I have three 3 TB drives, four 1 TB drives and a 2 TB drive (15 TB) yet I only have 8.15 of available disk space. This is partially due to dual disk redundancy and partially due to how BeyondRaid uses the disks. Here’s a nice UI in the dashboard that shows you how it uses the drives:

Drobo Dashboard - Capacity and Tools

Confused? At first I was too! Essentially the algorithm is that it uses your two largest drives for protection and then what’s left is usable. However, dual disk redundancy is just that – using twice the space for each file for extra protection so you end up with a lot of space used for protection.

Drobo has a fantastic capacity calculator tool to show you exactly what to expect when you use your drives. Of course you have to keep in mind that manufacturers approximate so your 3TB drive might really be closer to 2.7TB, etc… and you can see the impact of dual disk redundancy via the checkbox.

Here’s where I currently stand with the DroboPro:

Drobo Dashboard - Capacity and Tools

But I’ve accomplished all of my storage goals. Of course I wish they had deduplication technology to conserve space for obvious wasted duplication (i.e., same file in multiple locations, 10 photos of the same thing with just minor differences in the exposure, redundant metadata, etc…). Sadly they don’t, so it’s up to me to do that task which I have zero desire to do.

Things have been working flawlessly with my current unit (shipped 11/28/11), so I’m very happy with the DroboPro overall.

Drobo Copy vs Drobo PC Backup

DroboCopy shows such promise when you see its user interface:

Drobo Copy

Drobo Copy Advanced Features

but sadly it is a very low tech file copy was very fragile. If files are open it’s game over and you’d be surprised how many files are open when it runs! If it has trouble with a file for any reason it would just quit instead of skip and continue. You are much better off using robocopy (included with Windows) than using this delicate daisy.

The good news is that some units (although sadly not the DroboPro) offer a free license for Drobo PC Backup. This is a “better than Drobo Copy” solution that isn’t so fragile, but like Drobo Copy it will bring your computer to its knees. As a result you’ll need to schedule it to run while you sleep or else find a different computer to use when it runs.

Drobo PC Backup

In the UI above the failed to backup files are files that are locked and won’t allow read access (i.e., the registry, pagefile.sys, etc…). The huge difference in backup size was due to me putting all of my data from my Hawaii trip onto my computer at once.

While the UI has its quirks that will drive you mad (like try to only backup your profiles in c:\Windows\System32\spool\drivers\color), it gets the job done. It also beats manually doing an XCopy, RoboCopy or BeyondCompare.

My 9+ months with the DroboPro

When I first got my DroboPro I had an old Dell XPS420 that was overdue for retirement, but I wanted to back everything up before getting a new system. It seemed like a good idea, but that system proved to not work well with iSCSI and was having some issues that made it really hate the DroboPro. While I think I did manage to get a defective DroboPro at the start, since I’ve been on my new machine my DroboPro has operated absolutely flawlessly for over 6 months now. It’s been super fast and a pleasure to use.

My Configuration

Here’s the drives I used in my configuration:

Since these are not the recommended “Enterprise Class” drives, these are technically unsupported. I’m not in a position to plunk down the money for Enterprise class drives, so I’m taking my chances here. For 9 months I’ve been in good shape, so let’s see if my luck holds out.

My total cost for all of these drives was $938.60 thanks to some screaming sales on B&H and Amazon, so this was an expensive review to bring to you. However, with the flawless operation ever since I got my new machine I’m confident that I have a reliable storage solution that will grow with me.

I’m currently enjoying a fast and error free performance using iSCSI, but it has cost me a little bit of overall performance since I went from a wired connection to my router to wireless. The biggest place this hurts me is in my backup to the cloud performance which seems to take about 4x longer now.

I have one 16 TB NTFS volume as shown below, but I regret doing this for performance reasons. A more intelligent approach would have been to have done two 8TB volumes.

Drobo Dashboard Volumes

Conclusion

With complex electronics failures can and do happen, so I chalk up my unfortunate initial experience to bad luck. Based on the 200,000+ customers Drobo has had and all of the great testimonies I’ve heard, I’d say that your odds of getting a bad unit are about the same as being struck by lightning.

My DroboPro with my Alienware Aurora R4 system has been extremely reliable via iSCSI for over 6 months so I’m very happy with the reliability with the unit I currently have. As a result, I’m confident in recommendation of the DroboPro for anyone who needs great performance managing a lot of storage.

Recommendation: If you don’t need a huge 8 bay, then go for the Drobo S for a local storage solution. If you’d rather have a NAS then go for the Drobo FS. If you find down the road that you need more storage you can always get a another Drobo S, turn off dual disk redundancy and let Drobo PC Backup send copies to both units when you backup. I also recommend a max volume size of 8TB (or smaller if you can live with it).

Generally speaking, I’d stay away from USB 3.0 connections as I’ve been finding a high number of issues with a wide variety of machines using USB 3.0 on non-Drobo devices. This has ZERO to do with Drobo, but I mention this to save you some headache as the only machines I’ve used with reliable USB 3.0 so far have been select Lenovo and Sony machines.

Disclosure

Drobo provided me with a DroboPro unit to review at my request. If you use the links in this article I may get a commission.

NOTE: This site requires cookies and uses affiliate linking to sites that use cookies.

If you enjoyed this article, please support future articles like this by making a donation or saving money by using my discount coupon codes. Either way, your support is greatly appreciated!

This blog is intended for freelance writing and sharing of opinions and is not a representative of any of the companies whose links are provided on this site.

The opinions provided are of Ron Martinsen alone and do not reflect the view of any other entity

Thursday, May 31, 2012

REVIEW: The iPad for Photographers–Read This Book!

When I first got a copy of The iPad for Photographers: Master the Newest Tool in Your Camera Bag from the publisher I scoffed and thought “what kind of moron needs a book for the iPad?” — It’s probably one of the easiest devices in the world to use! My next thought was – why would I use an iPad for anything but showing my finished photos?

I was convinced this book was for suckers and I expected it to become a leveling tool for a bookcase or something. However, an interesting thing happened when this book landed on my bathroom countertop. I was waiting for my wife to finish up getting ready one day when I decided to look through the pages – I found myself getting hooked really quickly!

In no time I was downloading cool apps from the App Store like ShutterSnitch for iPad (iPhone) which could read my RAW files, and more that I’ll feature on this blog in the near future. I found myself getting excited when I learned that there were tools like Photosmith by C² Enterprises, Inc that could allow me triage my photos for Lightroom directly on my iPad and many others like these (not all inclusive):

Chapter by Chapter Review

Here’s my thoughts on the chapters in this book:

  1. The iPad on Location – This is the chapter that hooked me and it’s the one you should read at the bookstore if you are on the fence about this book. Very quickly you’ll see how to get your JPEG and RAW photos onto your iPad from your camera wirelessly using the Eye-Fi or via USB cable to begin doing some really cool stuff.
  2. The iPad in the Studio – This has some cool stuff about how to use your iPad as a remote camera controlling device as well as handy stands like the Pivot and Stump. There's even cool things like Air Display which MacBook Pro users are going to love. Collectively these and the recommended apps come together to really help you out with seeing what your shots look like on that sexy new iPad display before you call it a day during your studio shoot. This is super useful for those cases where the eye looks in focus at a glance on your LCD, but your iPad shows you it’s not.
  3. Rate and Tag Photos – This is what it’s all about because honestly I’m going to do my real work on my computer. However, if I can dump my photos on my iPad before a flight then being able to triage them on the plane is a huge win for me. Photosmith will rock your world for that if you use Lightroom. Great stuff here – highly recommended!
  4. Edit Photos on the iPad – While I use Snapseed on my phone and love it, I’m not going to use it for my DSLR photos. I found this chapter to be good info for people doing simple family or hobby work, but working pros can just glance through here.
  5. Edit Video on the iPad – Same as above, but surprisingly you can do more than I expected with video. Good FYI info.
  6. Build an iPad Portfolio- This was a chapter that I rolled my eyes at and thought would be lame, but in reality it was helpful. I knew most of the info in it, but as a photography instructor I know a lot of people will really appreciate this chapter. Definitely read it!
  7. Share Photos – This is useful for those who want to quickly get their photos on their web sites. While that’s not typically how I work, if you are an event photographer or photojournalist where speed is of the essence then you’ll find this very useful.
  8. Helpful Apps for Photographers – I’m a geek so this is just cool as there were some apps I hadn’t discovered yet. It’s clear that Jeff spends too much time screwing around on his iPad like me as he’s found some cool stuff here.
Prerequisites

In case you were wondering, this book applies to all versions of the iPad but the truth is that it was written for iPad 2 with updates for iPad 3. You’ll also want a Apple iPad Camera Connection Kit (or equivalent) and an Eye-Fi for the best experience.

Conclusion

If you haven’t got an iPad yet, or if you have an older one, I can’t recommend the new iPad enough. The display has more pixels per inch than my NEC PA Series photo editing display, so I long for a 24” version of the retina display for my desktop! Using EasyRelease is so much easier for my models than the iPhone version that I reviewed, and my printing 101 eBook never looked better. To me, it’s the must have tool for the modern photographer, and this book helps you make the most of it!

This is the most exciting new book I’ve read this year. I’ve been a huge fan of my new iPad and Flipboard (aka iOS Crack), but this book really transformed it from a time wasting toy to a business assistance tool.

I give this book my highest recommendation and that comes from someone who thought this book would be a waste of money!

Click here to buy your hard copy today or you can get the Kindle Edition for your iPad or Kindle Fire. If you don’t have it already, you can download the Kindle App for the iPad here.

Disclosure

I was provided a copy of this book by PeachPit Press for review. I contacted the author to thank him for a great book and to make arrangements to meet him since he lives in Seattle, but I have not met him or had any meaningful conversations with him up to this point. Now that this article has been released, I aim to change that.

If you make a purchase using links found in this article, I may make a commission.

NOTE: This site requires cookies and uses affiliate linking to sites that use cookies.

If you enjoyed this article, please support future articles like this by making a donation or saving money by using my discount coupon codes. Either way, your support is greatly appreciated!

This blog is intended for freelance writing and sharing of opinions and is not a representative of any of the companies whose links are provided on this site.

The opinions provided are of Ron Martinsen alone and do not reflect the view of any other entity

Tuesday, May 24, 2011

Photo Thoughts: Soft Skin

Ever since I read Scott Kelby’s new book, Professional Portrait Retouching Techniques for Photographers using Photoshop, I’ve been itching to retouch some portraits. I’ve got tons in the queue that need to be done, so I started with this one as I’ve had requests to see more of this model after this Photography Notebook entry of this model was published.

NOTE: My apologies for not showing a before shot in this article, but out of respect to the model I’ve elected not to do that this time.

How I Processed This Shot

The techniques in Scott’s book are great and I want to use every one of them, but the problem I find right now is that I’m stuck in my old ways. When I’m in a hurry, as I was when imaging this shot, I resort back to doing what I always do. I know from my experimentations while reading Scott’s book I can get more natural and better results using his methods, but I need to find some time to practice them more so they become my first thought for processing.

With that said, here’s how I imaged this shot on a calibrated NEC PA Series display:

  1. The original background was a little darker than I would have liked and the model was a touch under exposed, so I processed both separately using Smart Objects in Photoshop and merged them together. I didn’t spend much time on this because the real work to clean up the background came in the next step.
  2. Next up I used Viveza to brighten all the white spots of the background and put separate control points on the model to keep her from being bleached out. I brightened her up some, but naturally note like the background which I wanted to be pure RGB 255,255,255.

    I also added a little color to the lipstick to give it more oomph.
  3. This model’s skin was in pretty decent shape, but I went ahead and just did a few content-aware healing brush touchups on a few moles and skin imperfections. I also removed some of the major stray hairs. I did this right on the Viveza layer, but I should have done it on its own layer. I was just in a hurry and didn’t take the time to do that.
  4. Next up I used the medium skin softening preset in Portraiture. It’s a little aggressive for some, but for this model I like heavy softening so I stuck with it.
  5. The next step was to use Color Efex with its Tonal Contrast filter. I checked the “Conventional High Pass Filter” checkbox and brought the midpoint slider down to zero. Once I had it back in Photoshop I set the blend mode to Soft Light and reduced the layer opacity down to 51%. The net result is that I had a taste of this filter that gave the skin more edge definition.
  6. The skin was feeling a touch too dark for my taste so I came in again with Viveza to brighten it up selectively in spots. I used a mask to touch a few spots to keep them from being overblown.
  7. I dodged the whites and iris of the eyes, and then burned the rest. I also did a High Pass Filter with an Overlay Blending mode on the eyes to give them the wet glassy look I like.
  8. The image looked pretty good to me, but I wanted to sharpen the clothes and some of the hair for display output, so I used Sharpener Pro. I used just a quick rough mask to only apply the sharpening where I wanted it and at the level I liked for this image.
  9. I capped this one off by putting my logo on it.

This was a pretty simple edit that took about 30 – 40 minutes start to finish – mostly because I’m slow. Overall I’m pretty happy with the final result as I got the look I had in mind when I started imaging it. However, I realize it may not be to the taste of those who prefer much more subtle editing. That’s again where Scott’s book comes in, so I hope to try his method on one of the images from this series just to compare the results with this workflow.

Here’s a screen shot of my layers palette in Photoshop CS5.1 Extended for Windows:

image

Technical Details

I shot this with a Canon 5D Mark II using my EF 70-200mm f/2.8L IS II USM lens dialed in at 80mm and I was at f/11 for 1/160 sec @ ISO 160 thanks to my studio lights working hard for me.

Disclaimer

I may get a commission if you purchase using the links in this article. Thanks for supporting this blog by using the links!

NOTE: This site requires cookies and uses affiliate linking to sites that use cookies.

If you enjoyed this article, please support future articles like this by making a donation or saving money by using my discount coupon codes. Either way, your support is greatly appreciated!

This blog is intended for freelance writing and sharing of opinions and is not a representative of any of the companies whose links are provided on this site.

The opinions provided are of Ron Martinsen alone and do not reflect the view of any other entity